Wednesday, February 28, 2018

Six Degrees of Oscar 2017



For 90 years now the Academy Awards has been honoring the best in film, and every year adds another batch of movies to the growing list of over 4,800 titles that have been nominated for and/or won an Oscar. Naturally, there's bound to be some overlap among all those movies in regards to subject matter, stories, themes, characters and even songs, and not just in sequels and remakes and reboots (oh my).


It's always fascinating when you notice how one movie can connect to another in one way or another, which brings to mind that whole "six degrees of separation" thing, which in turn reminds you of that play, also titled Six Degrees of Separation, about the con artist who insinuates himself into the life of a well-to-do New York City couple by claiming to be the son of Academy Award winning actor Sidney Poitier. Stockard Channing, who played the socialite wife in the original Broadway production, was nominated for the Best Actress Oscar when she reprised the role for the 1993 film version, which co-starred Oscar nominees Will Smith, Ian McKellen and Bruce Davison and recent Honorary Oscar recipient Donald Sutherland.

And by now you've probably guessed where I'm going with all this: call me crazy, but I have not only found connections between all of this year's Oscar nominees (all 60 of them) and a slew of Oscar nominated films of the past, but I have also connected them all, in one way or another, to Six Degrees of Separation. And, not only are all of the movies Oscar nominees, so are all of the actors, directors, etc. that I've named. Yes, I am that obsessive. Granted, most of the connections are more than "six degrees" apart, but yeah, even I'm not that obsessive.

All of the Oscar nominated/winning movies, people and even a few songs have been emboldened, with the 2017 nominees also in yellow. Shall we begin?


Let's start with Stockard Channing (and thank you, Actors Branch, for nominating her 24 years ago or this whole thing never would have made sense): she was in Grease with Eve Arden, who was in Night and Day with Jane Wyman, who was Oscar nominated for her performance in The Yearling, which featured a deer, as did On Body and Soul. Wyman was also in Mr. Dodd Takes the Air, which featured an Oscar nominated song titled "Remember Me", just like Coco, which Lou director Dave Mullins was an animator on and Edward James Olmos voiced a character in. Olmos returned for Blade Runner 2049, directed by Denis Villeneuve, who also directed Prisoners (the story of parents searching for a missing child, just like Loveless) and Arrival, starring Amy Adams, who was also in American Hustle with Robert De Niro, who starred in GoodFellas, in which an insult is blown out of proportion, just like in The Insult; the plots of both The Insult and Watu Wote/All of Us revolve around interfaith conflicts. Both Arrival and American Hustle also starred Jeremy Renner, who was in The Avengers with Samuel L. Jackson, who was in Kong: Skull Island and Pulp Fiction (which featured a heroin overdose, as did Heroin(e)), which also starred Tim Roth (who appeared in the documentary Finding Vivian Maier, about a street photographer like JR in Faces Places) and John Travolta who, in addition to being in Grease with Stockard, was in The Thin Red Line with George Clooney, who was in Up in the Air (where he is seen obsessively packing a suitcase, as in Negative Space) and is producing a feature version of The White Helmets, the Oscar winning documentary short about the volunteer rescue workers also seen in Last Men in Aleppo.


Longtime Companion supporting actor nominee Bruce Davison was in The Crucible with Daniel Day Lewis, star of Phantom Thread and Nine, which also starred Judi Dench, of Victoria & Abdul, and Kate Hudson, who co-starred in Marshall with James Cromwell, who was also in The People vs. Larry Flynt with Woody Harrelson, who appeared in two Oscar nominated movies this year, Three Billboards Outside Ebbing, Missouri and War for the Planet of the Apes. War is a sequel to Rise of the Planet of the Apes, which starred James Franco (who starred in Spider-Man with Willem Dafoe of The Florida Project), star of The Disaster Artist, which featured a famous scene from Rebel without a Cause, which was the film debut of Dennis Hopper, whose directorial debut was Easy Rider, which earned Jack Nicholson his first of 12 Oscar nominations. Nicholson appeared in Broadcast News, which starred Holly Hunter of The Big Sick, and won his first of three Oscars for One Flew Over the Cuckoo's Nest, where he played a crafty mental patient, just like one of the men in The Eleven O'Clock. Nicholson's third Oscar win was for As Good As It Gets, co-starring Cuba Gooding, Jr., who was in Boyz n the Hood, where his character's brother is murdered; Strong Island is documentary about the filmmaker's brother being murdered. Going back to War for the Planet of the Apes, it was the latest movie in the franchise that started 50 years ago with Planet of the Apes, starring Charlton Heston, who appeared in Bowling for Columbine, the documentary about school shootings, such as the one dramatized in DeKalb Elementary. Heston was also the narrator in Disney's Hercules, which also featured the voice talents of Barbara Barrie of Breaking Away, a movie about bicycle racing, a sport also seen in Icarus.


