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Alexander stages the action on a simple round, raked platform surrounded by gauzy white draperies. The draperies double as scrims, on which are occasionally projected season-appropriate images of autumn leaves, spring flowers and winter snowflakes. Driscoll Otto’s lighting design also utilizes splashes of color and sunlight befitting the characters’ locations and/or moods.
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With Jones’ approval, Alexander and company have made at least one significant change to the text: one of the two conniving fathers has become a mother. The change won’t even be noticed by someone unfamiliar with the original version, and Eileen T’Kaye pulled it off perfectly. Stage and screen vet Harry Groener paired well with her as Luisa’s father, Bellomy.
I had the privilege of meeting Eric McCormack after the performance I attended. He’s a very nice, easy-going guy, and is currently filming the period comedy My One and Only with Kevin Bacon and Renée Zellweger. McCormack previously starred in The Music Man on Broadway and has great song-n-dance chops. If not The Fantasticks, hopefully we’ll get a chance to hear him in another musical in the not too distant future.
Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.
2 comments:
What about Lucas Grabeel performance? You like or dislike?
I liked Grabeel's performance very much. I mentioned above that he made a great impression vocally, but he danced and acted well too. He's a very talented young man.
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