Sunday, November 30, 2008

Monthly Wallpaper - December 2008: Super Heroes

2008 was the unofficial "year of the superhero", so it is only fitting that the final Movie Dearest calendar wallpaper of the year is a salute to our favorite celluloid supers.

From the classic Christopher Reeve Superman and Michael Keaton Batman to more recent editions to the ranks such as Iron Man and the upcoming Watchmen, this legion of superheroes will keep your desktop nice and safe from marauding super villains, at least for the next few weeks.

All you have to do is click on the picture above to enlarge it, then simply right click your mouse and select "Set as Background". (You can also save it to your computer and set it up from there if you prefer.) The size is 1024 x 768, but you can modify it if needed in your own photo-editing program.

Saturday, November 29, 2008

Film Art: Got Milk Edition

Sean Penn as Harvey Milk in Milk, as illustrated by Robert Risko for The New Yorker.

William Gibson: 1914-2008

William Gibson, who won a Tony Award for his play The Miracle Worker and an Academy Award nomination for adapting it to the screen, died Tuesday at the age of 94.

Gibson was also Tony nominated for his play Two for the Seesaw and the musical Golden Boy. His Golda's Balcony, which starred Tovah Feldshuh as Golda Meir, set a record in 2005 as the longest-running one-woman play in Broadway history.

Friday, November 28, 2008

Out in Film: Gus Van Sant

Idol worship: Gus Van Sant, director/writer/producer.

- He would begin exploring the major thematic subject of all his works, the lives of those living on the fringes of society, with his first film, the gay indie classic Mala Noche.

- Continuing that theme, he would find great success with Drugstore Cowboy and My Own Private Idaho, both of which won him Independent Spirit Awards and many other prizes.

- Following his flop adaptation of Even Cowgirls Get the Blues, he bounced back with the acclaimed black comedy To Die For and his biggest box office hit, Good Will Hunting. He received his first Academy Award nomination as Best Director for the latter.

- After his infamous "shot-for-shot" Psycho remake and the Will Hunting-esque Finding Forrester, he would return to his indie roots with a string of often controversial art house fare, including Gerry, the Cannes Film Festival Palme d'Or winner Elephant, Last Days (these three comprised his unofficial "Death Trilogy") and Paranoid Park.

- His most recent film Milk, the critically acclaimed biopic of gay icon Harvey Milk, marks his return to big budget filmmaking, but still bares his distinctly independent eye for telling the stories of those outside the mainstream.

Thursday, November 27, 2008

Reel Thoughts: Wonder from Down Under

Okay, I admit that Baz Luhrmann’s sweeping epic Australia would have scored high marks from me for Hugh Jackman’s oft-shown physique alone. Fortunately, it has a lot more going for it and a lot more restraint than another Luhrmann film I loathe. Australia is a rousing but overlong classic that evokes films like Titanic, The African Queen and any of a number of old westerns I could probably name if I could stand the genre.

Of course, Australia doesn’t take place in the Old West – It takes place in pre-WWII Australia in sumptuously filmed vistas. Nicole Kidman plays Lady Sarah Ashley, an at-first fussy British noblewoman who comes Down Under to take care of and sell her husband’s cattle ranch. She is immediately offended by a man known only as the Drover (Jackman), the kind of gruff but stunning man’s man whom no one in their right mind could resist.


However, upon finding that her husband has been murdered and his ranch sabotaged, she needs the Drover’s help. She also becomes fiercely protective of a young Aboriginal boy named Nullah (the remarkable 12 year-old Brandon Walters), who, because of his mixed heritage, is threatened with becoming a virtual slave if caught. Many children like him were taken from their Aboriginal families forcibly and put into service for white families, gaining their own name, “the Stolen Generations”.

Of course, as WWII loomed, the city of Darwin (near to the cattle ranches of Lady Ashley and King Carney, the reining cattle baron played by Bryan Brown) became a vital base and target for the Japanese. We’re told at the outset that it was bombed just like Pearl Harbor, so the mystery is who ends up there and what becomes of them.


Luhrmann starts the film off with a typically heightened and humorous tone, pitting Kidman against the elements. Once the story is established, however, Australia becomes a serious-minded romantic drama that holds no surprises whatsoever. How you enjoy the film depends on how disappointed you are in that revelation.

I enjoyed Australia thoroughly, and marveled at thrilling set pieces such as a cattle stampede set on a vast precipice and the bombing of Darwin. Kidman and Jackman are both so exquisite looking and charismatic, I was not disappointed, and rather enjoyed the comfort of the film’s familiarity. I’ve always dreamed of going to Australia. After seeing Luhrmann’s version, I’m even more determined than ever — as long as I can find a similar “Drover” to give me the lay of the land!

