Monday, February 8, 2016

Reverend's Reviews: 26 Years of Jewish (and Occasionally Gay) Films

 

There aren’t many US cities that can successfully host a ten-day film festival spotlighting the Jewish community, let alone keep it going for over two decades. San Diego is a happy exception, as the San Diego Jewish Film Festival, now running through February 14th for its 26th year, proves.


Presented by the San Diego Center for Jewish Culture at the Lawrence Family Jewish Community Center, Jacobs Family Campus, the festival will showcase a total of 60 films of the best contemporary Jewish-themed films from around the world. These narrative features, short films and documentaries celebrate life, human rights, and freedom of expression. The festival’s ongoing mission is to offer outstanding world cinema that promotes awareness, appreciation and pride in the diversity of the Jewish people to attendees of the community at large.

Each year’s event features an international roster of visiting guest artists, including actors, filmmakers, and scholars, who introduce their work, participate in panel discussions, and meet with festival patrons. Highlights this year include Dealing with the Devil, which examines the bizarre case of a Dresden art dealer of Jewish descent who was tasked by Joseph Goebbels with the job of seizing and selling off modern “degenerate” art and acquiring in its place the classical paintings favored by Hitler and his inner circle; The Price of Sugar, a story about two half-sisters and their life in eighteenth century Suriname; Sabena Hijacking: My Version, a suspenseful docudrama based on previously undiscovered audio recordings of former pilot Captain Reginald Levy; and the warmhearted comedy Dough, starring British actor Jonathan Pryce as a curmudgeonly widower who obstinately clings to his livelihood as a kosher bakery shop owner in London’s East End until it is challenged by a Muslim teenager.


Ironically, the film festival’s Executive Director since 2013, Craig Prater, is not Jewish but he is openly gay. Prater previously directed the Palm Springs International Film Festival, the Bangkok International Film Festival, the LA Museum of Tolerance International Film Festival and the Los Angeles Greek Film Festival. His obviously diverse cultural experiences combined with the staff’s hospitality helped him feel right at home when he started working for the San Diego Jewish Film Festival.

“I hadn’t been here two weeks when I was invited one day to a wedding in the Jewish Community Center building,” Prater shared recently. “What I didn’t know was that it was a same-sex wedding! A number of our staff, including our CFO, are members of the (LGBT) community.”

I asked Prater how he was called or led to his current position. “Well, San Diego is not a bad place to live for starters,” he replied, laughing. “I’d been involved for a gazillion years with Jewish film festival programming and this was a well-established, respected organization for 23 years when I started. I was also tired of traveling internationally, which I had been doing for many years.”

Indeed, following his 8-year tenure in Palm Springs, Prater was contracted to serve as the Executive Director of the Bangkok International Film Festival for the Royal Thai government. Over the next five years, he supervised the programming and special events for the largest international film festival in Southeast Asia. It hosted over 250 films each year and boasted a lavish awards gala honoring celebrities from around the world. The awards gala budget alone was over $1 million.


“Bangkok was the best international film festival I’ve ever been involved with due to its funding by the government and the Thai royal family,” Prater said. However, it was not without its challenges for him as a gay man. “Homosexuality there is accepted but not really acknowledged, although living there as a white American also had its challenges (laugh). I have nothing but good things to say though about the Thai people.”

This year’s edition of the San Diego Jewish Film Festival won’t feature many LGBT-themed movies but one offering of interest is Valley, a hard-hitting anti-bullying story involving a group of Israeli high school students. “I believe our (LGBT) community will feel very comfortable at this festival,” Prater concluded.

Single ticket prices for most films are $15.75. Jewish Community Center members receive a $2.00 discount on each ticket. Festival passes plus student, senior and group discounts are also available. For more information, call 858-362-1348 or visit the festival website.

By Rev. Chris Carpenter, resident film and stage critic of Movie Dearest and Rage Monthly Magazine.

Friday, February 5, 2016

The 9th Annual Movie Dearest Dearie Awards

 

For the ninth year in a row, Movie Dearest takes a look back and celebrates the year that was with a salute to the best in film, television and the stage with the 2015 Movie Dearest Awards, a.k.a. the "Dearies"! And the winners are...

