Wednesday, December 17, 2008

Reverend’s Reviews: It Came From Outer Space

Keanu Reeves as a tree-hugging, emotionless alien? Talk about typecasting! While neither as charismatic nor debonair as Michael Rennie, the first to play intergalactic ambassador Klaatu in The Day the Earth Stood Still's 1951 incarnation, Reeves succeeds in bringing a more threatening demeanor to this classic role.

As revered as the original Day the Earth Stood Still is, I’m surprised it has taken Hollywood nearly 60 years to remake it. It was a “message movie” that has withstood the test of time as well as, sadly, humanity’s war-faring ways. Klaatu threatened the people of Earth with annihilation if we didn’t give peace a chance. The original screenplay, written by Edmund H. North, features enduringly profound insights, but the late Robert Wise’s film is naturally dated and doesn’t spring to mind for younger moviegoers today.


While the new Day the Earth Stood Still predictably ups the visual effects, the original source material remains pleasingly intact. In fact, Klaatu’s mission is expanded upon. He has non-violent instincts and identifies himself as “a friend of the Earth,” which Helen, the scientist who greets and ultimately aids him, initially interprets to mean Klaatu bears no threat to humankind.

Helen (played with appropriate intelligence by Jennifer Connelly) is soon enlightened, however, and learns that Earth’s population has been condemned to death in order to save our dying planet. She and her patience-testing stepson (played by Jaden Smith, Will’s son) become the sole humans who can potentially convince Klaatu to change his mind.

Klaatu’s sidekick Gort is along for the remake ride, and has himself been expanded in both size — he’s now three or four stories tall as opposed to his “monstrous” 8-foot stature in 1951 — and destructive capability. The new model is also decidedly less clunky than his predecessor was, and has more versatile features, as becomes apparent during the film’s climax.


A nice character addition is that of an alien observer, Mr. Wu, who has been living among and studying human beings for 70 years and advises Klaatu. Though he only appears in one scene, Wu is poignantly played by veteran Asian-American actor James Hong (most recently heard in Kung Fu Panda). While critical of the human race and advocating for its destruction on the one hand, Wu has also seen the “other,” good side of human beings and subsequently elects to die with us rather than leave Earth with Klaatu.

Director Scott Derrickson brings to The Day the Earth Stood Still the same nuanced sense of foreboding he applied well to his 2005 feature, The Exorcism of Emily Rose. And while this film’s special effects are plentiful, Derrickson uses them more subtly than many modern big-budget filmmakers. Shots of alien “ark” spheres collecting the non-human organisms of the Earth for preservation have an unexpectedly inspirational feel to them.


It is only during the film’s finale that the filmmakers lose their footing to some degree, or perhaps the producing studio (the increasingly disreputable 20th-Century Fox) intervened to muck things up. Unlike in the original, the title’s meaning becomes clear not midway through but at film’s end. Klaatu warns Helen that humanity will have to pay a price in being saved from destruction, and that price is revealed. It is actually a bold and inspired stroke but then the film ends, abruptly and cheaply. Most of those who have seen it are likely scratching their heads, and I would agree with them that greater clarification and exploration is needed.

While many critics and moviegoers have been dissing the current Day the Earth Stood Still, I recommend it. Even with its truncated ending, the basic story is more timely now than ever. Whether we will finally put its lessons into practice remains to be seen.

UPDATE: The Day the Earth Stood Still is now available on DVD and Blu-rayfrom Amazon.com.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Women We Love: Anna Faris

Object of our affection: Anna Faris, actress.

- Previously seen only in dramas, she showed off her flair for comedy — and became a star — as scream queen Cindy Campbell in the Scary Movie franchise.

- She stole her scenes as a thinly veiled Cameron Diaz-type in Lost in Translation and had a brief but memorable part in Brokeback Mountain.

- Late in the hit series' run, she guest starred on Friends in the pivotal role of Erica, the dim bulb who gave birth to Chandler and Monica's twins.

- Other films include a real scary movie (May), two co-starring roles opposite Ryan Reynolds (Waiting ..., Just Friends) and the comedies My Super Ex-Girlfriend and The House Bunny (available on DVD and Blu-raythis Friday).

- Next, she'll be seen in some more comedies (Young Americans, Frequently Asked Questions About Time Travel, Observe and Report) and heard in the animated fantasy Cloudy with a Chance of Meatballs.