UPDATE: Australia is now available on DVD and Blu-rayfrom Amazon.com.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Time to Carve the Turkey ...

Tina, bring me the axe!

Happy Thanksgiving from Movie Dearest!

Wednesday, November 26, 2008

The Latest in Theaters: From Oz to San Francisco

Due to the Thanksgiving holiday, we bring you a special Wednesday edition of the Latest in Theaters:
  • Milk: According to Chris' review of Gus Van Sant's long-awaited biopic of gay icon Harvey Milk (played by Sean Penn), it is certainly well worth that wait.
  • Australia: Check back tomorrow for Neil's review of Baz Luhrmann's romantic epic starring our favorite Aussies, Nicole Kidman and Hugh Jackman.
  • Transporter 3: Jason Statham puts on those driving gloves one more (final?) time as Frank Martin, here charged with transporting a kidnapped woman through Europe.
  • Four Christmases: The unlikely coupling of Reese Witherspoon and Vince Vaughn find their holiday plans changed when they are forced to visit their relatives -- all four households of them.
To find out what films are playing in your area, visit Fandango - Search movie showtimes and buy tickets!

Women We Love: Nicole Kidman

Object of our affection: Nicole Kidman, actress.

- This Australian actress first gained international notice in the high seas thriller Dead Calm, followed quickly by a string of Hollywood flicks, such as Days of Thunder, Billy Bathgate, Malice and Far and Away.

- She proved she wasn't just another pretty face with her chilling performance in To Die For, which won her the first of three Golden Globes. The next few years found her alternating between big budget action films (Batman Forever, The Peacemaker) and art house fare (The Portrait of a Lady, Eyes Wide Shut).

- 2001 was her year with two big hits, the atmospheric thriller The Others and the glitzy musical Moulin Rouge! She received two Golden Globe nominations, winning for the latter, which also garnered her first Academy Award nomination. She didn't win the Oscar for her sultry Satine, but for her suicidal Virginia Woolf in the following year's The Hours, which also gave her that third Globe, as well as several other prizes.

- Since her date with Oscar, she has also starred in Dogville, The Human Stain, Cold Mountain, The Stepford Wives, Birth, The Interpreter, Bewitched, Happy Feet, Margot at the Wedding and The Golden Compass.

- She returns to her homeland in this week's epic romance Australia. Next year will find her in another movie musical, Nine, as well as the recently announced The Danish Girl, wherein she'll play Lili Elbe, the first person to undergo sex reassignment surgery.

Tuesday, November 25, 2008

Castle Frankenstein to Close Up Shop

Mel Brooks' musical version of his Young Frankenstein will take its last "roll in the hay" January 4.

The high-ticket production, which failed to receive the plaudits and Tony Awards (not to mention the goodwill of Broadway) of its predecessor, The Producers, is planning to launch a national tour sometime next year.

The Latest on DVD: Sounder Come Home

Sounder, the classic inspirational drama about a poor family and their faithful dog, finally makes its debut on DVDtoday.

The Martin Ritt-directed film received four Academy Award nominations back in 1972, including Best Picture and lead acting nods for stars Paul Winfield and Cicely Tyson.

Check out the Latest on DVD widgets located in the sidebar for more of this week's new DVD releases available today from Amazon.com.

Dancing is the One That You Want

Last night was the finals for this season of Dancing With the Stars, which means one thing: the always-popular free-style dance. There are no rules in this round, so the stars and their professional partners get to go crazy and do whatever the want to; the results are often lift-filled crowd-pleasers like Brooke Burke and Derek Hough's spirited take on the Grease classic "You're the One That I Want".

The duo (who got a perfect score for that one) are favored to win, not surprisingly considering they have been the front-runners all season. However, I'm still rooting for our guy Lance Bass, who I think was hampered a bit by his showboating partner Lacey Schwimmer. Footballer Warren Sapp and his perky pro Kym Johnson round out the final three.

The results of the final vote will be revealed (as host Tom Bergeron says) "liiive" on tonight's two-hour grand finale, which will also feature the return of all of this year's competitors, including that wacky Cloris Leachman.

Reverend’s Reviews: Pour Yourself Some Milk

Allow me to cut to the chase: Milk (from Focus Features, opening in Los Angeles and New York City on November 26) is excellent, and timely. Viewing this long-in-development big screen biography the night before the recent election on California’s Proposition 8 made it seem all the more prescient. The final eight, politically charged years in the life of our nation’s first openly gay elected official come to vibrant life through Sean Penn’s extraordinary performance in the title role and Gus Van Sant’s passionate direction.