Ian McKellen received his second Oscar nomination for playing Gandalf in The Lord of the Rings: The Fellowship of the Ring, and his famous "You shall not pass!" line from that movie is spoofed in The Boss Baby. McKellen's Lord of the Rings co-stars included Viggo Mortensen (who was in Daylight with Sylvester Stallone of Guardians of the Galaxy Vol. 2) and Cate Blanchett, who won an Oscar for Blue Jasmine, co-starring Sally Hawkins of The Shape of Water, wherein she plays a deaf and mute woman; The Silent Child also features a deaf and mute female main character. McKellen co-starred in Beauty and the Beast (2017's live action remake of the 1991 animated classic Beauty and the Beast, which featured animation by Glen Keane, director of Dear Basketball), which was directed by Bill Condon, who also directed Dreamgirls, which starred Jamie Foxx of Baby Driver and Eddie Murphy, who was in Mulan, a tale of a daughter who dresses as a male to help her family, just like in The Breadwinner. McKellen also starred in X-Men: Days of Future Past with Hugh Jackman and Michael Fassbender. Jackman starred in two Oscar nominated movies this year, Logan and The Greatest Showman, co-starring Michelle Williams, who also starred in All the Money in the World. Fassbender was in Inglourious Basterds (co-starring Brad Pitt, who was in The Big Short, a movie about the subprime mortgage crisis, as is Abacus: Small Enough to Jail), which featured the character Winston Churchill, the subject of the biopic Darkest Hour, which featured the evacuation of Dunkirk, which was also featured in fellow Best Picture nominees Dunkirk, Atonement and Mrs. Miniver. Saoirse Ronan received her first Oscar nomination for Atonement, and is nominated this year for Lady Bird (which co-stars Timothée Chalamet, also a nominee this year for Call Me By Your Name) and also co-starred in Loving Vincent (a movie about a mentally ill artist, as is Heaven is a Traffic Jam on the 405). Mrs. Miniver starred Greer Garson and Walter Pidgeon, who re-teamed for Mrs. Parkington, which co-starred Agnes Moorehead, who made her film debut in Citizen Kane, subject of the documentary The Battle Over Citizen Kane, co-directed by Thomas Lennon, the director of Knife Skills.


Sidney Poitier starred in Guess Who's Coming to Dinner, a major inspiration for Get Out, which featured the Oscar winning song "(I've Had) The Time of My Life" from Dirty Dancing, which Julia Roberts watches in Wonder, the story of a boy with a facial disfigurement, like Mask, which starred Cher, an executive producer of Edith+Eddie. Wonder also featured several characters from Star Wars (including Chewbacca, also featured in Star Wars: The Last Jedi), which starred Alec Guinness, who was also in Doctor Zhivago with Ralph Richardson, who was in Greystoke: The Legend of Tarzan, Lord of the Apes, which featured a man acting like an ape, like that creepy guy in The Square. Getting back to Julia Roberts, she was in Mirror, Mirror, an alternate take on Snow White, who was also featured in Revolting Rhymes along with Little Red Riding Hood. The most famous film version of Snow White and the Seven Dwarfs was produced by Walt Disney, who also produced the Oscar winning cartoon Ferdinand the Bull, which was based on the book The Story of Ferdinand, as was this year's Ferdinand. Meanwhile, Little Red Riding Hood was a character in Into the Woods, which starred Meryl Streep, who co-starred in The Post with Tom Hanks as Washington Post editor-in-chief Ben Bradlee, the same person played by Jason Robards (in an Oscar winning performance) in All the President's Men. Robards was also in Magnolia (featuring a memorable scene with frogs, like those in Garden Party) with Felicity Huffman, who was nominated for an Oscar for Transamerica, a film with a transgender lead character like A Fantastic Woman.