Awards Watch: Playing Their Song

The music branch of the Academy has released the (not so) short list of the movie tunes eligible for this year's Best Original Song Oscar. And of the 49 songs that qualify for the next round of voting, 22% are from High School Musical 3: Senior Year. That's right, Disney submitted every single original song from their tweener hit (including "I Want it All", pictured), 11 total. However, unlike in previous years, only two songs per movie can be nominated due to new rules in effect this year.

Other Disney tunes making the cut include two from Bolt (which means the phrase "Miley Cyrus, Academy Award nominee" could become a reality ... shudder), "Down to Earth" from WALL-E and "The Call" from The Chronicles of Narnia: Prince Caspian. Also short-listed are such musical oddities as "Rock Me Sexy Jesus" from Hamlet 2, "Dracula’s Lament” from Forgetting Sarah Marshall and three rocking arias from Repo! The Genetic Opera, any of which (if nominated) will make for an interesting production number. I vote that Oscar host Hugh Jackman play Sexy Jesus, how about you?

See the comments section below for a quick look at the finalists.

UPDATED: Film Experience has collected sound bites from most of the eligible songs, including (double shudder) Clint Eastwood croaking out "Gran Torino".

Tuesday, December 16, 2008

Reel Thoughts: Xana-Do!

“A place where nobody dared to go
The love that we came to know
They call it Xanadu.”

For more than 20 years, that lyric was oh-so-true for cult lovers of the 1980 Olivia Newton-John movie musical mess. I was young enough and gay enough to embrace the film wholeheartedly when it came out, while the rest of the world retched at its over-the-top corniness.

Fast-forward to the new millennium and playwright Douglas Carter Beane and director Christopher Ashley have reincarnated what was most fabulous about the mega-flop and threw in a healthy dose of parody. Voila! Xanadu lives again, only this time it’s loved and respected. And now, La Jolla Playhouse has captured the magic of the Broadway hit as it makes its West Coast premiere (now through December 31).


Having seen Ashley’s Broadway version starring Cheyenne Jackson and Kerry Butler, I have to say that recreating it for the national tour may be like trying to capture lightning in a bottle. All of the elements are there and the show is a campy delight, but what was missing in La Jolla, sad to say, was the audience.

Elizabeth Stanley, who was so marvelous in the underappreciated Cry-Baby, strikes a more classic comic siren note than Butler, who went for full-on Olivia Newton-John. Stanley is a master comedienne, while Butler magically channeled her inspiration. Max von Essen is the opposite physical type to the impossibly gorgeous (and built) Jackson, playing Sonny Malone more like a spaced-out dreamer, but he is impossibly adorable nonetheless.


The story of Xanadu remains the same: the Grecian muse Clio comes to Earth to help an artist attain his highest achievement — a roller disco named Xanadu. Hey, it’s 1980, nothing much was happening artistically! In this version, however, her evil sister muses, Melpomene and Calliope, set the plot in motion by casting a curse upon Clio to fall in love with a mortal, thereby sealing her fate. Sharon Wilkins brings a full-bodied brazenness to the role originated by Mary Testa, while the hilarious Joanna Glushak finds her own variations in the sublime Jackie Hoffman’s role, even though she’s wearing a Jackie Hoffman wig and glasses.

The biggest improvement is Larry Marshall as Danny McGuire (Gene Kelly in the film, Tony Roberts on Broadway), who, despite some line difficulties, imbued his character with a lot more personality and heart than the seemingly at-sea Roberts. Danny is the man Clio left in the ’40s when he chose money over art, and Marshall makes you feel for him.


The other muses are sexy and hilarious, especially in the trip to Mt. Olympus. Perhaps due to space constraints, the wild free-for-all roller-skating that typified Broadway’s Xanadu has been scaled back. The night I attended, the understudy Brett Stang played the Featured Skater, but shouldn’t really have bothered.

Watching Xanadu this time, I realized what a major part the audience plays. The cast seemed to have to work overtime to get the jokes out there to a house that didn’t want to play along and have fun. However, the infectious spirit of the cast won them over and by the end, the audience was on their feet clapping and dancing in their rows. La Jolla is at least as magical a place as the fabled Xanadu, so catch this comic gem when it comes your way.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.