Harvey Milk was many things in his lifetime: business owner, boyfriend and lover, gay rights activist, opera aficionado and, ultimately, a member of the San Francisco Board of Supervisors. Since his assassination in 1978 by a disturbed fellow Supervisor, Dan White (Josh Brolin, who follows his award-worthy portrayal of President Bush in W. with another fine characterization), Milk has been regarded by many in the LGBT community as a pioneering hero and even a martyred saint.

Illustration by Br. Robert Lentz, OFM

The late politico would likely consider his canonized status amusing, but he would also probably relish it. As Milk shows, he didn’t hesitate to take center stage whenever it would benefit his political rise and/or empower the LGBT community of San Francisco. Milk’s courage during what were still the fledgling years of the gay rights movement remains impressive, and inspiring.

Milk, with a great screenplay by Dustin Lance Black (writer-producer of HBO’s Big Love), is framed by and interspersed with scenes of Penn-as-Milk recording his real-life political journal, which he specified should be played only upon his assassination. The narrative proper begins in New York City, with Milk meeting the man who would become his long-term lover, Scott Smith (played by Spider-Man’s James Franco), on the night of Milk’s 40th birthday. Milk complains to Smith that he hasn’t accomplished anything significant in his life to date, and they drink a prophetic toast to change.


A year or so later, the two re-locate to San Francisco, where Milk opens a camera shop in the city’s Castro District. They initially experience discrimination as an openly gay couple, but soon the Castro has become the city’s gay center thanks to Milk’s community-organizing efforts. Still, the residents remain subject to gay bashings and regular harassment by the police.

Milk’s drive to stop this mistreatment propels him into political life. After three unsuccessful attempts at running for office, he is elected to the city’s Board of Supervisors in 1977 (along with White). Milk quickly finds himself in what would become the biggest fight for LGBT rights in his life, as Anita Bryant, conservative Senator John Briggs and other anti-gay crusaders target California. Briggs introduces Proposition 6, which sought to identify LGBT teachers in public schools and remove them from their posts.


It is in detailing the LGBT community’s fight against Proposition 6 that Milk most mirrors history as recent as one month ago. Although the battle to defeat Proposition 8’s attempt to amend California’s constitution to prohibit same-sex marriage wasn’t as successful (at press time) as the effort against Proposition 6, the movie nonetheless serves as a reminder to us and our supporters that we must not quit. As Milk himself would say, “You’ve gotta give them hope.”

Milk is a must-see, not only for its dramatization of critical LGBT history but also for the superb achievement of its cast and creative team. It is lovingly produced by Dan Jinks, Bruce Cohen and Michael London, who between them have had a hand in such LGBT fave films as To Wong Foo, Thanks for Everything, Julie Newmar; The Family Stone; Down with Love and American Beauty.


Out director Van Sant (My Own Private Idaho, Good Will Hunting) was a perfect choice to helm this production. In addition to his expert handling of the actors, he occasionally uses archival footage of locations and events to both heighten and blur the distinctions between Milk’s time and today. Van Sant and cinematographer Harris Savides capture daytime and nighttime moments with equal skill. Among other standout scenes, there’s a singular, brilliant shot of a gay bashing’s aftermath and Milk’s conversation with the investigating police officer, all reflected on the side of the victim’s bloodied but still-shiny alert whistle.

The movie’s only misstep is its somewhat heavy-handed approach to Milk’s death. First, it perpetuates the myth that Milk was killed the day after attending a performance of the opera Tosca, which in reality he did several days before. Then, as Milk is dying in the wake of being shot multiple times by White, he gazes out the window at the adjacent opera house. Milk was a lifelong opera fan and is even the subject of an opera, appropriately titled Harvey Milk. However, it is an unnecessary stretch to juxtapose his murder with the suicide of Tosca’s heroine, as the filmmakers are seemingly doing.


But back to Milk’s strengths and the film’s chief attribute: Sean Penn. The Academy Award-winning actor isn’t so much impersonating Harvey Milk as channeling his spirit. Penn hasn’t been this loose and purely enjoyable on screen since he played stoner Jeff Spicoli in 1982’s Fast Times at Ridgemont High. He effortlessly nails Milk’s gestures and charismatic ability to leaven seriousness with humor. Penn also isn’t afraid to get hot and heavy with both Franco and Diego Luna (Before Night Falls, Y tu Mamá También), the latter of whom plays Milk’s unstable lover Jack Lira. I have no doubt that Penn will be Oscar-nominated for his performance as Milk, and he might even win a “partner” for his Mystic River trophy.

Since Milk is such a gay-centric movie, I am anxious to see how it is received by non-LGBT audiences. It could be of great benefit and service to take a straight family member or friend who is relatively unaware of our community’s history with us to see Milk. We need all the allies we can get in our continuing struggle for equality. This film is a powerful and inspirational history lesson.