And finally: Donald Sutherland was in Pride & Prejudice with Carey Mulligan, who starred in Mudbound, which featured a racially motivated crime, as did My Nephew Emmett. Sutherland was also in JFK* with Tommy Lee Jones, who was also in In the Valley of Elah, which was directed by Paul Haggis, as was Crash, which featured a racially-charged confrontation during a traffic stop, as did Traffic Stop. JFK also starred Kevin Costner, who co-starred in Molly's Game with Jessica Chastain, who was also in The Help with Emma Stone, who was in Birdman or (The Unexpected Virtue of Ignorance), which was directed by Alejandro G. Iñárritu, who won a Special Achievement Oscar for his virtual reality film Carne y arena. The Help also starred Allison Janney of I, Tonya, which also starred Margot Robbie, who starred in Suicide Squad with Viola Davis (who also starred in The Help and Fences, directed by and starring Denzel Washington of Roman J. Israel, Esq.) and Will Smith, which brings us full circle back to, you guessed it, Six Degrees of Separation.

*For those who want to tie all this in to "Six Degrees of Kevin Bacon", the never nominated Mr. Bacon was also in JFK.

Coming soon: A Movie Dearest annual tradition: "If We Picked the Oscars".

Sunday, February 25, 2018

Oscar Party 2018


 

The invitations have been sent and the Oscar ballots have been printed, so you're almost ready for all your friends and fellow movie-lovers to gather together one week from tonight for your annual Awesome Oscar Party! All that's left for you to do is... figure out what to feed them!

 

But fret not, for Movie Dearest is here for you with some great ideas for your memorable, movie-themed menu, each inspired by one of this year's nominated movies.



DRINKS:

The Florida Project:
Florida Orange Smoothies
Moonee loves them!


Baby Driver:
Tequila Shots
Baby says: "Don't drink and drive"


Get Out:
Missy's Special Hypnotic Tea
Secret Armitage Family Brew


APPETIZERS:

Phantom Thread:
Stuffed Mushroom Caps à la Alma*
(*Non-poisonous recipe)


The Shape of Water:
Elisa's Hard-Boiled Eggs
Better than that Key lime pie


The Boss Baby:
Baby Food Veggie Dip
Use real baby food... nutritious and fun!


TREATS:

Roman J. Israel, Esq.:
Maple Glazed Turkey Bacon Doughnuts
Recommended by Roman J. Israel, Esq.


The Greatest Showman:
Barnum's Animal Crackers
The Greatest Show on Earth... in your mouth


Lady Bird:
Lady Bird Lady Fingers
Serve in a pink arm cast


SIDES:

Coco:
Pan de Muertos (Day of the Dead Bread)
A Rivera Family Favorite


Loving Vincent:
Vincent van Gogh's Ears
... of Corn


All the Money in the World:
Getty's Money $alad
Substitute Plum(mer) Tomato Juice for the hot sauce... too Spacey... I mean spicy...


ENTREES:

On Body and Soul:
Venison Sliders
Don't worry, we won't force you to watch the deers get slaughtered.


Victoria & Abdul:
Chicken Curry
As prepared by The Munshi for his beloved Queen


Star Wars: The Last Jedi:
Chewbacca's Spit-Roasted Porg
Some ingredients may be difficult to find... try your local Korean market.


DESSERTS:

Beauty and the Beast:
The Grey Stuff
It's delicious!


War for the Planet of the Apes:
Frozen Banana Pops
A perfect post-apocalyptic snack!


Call Me By Your Name:
Elio's Creamy Peaches
You know exactly where this would end up all along...


Coming soon: A Movie Dearest annual tradition: "If We Picked the Oscars".


Monday, February 19, 2018

Dearest Review: Short Cuts 2018, Part 3: Oscar's Live Action Short Film Nominees



ShortsTV once again presents this year's Academy Award nominated animated, live action and documentary short films at a theater or streaming service (starting February 27th) near you. These special programs are usually the only way for most movie fans to see all of these otherwise illusive short film nominees that can make or break your office Oscar pool. In the last of three parts, Movie Dearest takes a look at this year's five nominees for Best Live Action Short Film.


The most international of this year's short film categories, the live action slate is a mostly serious one, although one laugher from down under managed to squeak in. Three are based on true stories, two are Student Academy Award winners and all five come from first time Oscar nominees. They're also each a quick watch, ranging in length from just 13 to 22 minutes.

In addition to my reviews and video links, I've suggested a similarly-themed Oscar nominated feature film to pair with each short film nominee to create your own Academy-sanctioned double feature. Bring on the popcorn!

And the nominees are...


DeKalb Elementary, Reed Van Dyk (USA, 21 minutes).

