The Butch Factor
Hines also interviews a handful of less-masculine gay men for perspective and balance. For them, too, their effeminate characteristics are innate and not something they consciously adopted. As one of them notes, no man would want more feminine traits if we truly had a choice in the matter.
The Butch Factor ultimately reveals, unsurprisingly, that long-standing social mores and gender stereotypes are more to blame for the prevailing desire for more masculine traits in a partner, even among gay men. While the movie doesn’t settle many arguments, it is an interesting exploration of this enduring debate.
Pennsylvania-based Breaking Glass Pictures recently debuted two films on DVD through their new QC (Queer Culture) Cinema subsidiary. The first, Lucky Bastard
It tells the story of a successful LA-based house restorer, Rusty (the very appealing Patrick Tatten), who inexplicably falls in love with a gorgeous but dysfunctional hustler, Denny (the gorgeous and frequently nude Dale Dymkoski, of TV’s Law & Order: Special Victims Unit), over the course of a few hours of sex. Rusty has a devoted, equally successful boyfriend but apparently can’t resist shirtless meth addicts who hang out in liquor stores.
The usually reliable Lewis falters here as the result of under-developed characters, so-so acting and too much sympathy for his screwed-up protagonists. Sure, many of us have been attracted to someone we’d hoped and tried to “fix” at one time or another, only to learn how impossible it is. Once you’ve been there, done that, it’s hard to feel anything but disdain for the likes of Rusty and Denny.
Chinese filmmaker Simon Chung (Innocent) follows the exploits of Ming (well played by Lee-Chi Kin), a 22-year old Hong Kong man who falls fairly eagerly into drugs and prostitution. Once arrested, Ming is sentenced to the New Life Center, a Christian reform camp whose less-than-subtle director tells Ming upon his arrival, “Everyone who passes through that door is a new being in Christ.”
It doesn’t take long for Ming to hear the siren’s lure of temptation, both toward forbidden cigarettes and forbidden love with his sponsor, Keung (Guthrie Yip, who also gives a fine performance). The seemingly straight Keung later invites Ming to live with him and his girlfriend following Ming’s release from the camp. Needless to say, trouble ensues.
Like Lucky Bastard, End of Love focuses on characters with addiction and codependency issues. Chung, however, resists rewarding his unhealthy subjects with awesome sex and immediate, soulful connections. Ming, Keung and their ilk in End of Love are more recognizable precisely because they aren’t model-gorgeous and are, therefore, more believable.
In summary, I recommend The Butch Factor and End of Love among these early 2010 DVD releases but encourage would-be viewers to pass that Lucky Bastard by.
Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.
1 comment:
great writeups. the butch factor sounds interesting.
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