UPDATE: Milk is now available on DVD and Blu-rayfrom Amazon.com.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Monday, November 24, 2008

Toon Talk: Dog Star

Bolt, Disney’s latest attempt at replicating the CG success of Pixar, opens with an extended action sequence as thrilling as any from their sister studio. Here’s the set-up: “A brilliant scientist is captured by a nefarious villain and it is up to his daughter, a spy kid named Penny, to rescue him. But how can a little girl accomplish this seemingly impossible task, you say? Well, it helps that Penny’s loyal pet Bolt is actually a genetically altered super-canine with such amazing powers as super-speed, laser vision and even a “super-bark”. The evil villain’s henchmen bring out the big guns to stop them, but they are no match for the powerful pooch.”

And cut. It is here we discover that what we just saw (exploding helicopters, menacing motorcycles, child endangerment) was all part of the elaborately choreographed filming of a television action show. See, Penny (voiced, surprisingly un-annoyingly, by Miley Cyrus) is just an actress (and, apparently, a highly trained stunt person) and Bolt (voiced by a miscast, too old for the part John Travolta … wasn’t Zac Efron available?) is just a regular dog.


The twist, as revealed in an exposition-heavy monologue by the show’s manic method director (voiced, with a sly wink to his day job as host of Inside the Actors Studio, by James Lipton), is that Bolt doesn’t know he’s in a TV show. The reason being is that, if the dog believes the danger is real, his performance on screen will be more believable (in other words, a canine version of The Truman Show). However, ironically, this has the opposite effect on the film itself, as all believability is thrown out the window at this point.

Click here to continue reading my Toon Talk review of Bolt at LaughingPlace.com.

UPDATE: Bolt is now available on DVD and Blu-rayfrom Amazon.com.

Cinematic Crush: David Boreanaz

Crush object: David Boreanaz, actor.

- He first got our blood pumping as the broody, awesomely-haired "vampire with a soul" Angel on the cult classic TV series Buffy the Vampire Slayer. His onscreen romance with Sarah Michelle Gellar's title character remains one of the most popular love matches on television.

- After the third season of Buffy, his Angel moved from Sunnydale to Los Angels for his own self-titled series, which ran for five seasons and garnered him three Saturn Awards from the Academy of Science Fiction, Fantasy & Horror Films.

- He currently stars in another popular show, Bones, which features another popular romance, between his FBI Special Agent Seeley Booth and Emily Deschanel's Dr. Temperance "Bones" Brennan.

- Other television roles include a guest spot on Married ... with Children as Kelly's biker boyfriend and voicing Green Lantern in the animated Justice League: The New Frontier.

- Film roles include the slasher flick Valentine; the fourth Crow movie, The Crow: Wicked Prayer; and the upcoming sports drama Our Lady of Victory.

Sunday, November 23, 2008

Reel Thoughts: Neil's Favorite Movies, From A to Z

And here is Neil's "Alphabet Meme" list:

I am sure I'll regret some choices and forgotten some others, but here it is!

A is for All About Eve (1950): “Fasten your seatbelts … ”
B is for The Birds (1963): “Don’t they ever stop migrating?”
C is for Carrie (1976): “There all gonna laugh at you!”
D is for Death on the Nile (1978): Glorious bitchy dialogue and a cast to die for.
E is for Ed Wood (1994): Angora sweaters for everyone!
F is for Fargo (1996): “That would be your associate in the wood chipper.”
G is for Gone With the Wind (1939): "Well, fiddle dee dee!"
H is for Hairspray (1988): “She has roaches in her hair! I saw them!”
I is for The Incredibles (2004): The only Pixar film that would fit.
K is for King of Hearts (1996): Alan Bates and Geneviève Bujold — Ooo, la la!
L is for L.A. Story (1991): It’s SanDeE*!
M is for Monty Python and the Holy Grail (1975): Sorry, Mommie Dearest!
N is for A Nightmare on Elm Street (1984): One-two, Freddy's coming for you ...
O is for The Opposite Sex (1956): Glorious Technicolor Women
P is for Psycho (1960): “Not cabin one please!”
Q is for The Queen (2006): Not since Scott Thompson has anyone captured the Queen so well!
R is for Rear Window (1954): Another Hitchcock winner.
S is for Serial Mom (1994): Kathleen Turner rules.
T is for Tootsie (1982): One of my favorite “actor” movies ever.
U is for The Uninvited (1944): Ray Milland went from this to Frogs?!
V is for Vertigo (1958): Yet another Hitchcock classic!
W is for The Wizard of Oz (1939): “There’s no place like home!”
X is for Xanadu (1980): Did anyone really think it wouldn’t be?
Y is for Young Frankenstein (1974): “Nice knockers!”
Z is for Zelig (1983): I’m not putting Zoolander!

By Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Reverend’s Reviews: Chris' Favorite Movies, From A to Z

As promised, here is Chris' take on the "Alphabet Meme":

This was hard — so many movies to go through! Keep in mind I used "favorite" and not "best" as criteria.

A is for The Adventures of Baron Munchausen (1988)
B is for The Blob (1958)
C is for Citizen Kane (1941)
D is for Doctor Dolittle (1967)
E is for E.T.: The Extra-Terrestrial (1982)
F is for Fantasia (1940)
G is for Ghostbusters (1984) (Gone With the Wind is right next to it.)
H is for Heathers (1989)
I is for It Happened One Night (1934)
J is for Jerry Maguire (1996)
K is for King Kong (1933)
L is for The Last Temptation of Christ (1988)
M is for The Mission (1986)
N is for The Nightmare Before Christmas (1993) (I omitted Tim Burton's, obviously.)
O is for Out of Africa (1985)
P is for The Poseidon Adventure (1972)
Q is for The Quiet Earth (1985) (There aren't many "Q" titles to choose from, but I do like this New Zealand movie.)
R is for Raiders of the Lost Ark (1981)
S is for Superman: The Movie (1978)
T is for Terms of Endearment (1983)
U is for The Unbearable Lightness of Being (1988)
V is for Victor/Victoria (1982)
W is for The Wizard of Oz (1939)
X is for X2: X-Men United (2003) (Of the few "X" titles listed in Leonard Maltin's Movie Guide, this is my favorite. Will Neil pick Xanadu???)
Y is for Yentl (1983)
Z is for Zero Patience (1993) (A fabulous Canadian AIDS musical!)

By the by, Chris is on record that Doctor Dolittle is his favorite movie of all time; I think it's because of the "Giant Pink Sea Snail".

By Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Legends of the FAIL, Take 6

Maybe the shopkeeper knows a fish ...

Saturday, November 22, 2008

MD Poll: Bat-Baddies

With the sure to be best-selling DVDs and Blu-rays of The Dark Knight on the horizon, the latest MD Poll takes a look at what no good Batman movie could do without: the villain.

The Caped Crusader has had a crazy and colorful Rogues' Gallery of, well, rogues for years in the comics, and they (naturally) have proven quite popular on the big screen as well. Well, now's our chance to see which is the best of the bad, from who is the fiercest femme fatale (Michelle Pfeiffer's Catwoman or Uma Thurman's Poison Ivy?) to who is the creepiest cad (Danny DeVito's Penguin or Jim Carrey's Riddler?). And, of course, who is the top Joker (Jack Nicholson or Heath Ledger?).

Cast your bat-votes in the bat-poll located in the bat-sidebar, and tune in two weeks from now (same bat-time, same bat-channel) for the results.

UPDATE: This poll is now closed; click here for the results, and click here to vote in the next MD Poll.

MD Poll: Goldfingered

Largely regarded as the best Bond movie of them all, Goldfinger also features the best Bond song, at least as far as Movie Dearest readers are concerned. The Shirley Bassey title tune easily topped the most recent MD Poll with an even 25% of the votes.

The real battle was for second place, with Chris Cornell's "You Know My Name" and Paul McCartney and Wings' "Live and Let Die" duking it out in a near tie, with the Casino Royale tune eventually triumphing by only 2%. Most interesting is the fact that two songs — "Thunderball" and "The Living Daylights" — received no votes at all; maybe I should have included "Moonraker" after all ...

For the full run down of the stats for this poll, see the comments section below. And stay tuned for the next MD Poll, to be posted shortly.

Friday, November 21, 2008

Queer Cinema Favorites: From A to Z

Our pal Dan over at the Film Babble Blog has tagged us for the "Alphabet Meme" started by Blog Cabin's Fletch (a.k.a. the guru of all things LAMB). You can read all about the rules and such here, but the basics are these: name your favorite movies by title from A to Z, one for each letter of the alphabet.

However, since this is Movie Dearest, I'm going to "bend" those rules a bit by only naming my favorite GLBT-themed movies. As you can see by the list below, I did have to dip into the "celluloid closet" on a few, but when that adds Joan Crawford, James Dean and Miss Olivia Newton-John to the mix, who's going to complain?