It's a typical, quiet day at DeKalb Elementary School until a young man enters the administration office and calmly pulls a semi-automatic rifle out of his backpack, takes the receptionist hostage and threatens to shoot any police that interfere. Based on a real 911 call and playing out in real time, this is a taut, unsettling 21 minutes that captures the claustrophobic intensity of the situation, one that has become, horrifically, all too common in this country: tragically, coincidentally, this Kentucky high school shooting occurred on the same day that this short was Oscar nominated.

Most Valuable Player:  Tarra Riggs as Cassandra, just the type of person you would want on your side during a crisis.
Watch trailer.
Dearest Rating: 7/10
Pair it with: Dunkirk, another marathon of tension.



The Eleven O'Clock, Derin Seale and Josh Lawson (Australia, 13 minutes).

A psychiatrist meets with a patient who thinks he's a psychiatrist... so which one is the psychiatrist? As the only comedy in the mix, you would think this one would stand out, but no. A clever idea (although not all that original... didn't we see this on Frasier?) gets old fast; with the two dueling shrinks trying to out-analyze each other, it quickly turns into a psychoanalytic "Who's On First?". Not even the handsome Aussie playing the... psychiatrist?... the patient?... can make this one any more than a mildly amusing diversion amidst its more dramatic competition.

Most Valuable Player: Jessica Wren plays the temp secretary who is just as confused as the audience is as to who is who.
Watch trailer.
Dearest Rating: 6/10
Pair it with: It's dry humor would be a nice set up for The Big Sick.



My Nephew Emmett, Kevin Wilson, Jr. (USA, 20 minutes).

Mose Wright is a black preacher in Mississippi circa 1955, so when his teenage nephew from Chicago whistles at a white woman he knows it's just a matter of time before retribution will come knocking on his door in the middle of the cold, dark night. As distrubing as all the other times we have had to watch young black men dragged off by bile-spewing Southern bigots, this Student Academy Award winner tells an oft-told story (see also: fellow Oscar nominee Mudbound). A reality-grounding coda sets it apart.

Most Valuable Player: Yes, that is Jasmine Guy as Mose's wife Elizabeth.
Watch trailer.
Dearest Rating: 6/10
Pair it with: The obvious choice would be Mudbound, but I'm going with Get Out, which would provide vicarious catharsis for all the emotions this short elicits. Plus, the end credits of My Nephew Emmett bare a strikingly similar image to an iconic moment in Get Out.



The Silent Child, Chris Overton and Rachel Shenton (UK, 20 minutes).

Lily is a four-year-old profoundly deaf girl about to start school for the first time. But she is unable to communicate, even with her apathetic family, until a kind social worker (played by nominee Shenton, who wrote the screenplay) teaches her sign language. Yes, this one bears all the hallmarks of a winner in this category: child protagonist; inspirational "overcoming adversity" story; stirs just enough righteous anger; it's a tearjerker. But it will have earned that win just as much as it earns every bittersweet tear.

Most Valuable Player: The filmmakers wanted to cast a deaf child in the role of Lily, and they struck gold with Maisie Sly, seen here in her film debut.
Watch trailer.
Dearest Rating: 9/10
Pair it with: The wonderful Wonder, to show the right way to raise a child with a disability.



Watu Wote/All of Us, Katja Benrath and Tobias Rosen (Germany/Kenya, 22 minutes).

Jua is a Christian widow living in Kenya who finds herself in the minority when she must take a dangerous bus trip surrounded by Muslim passengers. Based on an actual incident that took place in 2015, this Student Academy Award winner (in the foreign language category) shows the power of empathy and the strength of standing up to intolerance, even when extraordinary choices must be made. The fact that what is dramatized in Watu Wote happened in real life shows that there is indeed hope for All of Us.

Most Valuable Player: Adelyne Wairimu is simply stunning as Jua.
Watch trailer.
Dearest Rating: 8/10
Pair it with: Both Watu Wote and The Insult (the Lebanese Foreign Language Film nominee) deal with interfaith conflicts.


Coming soon: Oscar Party ideas! And a Movie Dearest annual tradition: "If We Picked the Oscars".

Reviews by Kirby Holt, Movie Dearest creator, editor and head writer.

Wednesday, February 14, 2018

Dearest Review: Short Cuts 2018, Part 2: Oscar's Documentary Short Subject Nominees


ShortsTV once again presents this year's Academy Award nominated animated, live action and documentary short films at a theater or streaming service (starting February 27th) near you. These special programs are usually the only way for most movie fans to see all of these otherwise illusive short film nominees that can make or break your office Oscar pool. In the second of three parts, Movie Dearest takes a look at this year's five nominees for Best Documentary Short Subject.