Movie of the Year: Carol
Out director Todd Haynes has dazzled with gay-themed period pieces before including Velvet Goldmine and his masterpiece Far from Heaven. It is maybe for this reason that Carol, his latest, was tragically but somewhat predictably ignored by the diversity-averse Academy in the Best Picture and Best Director categories (criminally, Haynes has never been nominated in the directing category). Yes, Cate Blanchett and Rooney Mara are both nominated for their pivotal performances as two very different women living in the closeted 1950's who fall in love with each other. And Phyllis Nagy was nominated for her screenplay adapted from Patricia Highsmith's pseudo-autobiographical novella The Price of Salt. However, Haynes' coup de grace here was to create a period-perfect lesbian romance that utterly and permanently negates — thankfully — such previous Sapphic melodramas as The Children's Hour, The Killing of Sister George and Rachel, Rachel. Carol deservedly swept our recent GALECA Dorian Awards and has similarly earned our Movie Dearest kudos. - CC


Man of the Year: Tom Hardy
As hero or villain or somewhere in between, 2015 was a big year for Tom Hardy. First he deftly stepped into the title role (Mel who?) in Mad Max: Fury Road, last year's most thrillingly satisfying blockbuster. He followed that with not one but two mesmerizing performances as the real life twin gangsters Reggie and Ronnie Kray in Legend. And he ended the year playing a nefarious fur trapper who puts Leonardo DiCaprio through hell in The Revenant. The result: his first Oscar nomination for the latter, four enigmatic characters you can't take your eyes off of and the title of Movie Dearest's Man of the Year. - KH


Women of the Year: Jane Fonda & Lily Tomlin
We loved them together in 1980's comedy classic 9 to 5 but it took 35 years to reunite the legendary ladies Jane Fonda and Lily Tomlin... and in a gay-themed sitcom no less. The erstwhile Judy and Violet play Grace and Frankie in the Netflix fave, an odd couple of golden girls who's lives are upended when their husbands leave them... for each other. But TV wasn't enough for Jane and Lily in '15; Tomlin earned rave reviews and a Golden Globe nomination for playing a lesbian Grandma, while Fonda stole the show in her brief but Oscar buzz-worthy star cameo in Youth. Now if only they can get Dolly Parton to guest star on Grace and Frankie, all our gay dreams will come true. - KH


New Stars of the Year: Kitana Kiki Rodriguez & Mya Taylor
Between The Danish Girl, 52 Tuesdays and Tangerine, not to mention Amazon's popular series Transparent, 2015 was acclaimed as the year trans-interest storylines finally became mainstream. Filmmaker Sean Baker, armed primarily with his iPhone and a minuscule budget, was the one to dramatize the real, everyday struggles of trans women living on the mean streets of Los Angeles. Baker had two secret weapons: trans actresses Kitana Kiki Rodriguez and Mya Taylor, both fierce and funny in equal measure as Sin-Dee and Alexandra, the no-bullshit characters they portray in the witty, vital Tangerine. - CC


TV Show of the Year: Orange is the New Black
Three seasons in, and Orange is the New Black is gayer than ever. With its multiple plot lines and back story-heavy flashbacks, Netflix's hit comedic drama (or is it a dramatic comedy?) is the definition of "binge-worthy". The desperate, disparate residents of Litchfield Penitentiary run the gamut from a lovable loon called Crazy Eyes (multi-award winner Uzo Aduba) to Sophia, the transgender hair dresser (Laverne Cox) to Kate Mulgrew as a flame-haired Russian named Red. At the center of all this madness is WASP-turned-bisexual inmate Piper Chapman (Taylor Schilling), who found herself this season juggling two femme fatales (Laura Prepon and Ruby Rose) and a thriving illegal used-panties ring. Drama or comedy, Orange is gold. - KH


Stage Show of the Year: Fun Home
The Tony-winning musical smash Fun Home dramatizes one of the odder stories to ever grace the Broadway boards: a lesbian cartoonist's coming of age in a household dominated by her closeted gay mortician father. And it's all true. Composer Jeanine Tesori and lyricist/book author Lisa Kron brilliantly adapted Alison Bechdel's graphic novel memoir, while Michael Cerveris gave a stunning tragi-comic performance as Bechdel's conflicted father, who ultimately committed suicide. Its a serious show to be sure but at least one song, "Come to the Fun Home" (the title is a shortened form of "funeral home"), is a 1970's Brady Bunch-esque/Jackson Five-ish delight. Brave, insightful and deeply moving, Fun Home should not be missed either on Broadway or when it begins a national tour this year. - CC


Documentary of the Year: Best of Enemies
As enthralling and eye-opening as its subject matter, Best of Enemies looks back at the infamous live television debates that pitted leading conservative William F. Buckley, Jr. against Gore Vidal, the liberal, bisexual author of Myra Breckinridge, during the 1968 presidential race. If it sounds rather dry, then you don't know how wittily venomous these two were to each other; their mutual loathing practically oozed off the screen, culminating in the notorious "crypto Nazi"/"queer" exchange that signaled the beginning of the end for intellectualism in America. Years before trashy talk shows, the Buckley/Vidal debates were "must see TV", and Best of Enemies is Movie Dearest's "must see" Documentary of the Year. - KH