And here we go:
  • A is for The Adventures of Priscilla, Queen of the Desert (1994): Drag queens. In a bus. In the Australian Outback. 'Nuff said.
  • B is for Brokeback Mountain (2005): Just can't quit this one.
  • C is for The Celluloid Closet (1995): Rob Epstein and Jeffrey Friedman's seminal documentary on the history of gay Hollywood.
  • D is for Dog Day Afternoon (1975): Al Pacino's best performance is as bisexual bank robber Sonny Wortzik.
  • E is for Edge of Seventeen (1998): The coming out story for gay children of the 80's.
  • F is for Far from Heaven (2002): Todd Haynes' stylized ode to Douglas Sirk melodramas.
  • G is for Gods and Monsters (1998): Ian McKellen's best performance is as gay film director James Whale.
  • H is for Hedwig and the Angry Inch (2001): John Cameron Mitchell is blonde and bigger than life in this rockin' musical.
  • I is for I've Heard the Mermaids Singing (1987): Patricia Rozema's funny/tragic look at love and art.
  • J is for Johnny Guitar (1954): Our gal Joan is a pistol-packin' "woman with a past" in this wacky western from director Nicholas Ray.
  • K is for Kiss of the Spider-Woman (1985): William Hurt won the first Oscar for a gay role in this adaptation of the Manuel Puig novel.
  • L is for Longtime Companion (1990): Norman René and Craig Lucas' moving look at the impact of AIDS on a circle of friends.
  • M is for Maurice (1987): Classy classic from the Merchant Ivory factory, based on the E.M. Forster novel.
  • N is for Notes on a Scandal (2006): Judi Dench does good crazy as a lesbian stalker.
  • O is for The Opposite of Sex (1998): Don Roos' bitingly wicked comedy, with a star-making performance from Christina Ricci.
  • P is for Parting Glances (1986): The indie classic from the late Bill Sherwood, featuring a stunning early turn by Steve Buscemi.
  • Q is for Querelle (1982): Rainer Werner Fassbinder's sexy fever dream starring a too-hot-for-words Brad Davis in the title role.
  • R is for Rebel Without a Cause (1955): Not too hard to spot Sal Mineo's onscreen (and off?) crush of Dean's iconic Jim Stark.
  • S is for Some Like It Hot (1959): As this comedy's immortal last line says, "Nobody's perfect" ... but this movie sure is.
  • T is for The Times of Harvey Milk (1984): Another Epstein doc, this Oscar winner is a must-see companion to Gus Van Sant's upcoming Milk biopic.
  • U is for Unzipped (1995): Isaac Mizrahi is the star of this "behind-the-seams look at the world of high fashion".
  • V is for Victor/Victoria (1982): Robert Preston's Toddy, the self-appointed "queen of Paris", steals the show.
  • W is for The Wedding Banquet (1993): Ang Lee's first foray into gay themes is this Academy Award nominated winner.
  • X is for Xanadu (1980): No overt gay content, but still the gayest movie on this list.
  • Y is for Yossi & Jagger (2002): Eytan Fox's surprisingly tender (and sexy) tale of two soldiers in love.
  • Z is for Zero Patience (1993): A movie musical about the AIDS crisis? It shouldn't work, but it does.
Our resident Men on Film, Chris and Neil, will be chiming in over the next few days with their choices as well. In the meantime, how many of these movies have you seen? And what would be your favorite movies, from A to Z? Join in on the fun in the comments section below.

UPDATE: Oopsie ... forgot to "tag" five more bloggers ... so "Tag, you're it" to the mysterious Broadway Mouth, the talented Dave of Daveland Art, the frickin' hilarious Noelle at Just Putting It Out There, the fabulous Shane at Queer Two Cents and last (but certainly not least) my very own brother Kerry at War Painter Studios. You got served. (And no, I didn't forget the sassy Marc at Deep Dish; he already posted his groovalicious list here.)

... and here is Chris' take ...

... as well as Neil's.

Out in Film: John Glover

Idol worship: John Glover, actor.

- This prolific character actor has appeared in many memorable movie roles, including Annie Hall, Julia, White Nights, 52 Pick-Up, The Chocolate War, Scrooged, Gremlins 2: The New Batch, Robocop 2, Batman & Robin and Payback.

- On television, he has been nominated for five Emmy Awards, most notably for his heart-breaking portrayal of an AIDS patient in the groundbreaking TV movie An Early Frost. He also co-starred in the television remake of What Ever Happened to Baby Jane?

- However, he is perhaps best known as the Machiavellian Lionel Luthor on Smallville. Other TV appearances include L.A. Law, Star Trek: Deep Space Nine, Frasier, Law & Order: Criminal Intent and Batman: The Animated Series, wherein he voiced The Riddler.

- He won a Tony Award for his dual role of brothers John and James Jeckyll in Terrence McNally's Love! Valour! Compassion!, which he reprised in the film version. He recently won a Los Angeles Stage Alliance Ovation Award for his performance in Secrets of the Trade.

- He will next be seen as the upcoming new love interest of Ron Rifkin's Uncle Saul on Brothers & Sisters.

UPDATE: In addition to his stint on Brothers & Sisters, Glover will also be paying a visit to Heroes, wherein he'll play the father of resident baddie Sylar (Zachary Quinto).