In a year when gender issues have rocked Hollywood, women's stories dominate this category's nominees, which range in subject matter from mental health to elderly care to police brutality. All five films hail from America, and all but one of the nominated filmmakers are first-timers.

In addition to my reviews and video links, I've suggested a similarly-themed Oscar nominated feature film to pair with each short film nominee to create your own Academy-sanctioned double feature. Bring on the popcorn!

And the nominees are...


Edith+Eddie, Laura Checkoway and Thomas Lee Wright (USA, 30 minutes).

96-year-old Edith Hill and 95-year-old Eddie Harrison, "America's oldest interracial newlyweds", just want to live out their time with each other but find their happiness in danger when a family member threatens to separate them. Championed by none other than Cher herself, this nominee is the heart-breaker of this year's doc shorts, giving it a strong chance of winning. But more importantly, Edith+Eddie shines an unflinching light on the despicable subject of elder abuse, a horrifyingly growing trend in this country that needs to be exposed as much as possible.

Watch trailer.
Dearest Rating: 8/10
Pair it with: Chili's Best Foreign Language Film nominee A Fantastic Woman, which also features an unconventional couple and a disapproving family.



Heaven is a Traffic Jam on the 405, Frank Stiefel (USA, 40 minutes).

Mindy Alper is an accomplished artist who has had noted gallery showings of her thought-provoking ink drawings and expressive papier-mâché sculptures. She has also battled chronic mental illness most of her life, suffering through electroshock therapy, multiple institutionalizations and a decade-long period where she didn't speak. Dealing with her depression, anxiety and lingering issues with her late father and once-estranged mother through her art, Alper makes a compelling, idiosyncratic subject in this year's requisite "artist overcomes adversity" nominee.

Watch trailer.
Dearest Rating: 7/10
Pair it with: Another unique profile of a unique artist, Loving Vincent.



Heroin(e), Elaine McMillion Sheldon and Kerrin Sheldon (USA, 39 minutes).

If your town was known as the "overdose capital of America", you may want to do something to change that. Three female residents (the "heroines" of the title, get it?) of Huntington, West Virginia — the fire chief, a drug court judge and the head of an outreach ministry — are the subjects of this Netflix documentary, and they are seen doing the best that can be done in a community that sees from five to seven OD deaths a day. While statistics such as that are shocking, there's nothing all that revelatory here, and there's a distinct lack of focus.

Watch trailer.
Dearest Rating: 6/10
Pair it with: Hmm, a film with a strong female lead and her quest for justice? That would be Three Billboards Outside Ebbing, Missouri.



Knife Skills, Thomas Lennon (USA, 40 minutes).

Edwins, a French eatery in Cleveland, Ohio, is not your typical restaurant: it serves as a training ground for a majority of its staff — men and women who have spent time in prison — to learn a marketable trade, such as cooking or serving. Although director Lennon has been Oscar nominated three times previously in the documentary categories, this one can't escape the feeling of a reality show (granted, a watchable one), from its array of character types (the hot-headed manager, the likable ex-drug dealer who wants to impress his mom) to that groaningly awful double-meaning title.

Watch trailer.
Dearest Rating: 6/10
Pair it with: Albeit on the opposite end of the spectrum in many respects, Molly Bloom is also trying to "get on the straight and narrow" following past illegal deeds in Molly's Game.



Traffic Stop, Kate Davis and David Heilbroner (USA, 31 minutes).

In June 2015 in Austin, Texas, an African-American teacher was pulled over by a white police officer for a routine traffic stop that quickly escalated into a violent arrest, and all of it was caught on his patrol car's dashcam. That raw footage is distressing to say the least, but as the woman's civil case against the officer is still going on, there is a lot of unanswered questions that this HBO documentary is unable to answer. As it is, it plays like the first half-hour of a more in-depth feature-length documentary still waiting for real life to catch up to it.

Watch trailer. Premieres on HBO February 19th, with an early preview on HBO NOW, HBO GO and HBO On Demand on February 16th.
Dearest Rating: 5/10
Pair it with: For more racially-motivated injustice, watch Yance Ford's powerful Best Documentary Feature nominee Strong Island.


Coming soon: Reviews of the Oscar nominees for Best Live Action Short Film.

Reviews by Kirby Holt, Movie Dearest creator, editor and head writer.