Foreign Film of the Year: The New Girlfriend
Gay filmmaker François Ozon has shown a knack for women's stories with his previous, acclaimed films Swimming Pool, 8 Women and Potiche. His latest, The New Girlfriend, continues this successful run but with a twist: one of its leading ladies is a man. Initially sad but ultimately life-affirming, it explores the unique friendship forged between a deceased woman's best friend and her cross-dressing widower-husband. These characters are beautifully played by, respectively, Anais Demoustier and French heartthrob Romain Duris. The plot gets a little melodramatic toward the end (name me a French film that doesn't) but Pascaine Chavanne's costumes and Pascal Marti's cinematography are gorgeous, especially in the film's recently released Blu-ray transfer. Who doesn't need a new girlfriend from time to time? - CC

Art by Andrew Rae for Delve

DVD of the Year: Electric Boogaloo: The Wild, Untold Story of Cannon Films
Since both of us at Movie Dearest came of age during the rollicking 1980's, the cheesy cinematic spectacles wrought by Israeli-born producers Yoram Globus and Menahem Golan hold a special place in our hearts as well as our (homo)sexual development. In addition to the exploitative Death Wish series and numerous Chuck Norris karate epics, the pair produced such homoerotic epics as Masters of the Universe, Superman IV: The Quest for Peace and several films starring Jean-Claude Van Damme as a sexy cyborg. Mark Hartley's entertaining documentary on them and the short-lived studio they founded revels gleefully in the good, the bad and the ugly. Heck, we'd give the DVD a Dearie Award for the extensive trailer gallery alone featuring Van Damme, Dolph Lundgren and other 80's hotties in their shirtless, greased up, pec-tacular glory. - CC


The Neil V. Cohen Award for Campy Film of the Year: First Period
With all due respect to the vampire mockumentary What We Do In the Shadows and the insane "lost" 80's action flick Kung Fury, we here at Movie Dearest must crown First Period the campiest movie of 2015! Our dearly departed friend and fellow critic Neil Cohen surely would have memorized each catty line and adored every low budget frame of this John Hughes-meets-John Waters high school hilarity. First Period stars two adult men (Dudley Beene and Brandon Alexander III, who also penned the script) playing Maggie and Cassie, a pair of misfit teenage girls who just want to be popular, make out with boys and win the school talent show, not necessarily in that order; think of it as a "very special" episode of Beverly Hills 90210 as written by Charles Busch. Co-starring gay faves Cassandra Peterson, Jack Plotnick and Judy Tenuta (as "Madame Mulva"), how can you lose? Watch it now on Netflix! - KH

We hope you enjoyed this year's Dearies and thank you for visiting Movie Dearest in 2015!

By Rev. Chris Carpenter, resident film critic of Movie Dearest and Rage Monthly Magazine, and Kirby Holt, creator and editor of Movie Dearest.

Tuesday, February 2, 2016

Movie Dearest Calendar Wallpaper for February 2016: Best Foreign Language Film



Welcome to February, a month that brings about celebrations of love, patriotism, black history and (most importantly around here) cinematic excellence. That's right, the Academy Awards are fast approaching, and our annual Movie Dearest Calendar Wallpaper salute to the Oscars this year shines the spotlight on the Best Foreign Language Film.


World cinema has been honored by the Academy since 1947, with awards going to the films of such directorial greats as Almodóvar, Bergman, Buñuel, De Sica, Fellini and Kurosawa and from countries from all corners of the globe.

Monday, February 1, 2016

Reverend's Reviews: New Girlfriend & More for the New Year


 

Our LGBTQ community's longtime home video providers, Wolfe and TLA, have made sure that 2016 begins with a bang. Their new releases include a veritable slew of film festival award winners and crowd pleasers. And right behind them is Cohen Media Group with the newly available The New Girlfriend, gay filmmaker's François Ozon's latest and potentially greatest work to date.