Pie Hole Shut

Not even the reviving touch of its hero could stop Pushing Daisies from its untimely end: ABC has cancelled the whimsical fantasy series.

The network has also axed Eli Stone and Dirty Sexy Money (and yet the craptacular Private Practice not only lives on, but gets a cushy, post-Grey's Anatomy berth on Thursdays come January). None of the three cancelled series, all in their second seasons, fully recovered in the ratings following the writers strike earlier this year.

However, Bryan Fuller, Daisies' creator, says that this may not be the last we see of the Pie Hole gang after all: "We are talking to DC Comics about doing comic books that will wrap up our storylines, and I already have a pitch for a movie ready to go." So there may just be a happy ending for Chuck and Ned after all.

Best of the Fests: Sundance Scandal Brewing

Here's some compelling news out of Park City, Utah, home of the venerable Sundance Film Festival. On the heels of reports of a potential boycott of the fest as a result of the Utah-based Mormon church's support of California's controversial Proposition 8 (which, as I'm sure you are well aware, bans gay marriage in the Golden State), Sundance officials have announced the movie that gets the choice spot of opening the festival. And what do you know, it's from an openly gay director.

Mary and Max, the clay animated story of a pen-pal friendship between a lonely 8-year-old girl (voiced by Toni Collette) living in suburban Melbourne and a morbidly obese New Yorker (Philip Seymour Hoffman), is the feature film directorial debut of Australian animator Adam Elliot. Elliot is best known for winning the Academy Award in 2004 for his quirky short film (also produced in clay animation) Harvie Krumpet. While accepting his Oscar, he notably thanked his "beautiful boyfriend Dan"; you don't get more openly gay than that. Furthermore, as previously reported here at Movie Dearest, the film also stars Eric Bana as Damien, "the gay love interest of a Kiwi sheep farmer named Desmond".

And in more film-related fall-out from Prop 8, a website called "No Milk for Cinemark" is urging moviegoers to not go see the upcoming Gus Van Sant biopic of gay icon Harvey Milk ... at a Cinemark theater, that is. For more on that issue, see my previous post here, and for more on the Sundance scandal, visit MoveSundance.com.

Thursday, November 20, 2008

The Latest in Theaters: Twilight Dawns

This week's new releases bring both gay and lesbian love stories, a canine crime fighter and, oh yeah, some movie about vampires.
  • Twilight: Stephenie Meyer's bestseller about teen/vamp love hits the big screen, hype and all. Is it just me, or didn't Buffy the Vampire Slayer already do this before -- and better?
  • Bolt: Disney's latest attempt at a Pixar-size computer animated hit features a dog voiced by ... John Travolta. Watch this extended clip to see what may be the flick's best asset, a bloodthirsty hamster.
  • Special: Michael Rappaport is a meter maid (meter man?) whose anti-depressant turns him into a superhero ... or at least he thinks so.
  • Bigga Than Ben: Former Prince Caspian Ben Barnes plays a Russian conman out to get all he can from the English welfare system.
  • I Can't Think Straight: The World Unseen's Shamim Sarif tells another tale of forbidden love, this time between a rebellious daughter of a traditionalist Palestinian family and an aspiring English writer.
  • Were the World Mine: For more on this queer musical fantasia, read Chris' review and/or watch the trailer here.
To find out what films are playing in your area, visit Fandango - Search movie showtimes and buy tickets!

Reverend’s Reviews: Quantum Physics

As you can see by my postings here and elsewhere, I’m a lifelong and rather obsessive fan of the James Bond movies. I can quote most of them and sing their theme songs at the simplest request. But I was nervous about the just-opened Quantum of Solace, and not just because of its head-scratching title. I was chiefly concerned about early reviews saying the 22nd Bond film was non-stop violence and showed our hero disturbingly hell-bent on revenge.

I was greatly relieved, therefore, to discover that such criticisms are far from accurate. True, Bond, played for the second time by the intense and riveting Daniel Craig, is initially seeking the faceless agency and/or individual responsible for the death of his beloved Vesper Lynd in Casino Royale. However, the super-spy learns the true meaning and value of justice along the way, and even receives an unexpected lesson from a fallen friend on the importance of forgiveness.


Bond gradually uncovers a global conspiracy to corner and control our warming world’s water supply. The plot is masterminded by the duplicitous Dominic Greene, well played by French actor Mathieu Almaric. While Almaric is hardly an imposing figure physically, his dark eyes and villainy-with-a-smile approach reminded me of Klaus Maria Brandauer’s turn as Largo in 1983’s “unofficial” Bond entry (and Thunderball remake) Never Say Never Again.

