MD Poll: Pick Your Pixar

Now that you have all had a chance to see this summer's hit Up, the MD Poll wants to know: what is your favorite Pixar movie?

You now have a full ten to choose from, so make your "Pixar pick" and vote in the poll, located in the right hand sidebar. Results will be revealed Saturday August 1.

MD Poll: Ashes Smashes

Perhaps it was because it is the most recent, or maybe it was a roving band of Robert Pattinson fans, but Little Ashes triumphed over the expected winner Brokeback Mountain in the latest MD Poll asking you to name your favorite cinematic gay romance.

The Salvador Dalí/Federico García Lorca biopic (co-starring Javier Beltrán) dominated the voting, at times at over 50%, finally settling in with a third of the total votes. Brokeback came in second, with Shelter (another recent fave) placing third. See the comments section below for the complete rundown.

Miss Independent

Happy Independence Day!

Reverend's Interview: On These Shoulders We Stand's Glenne McElhinney

Just a few years ago, Glenne McElhinney was working as a mechanic in the automotive industry. Today, she is a chronicler of LGBT history and the director of a new documentary, On These Shoulders We Stand. The film, which explores the struggles of the gay and lesbian community in postwar Los Angeles, will have its world premiere as part of Outfest 2009.

McElhinney has led San Francisco-based Impact Stories since 2007. What began as “a modest oral history project” has quickly grown into an effort to collect, preserve and celebrate California’s significant and unsung contribution to LGBT history.

Through her interviews with the diverse likes of activist Ivy Bottini, the Rev. Troy Perry and Los Angeles Times film critic Kevin Thomas, among others, McElhinney became aware of significant differences between the histories of the LGBT community in northern California and the community in southern California.


“I learned how hard it was in LA just to be gay, just to be yourself,” McElhinney told me recently by telephone. “In doing the interviews, there was a common thread that became apparent; it was uncanny how similar some of these stories were, and the people didn’t know each other.”

The 53-year old director, who was born and raised in northern California, admits to being surprised by “the reality of collusion between LA’s city fathers, the LA Times and the LAPD to make life miserable for LGBT people” between the 1950’s and the early 1980’s. According to McElhinney’s research, these entities worked hard to convey the message “Stay in the closet or get arrested” to LGBT Angelenos.

“LA’s place in the US in the LGBT rights movement is very important and largely unknown,” according to McElhinney. On These Shoulders We Stand counters the popular belief that the early gay rights movement was limited to New York and San Francisco.


McElhinney also discovered that a double standard existed in LA and Hollywood during the decades in which local gays and lesbians were persecuted. “A-list actors didn’t have their parties raided, but the average LGBT person in Hollywood was at risk,” McElhinney said. Kevin Thomas addresses the reality of this double standard in the film, as well as its residual impact on Hollywood’s approach to homosexuality today.

It was another movie, Paragraph 175, that inspired McElhinney to ditch her former auto-industry career and start Impact Stories. The award-winning 2000 documentary about the Nazis’ persecution of homosexuals made a life-changing impact on her.

The oral historian-turned-filmmaker admits to being “tickled pink” about the selection of On These Shoulders We Stand by Outfest. McElhinney ultimately hopes the film receives a theatrical release. “Our real target is young people,” she says, “and getting the word out about how things have changed for the better.”

Click here to watch the trailer for On These Shoulders We Stand.

Interview by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Reverend’s Interview: Sir Robin to the Rescue

It has been four long years since the knights, knaves and ladies of Monty Python’s Spamalot stormed Broadway and won the Tony Award for Best Musical. Ordinarily, it only takes a couple of years for Broadway musicals to make it to California, but the producers of this comical extravaganza first took the show to Las Vegas and, in the process, prohibited it from being performed on the west coast. Thankfully, the embargo has been lifted. The show will open at the Ahmanson Theater in Los Angeles for a two-month engagement starting July 7.

This spoof of all things Arthurian — not to mention more contemporary concerns including same-sex relationships, military crusades in foreign lands and Britney Spears — stars John O’Hurley of TV fame as King Arthur and James Beaman as Sir Robin, a role originated by David Hyde Pierce (and also played on Broadway by Clay Aiken). In the show, Robin becomes renown for slaying “the vicious Chicken of Bristol” as well as for his sage advice to Arthur, “We won’t succeed on Broadway if we don’t have any Jews.”