At the very tippy top of the list is Josh Kim's lovely, bittersweet How to Win at Checkers (Every Time), which won Best Feature awards at last year's LA Asian American Pacific Film Fest, Atlanta Out on Film and my own Long Beach Qfilms Fest. It was also Thailand's sadly un-nominated submission for the current Academy Awards. The film is at heart the story of two brothers, one of them gay, against the backdrop of Thailand's annual military draft. Out older brother Ek (a very good performance by the attractive Thira Chutikul) struggles to support his mother and protect his younger sibling from the dual challenges of class inequality and their local crime boss. The relationships Ek shares with his brother Oat, wealthier boyfriend Jai and a sassy trans friend are well-drawn. Based on stories from the book Sightseeing by Thai writer Rattawut Lapcharoensap, How to Win at Checkers is not to be missed.


The provocative Naz & Maalik, also from Wolfe, is nothing if not timely. Written and directed by Jay Dockendorf (making an accomplished if a little rough-around-the-edges feature film debut), it focuses on two African-American teenagers in modern-day New York City who happen to be lovers. They also happen to be Muslim, which presents definite obstacles to their relationship. Their faith also makes them surveillance targets for an FBI agent convinced the young men are terrorist sympathizers. Kerwin Johnson, Jr. and Curtiss Cook, Jr. are sexily sincere as the film's title characters, and both shared a special Jury Award for Best Actors at Outfest 2015. Any of us who have wrestled at one time or another with our religion and sexuality will easily identify with Naz and Maalik's plight.

New from TLA Releasing via filmmaker Chucho E. Quintero's native Mexico is Velociraptor, which has nothing to do with last summer's megahit Jurassic World. An unspecified looming apocalypse has driven most people out of their city but gay comic-book fan Alex (played by Pablo Mezz) and his sexually-undecided buddy Diego (hot Carlos Hendrick Huber) have found respite wandering the abandoned streets and parks. As they do so, the pair reflect on their past individual struggles as well as their relationship and where they might want to take it before the world ends. Suffice to say they wind up in Alex's bedroom, where other realizations are made. Velociraptor is uniquely resonant emotionally and arousing physically, and I look forward to more from the talented Quintero and his young cast members.


Aya Arcos, meanwhile, is a Rio de Janeiro-set exploration of the generally not recommended love between an older, presumably wiser man and a young street hustler. The middle-aged Edu (Cesar Augusto) is a successful but unsatisfied writer. He picks up 21-year old Fabio (Daniel Passi) one night and subsequently finds himself falling hard for him. Fabio is surprised to find himself having feelings for Edu but he has to fight the expectations of his fellow prostitutes as well as Edu's inner demons, which begin to rise to the surface. Writer-director Maximilian Moll covers pretty familiar gay territory, although Aya Arcos isn't without a few innovations. It also boasts strong performances by Augusto and Passi. Another Brazilian film about an older man-younger man relationship, Tattoo, has also just been released by TLA and may make an interesting companion piece.

François Ozon has shown a knack for women's stories with his previous, acclaimed films Swimming Pool, 8 Women and my personal favorite Potiche. His latest, The New Girlfriend (now available on DVD and Blu-ray) is a women's story with a twist: one of its leading ladies is a man.

The film opens with a sad set up. Laura, the longtime best friend of Claire (beautifully played by Anais Demoustier) and wife of the devoted David (a revelatory turn by French heartthrob Romain Duris), dies soon after giving birth to her and David's first child. After initially keeping her distance out of grief, Claire stops by David's house one day to check on him and the baby and is startled to discover David wearing a dress and makeup. He reveals this isn't new of him, that he would often dress as a woman with Laura's approval. Claire is initially taken aback but soon finds Virginia, David's alter ego, filling the void left in her life by Laura's untimely death.


With Claire's encouragement, David begins to venture outside as Virginia for the first time. The new girlfriends go out on shopping sprees and weekend getaways. Claire's husband Gilles (the dreamy Raphael Personnaz) begins to suspect his wife and David are having an affair. As Gilles ingratiates himself with David, however, the men become close and Claire is soon suspecting them of having a gay affair even as she finds herself increasingly attracted to Virginia. Complicated? Oui!

The New Girlfriend threatens to veer into transvestite/transsexual exploitation at times but, thankfully, never quite crosses the line. Ozon and his actors are too skilled as well as too sensitive to permit that. The plot does get a little melodramatic toward the end. Pascaine Chavanne's costumes and Pascal Marti's cinematography are gorgeous, especially in the film's Blu-ray transfer.

Who doesn't need a new girlfriend for the new year?

Reverend's Ratings:
How to Win at Checkers (Every Time): A-
Naz & Maalik: B
Velociraptor: B+
Aya Arcos: B-
The New Girlfriend: B+

Available on Blu-ray and/or DVD:


Review by Rev. Chris Carpenter, resident film and stage critic of Movie Dearest and Rage Monthly Magazine.