Bewitching Greetings

Have a happy and safe Halloween!
-- from Movie Dearest

MD Poll: Naked Treat

When it came to Halloween costume ideas, MD Poll takers opted for the simple this year. After all, to "dress up" like Ryan Gosling a la Crazy, Stupid, Love, all one has to do is wrap a towel around their neck, put on a womanizing smirk and show off their little gosling.

Other top vote-getters were a little more innocent, such as a Harry Potter Hogwarts grad (second place) and a Glee Dalton Academy Warbler (tied for third with a Black Swan ballerina). For the complete results, see the comments section below.

Trick or treat!

Reel Thoughts: They Called Him the Streak

Talk about a streak of fame! Robert Opel made Academy Award history when he famously ran naked past presenter David Niven at the 1974 Oscars, which led Niven to quip, “Isn't it fascinating to think that probably the only laugh that man will ever get in his life is by stripping off and showing his shortcomings?" To show how far we haven’t come, this streaking stunt was decades before Janet Jackson’s Super Bowl “Nipplegate,” which seems almost quaint in comparison, yet Jackson’s areola ignited much more rabid Right Wing mouth-foaming than Opel’s penis. Opel even got invited to The Mike Douglas Show where the host serenaded him alongside Bea Arthur.

Uncle Bob (available on DVDthis week), as you might guess from the title, is a tribute to the man who gained national fame in an instant, made by his namesake and nephew Robert Oppel. The film is a fascinating look at a man who was a pioneer in gay rights political action, as well as an erotic photographer who created images as controversial as Robert Mapplethorpe’s. Sadly, Uncle Bob was murdered in 1979 in his San Francisco gallery called the Fey-Way Studios by thugs demanding drugs and money. The younger Oppel spends the film trying to make sense of how and why his uncle was gunned down in front of witnesses.

Oppel mixes archival footage with recreations of events where he plays his uncle, including his murder, and the effect is sometimes effective and sometimes too over-the-top and badly acted. Opel’s death occurred shortly after he staged an “execution” of Harvey Milk’s Twinkie-loving killer Dan White while dressed as “Gay Justice.” Director Oppel (seen, like his namesake in archival photos, frequently full frontal during the course of Uncle Bob) uses a heavy hand to explore the possibility that this act of performance art enraged the San Francisco Police Department, and that they somehow orchestrated his uncle’s murder.

This tangent, with scenes of cops yelling “Kill! Kill!” into the killer’s ear in a jail cell, isn’t necessary, though, because Uncle Bob was a fascinating man who interviewed and worked with the likes of Divine and the infamous Cockettes. The interviews with those close to Opel provide an engrossing look at life in the 1970’s Castro District of San Francisco, and more specifically a moving portrait of a man who led a radical and trail blazing life who was cut down in his prime.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Reverend's Reviews: Partying at the DGA & Eating Out

Gay Hollywood and its supporters were out in force the night of October 20th at the Director's Guild of America. With free cocktails provided by Absolut (who also generously donated $30,000 to the night's beneficiary, the Outfest Legacy Project), director-choreographer Adam Shankman (Hairspray, the upcoming Rock of Ages) and cable TV network Lifetime being honored, and such celebs as Tony Shalhoub (Monk), Jesse Tyler Ferguson (Modern Family) and full-throated diva/hostess Jenifer Lewis in the house, there was no way not to have a good time.

In accepting his award and reflecting on his successful career, Shankman proudly declared that he was able to coax Tom Cruise into wearing both butt-revealing chaps and a codpiece for his role as a "hair metal" rocker in next summer's Rock of Ages. The openly gay, Jewish Shankman also brought down the house by sharing a letter he received from Crystal Cathedral pastor Robert Schuller when Shankman's adaptation of the pro-Christian novel A Walk to Remember was released. Schuller commended Shankman as the new leading face of Christianity in the US. Shankman was tempted to invite Schuller to meet him at the West Hollywood club Rage to discuss it... "and on Passover."

The Outfest Legacy Project is dedicated to LGBT film preservation and restoration in partnership with the UCLA Film & Television Archive. During her presentation, Outfest's Executive Director Kirsten Schaffer revealed three recently-restored films and announced that the project was a third of the way through its most ambitious undertaking to date: restoration of the 1919 German film Different from the Others. Believed to be the first cinematic depiction of a gay man's life, most prints had been destroyed by the Nazis. To make a contribution toward this and the Legacy Project's other worthy efforts, visit their official website.

Outfest is primarily known for premiering more contemporary LGBT movies during its annual summer festival in Los Angeles. Among these has been the ongoing Eating Out film series created by Q. Allan Brocka (who also serves as an Outfest board member). The latest installment, Eating Out: Drama Camp, is being released on DVD today by Ariztical Entertainment. Brocka returns as writer-director after sitting out the last two films, and Drama Camp is all the better as a result.

An enduring, funny-sexy plot involving confused relationships and secret motives among gay and straight people has here been moved to a summer camp for aspiring actors. Additionally, Drama Camp throws the series' first trans character (played by trans actress Harmony Santana, who recently made an impressive film debut in Gun Hill Road) into the mix. Chris Salvatore and Daniel Skelton return as Zack and Casey from the last Eating Out entry, but their relationship has grown stagnant. Once at Dick Dickey's Drama Camp, whose namesake is played by the hilarious Drew Droege of YouTube's Chloe fame, the partners find themselves tempted by several classmates. Unfortunately for them all, Dickey has forbidden sex at his camp under threat of expulsion.

The Eating Out series isn't known for comedic or sexual subtlety, but what Drama Camp lacks in restraint it makes up for with good humor and hot guys. Brocka gets game performances from his cast, which also includes Mink Stole as Casey's liberated Aunt Helen (who at one point says -- hilariously -- to her much younger lover, "You make me feel like Demi Moore!") and a cameo by fan fave Rebekah Kochan. Brocka also fills the screenplay with witty jabs at pop culture behemoths including Facebook, Betty White, Glee, Neil Patrick Harris, Black Swan and, of course, Lindsay Lohan.

It likely won't be of such lasting, historical value that the Legacy Project will feel compelled to preserve it, but gay viewers today can do a lot worse than Eating Out.

Reverend's Rating:
Eating Out: Drama Camp: B

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.