Beaman recently spoke with Movie Dearest from San Francisco, where Monty Python’s Spamalot recently made its west coast premiere. He has been playing Sir Robin for eighteen months and loving it.


“I enjoy the fact that audiences, no matter how they start with us, are having a ball at the end of the show,” Beaman said. “It’s an infectious, joyful show; a big party.”

Beaman assured me that the touring production of Spamalot is the fully-orchestrated, original New York production, not the truncated 90-minute version that played in Vegas.

“It’s everything you want in a Broadway musical,” he continued. “It pokes fun but also has all the spectacle, dancing, etc. that one expects of a big Broadway musical.”

The British comedy troupe Monty Python has long tickled funny bones via their 1970’s television series and subsequent hit movies such as Monty Python and the Holy Grail (the direct inspiration for Spamalot), Life of Brian and The Meaning of Life. Original member Eric Idle is the author and lyricist of the stage production.


“The musical is an interesting hybrid,” in Beaman’s estimation. “The characters and tone are very authentic to Monty Python, but the show is also a tribute to musicals in general.” The actor grew up with Python thanks to his older brother, who was “a huge fan.”

Beaman, who is gay, admires the comedy of Monty Python for its “pre-political correctness.” He finds this attitude especially applicable to the LGBT community. One song in the musical, “Find Your Grail,” stands out for Beaman.

“People in our community have to work a little bit harder to get what we want in this life,” he says. “Find Your Grail,” arguably the one serious song in the entire show, encourages LGBT audience members in our own quest for acceptance and justice.

Beaman started out in New York City as a cabaret performer. He impersonated Lauren Bacall in his 1993 show Bacall: By Herself, and garnered enormous acclaim a few years later as Marlene Dietrich. In between, he starred in the original cast of the late Howard Crabtree’s gay revue Whoop-de-Doo! He also created and starred in Crazy World, an award-winning 2002 production showcasing the songs of composer Leslie Bricusse (best known for Stop the World, I Want to Get Off as well as the movie musicals Doctor Dolittle and Victor/Victoria).

I asked Beaman if he’d truly given up cabaret for good. “I don’t know,” he replied. “I certainly won’t be doing my impersonations again. It was almost accidental that I began doing them. I have no regrets and am a big fan of cabaret. In New York, it’s still the best way for someone starting out to get some notice.”

Just prior to Spamalot, Beaman starred with Maxwell Caulfield (of Grease 2 and TV’s Dynasty spin-off, The Colbys, fame) in a production of the seminal gay musical La Cage aux Folles at the Ogunquit Playhouse. “Maxwell is just a lovely man, and a charming, wonderful man to work with,” Beaman says of his still-attractive former co-star.

When he isn’t performing and is back in NYC, Beaman also works as a certified Pilates instructor. He was formerly partnered for 16 years, but is now single and “in the market.”


I asked Beaman what advice he might offer younger, aspiring LGBT performers. “I would say that even in today’s world, there’s a lot of pressure to put your sexuality in the back seat,” he replied candidly. “There’s more freedom to come out, but there is still a question of how important your identity is to you in the business: What role does your sexual identity play in your day-to-day work?”

Beaman stressed that an LGBT actor has to make a choice about whether to be out or closeted. He points to gay actor Richard Chamberlain, with whom he previously worked, as an example. “Richard told me, ‘If I had been out, I wouldn’t have worked.’ The biggest weight in this business is how great are your expectations? You aren’t always going to get your back patted or the encouragement you need.”

For at least a couple of hours this summer, LGBT and general theatre-goers can forget their troubles and enjoy an evening of music and comedy at Monty Python’s Spamalot. Beaman says on behalf of the company, “We’re very excited to play Los Angeles; we’re going to give LA our A-game!”

For more information or to purchase tickets, please visit the official website of Center Theater Group.

Interview by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Mollie Sugden: 1922-2009

Mollie Sugden, the unforgettable Mrs. Slocombe on the long-running BBC sitcom Are You Being Served?, passed away yesterday at the age of 86.

Harve Presnell: 1933-2009

Harve Presnell, star of stage and screen, passed away Tuesday at the age of 75. He is best known for the Broadway and film versions of The Unsinkable Molly Brown and for playing Daddy Warbucks in several productions of the musical Annie, as well as William H. Macy's father-in-law in Fargo.