There isn’t any obvious LGBT content in Quantum of Solace, but we shouldn’t discount Greene’s personal assistant, Elvis (Anatole Taubman). Though we’re told that Elvis is Greene’s cousin and therefore apparently not boyfriend material, Elvis’ fashion sense and slavish dedication to his boss seem only slightly removed from Ugly Betty’s flamboyant Marc.


Quantum of Solace’s plot isn’t as complex as many of the prior Bond films, for which some viewers may be grateful. It is really little more than a string of action sequences connected by minimal exposition, changes of location and Dame Judy Dench, who gets her most screen time as M, Bond’s boss, since 1999’s The World is Not Enough. As directed by Marc Forster, the film moves along quickly and is effectively entertaining. What’s more, the final shot — as Bond seemingly leaves his desire for retribution behind him — is haunting.

I would be remiss if I ended this review without critiquing the movie’s theme song, “Another Way to Die”, especially in the wake of Movie Dearest's recent Bond song poll. Not surprisingly, “Quantum of Solace” proved too baffling to lyricize, although composer Jack White does manage to work the word solace in. His song is more in the rock style of “Live and Let Die” than the more typical Shirley Bassey model. It is welcome in that regard, and is accompanied by suitably psychedelic opening titles.


Co-singer Alicia Keys’ sultry voice meshes well with White’s, although one wonders why the song is performed as a duet. Either Keys or White could have carried it as a solo, and White is arguably more of a household name (if marketability was the concern) than Chris Cornell, who sang “You Know My Name” from Casino Royale. Whatever the artistic and marketing considerations, “Another Way to Die” is unlikely to have a life apart from the movie.

UPDATE: Quantum of Solace is now available on DVD and Blu-rayfrom Amazon.com.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

From the Island of Lost Toys

Forget about hide and seek, let's play Lost.

Medicom Toys has released their first wave of Kubrick figuresbased on characters from the cult TV fave, including Jack, Kate, Sawyer, Sayid, Locke, Hurley and Charlie. Each one even comes with their own little accessory, like handcuffs for Kate (kinky), a knife for Locke (naturally) and a book for Sawyer (you know I want me one of those).

As you can see, it looks like Ben and Desmond will be in the next batch, and according to The Blot blog, there will also be a special edition Jack (in a suit) and even Dharma teddy bears. Uh, shouldn't those be polar bears?

Wednesday, November 19, 2008

Toon Talk: WALL-E Phone Home

This past summer at the movies wasn’t all superheroes and, well, more superheroes. While those all-star blockbusters soared to the top of the box office, a not-so-little movie about a little robot with a lot of heart captured the imaginations of audiences of all ages. And now, like his cinematic predecessor E.T., WALL-E gets to go home.

Your home, that is, with the release of a 3-disc special edition Disney DVDthat almost makes up for the bare bone single disc-ers that Cars and Ratatouille were. However, don’t get too excited, as the third disc is merely a downloadable digital copy of the movie.

Nevertheless, the two main discs are packed with hours of bonus materials (including the DVD debut of the feature-length documentary The Pixar Story and the brand new short BURN-E) that refreshingly breaks away from the typical “behind the scenes at Pixar” stuff that was quickly becoming redundant (before they were abandoned, that is). Instead, what you’ll find are features that are still informative and entertaining, yet as dynamic and unique as the movie itself.

Click here to continue reading my Toon Talk review of this new DVD releaseat LaughingPlace.com.

Broadway Casting About

Lots of casting news from Broadway and beyond:

- Marissa Jaret Winokur will recreate her Tony Award winning role as Tracy Turnblad in Hairspray starting December 9. She joins her "mamma" Harvey Fierstein as the show winds down to its final performance on January 4.

-Richard Chamberlain will don the crown of King Arthur when he joins the national tour of Monty Python's Spamalot next year.

- Reba McEntire, who made quite an impression a few years back in Annie Get Your Gun, may return to the Great White Way in Cole Porter's Anything Goes.

- Brent Spiner, a.k.a. Star Trek: The Next Generation's Data, will star in the title role of the Reprise Theatre Company's upcoming production of Man of La Mancha.

- Kathleen Turner will join Charles Busch in his play The Third Story, which is scheduled to begin previews at the Lucille Lortel Theatre January 14.

- Casting is now complete for the new West End musical Priscilla Queen of the Desert, based on the classic gay favorite.

- And last but not least: Cheyenne Jackson will appear in a workshop of something called Mormon Musical, from those nasty South Park guys.

We Could Have Told You That

Hugh Jackman, longtime Movie Dearest Cinematic Crush and star of the upcoming Australia and X-Men Origins: Wolverine, has been named People Magazine's Sexiest Man Alive for 2008.

And for those of you who can't get enough of Hugh (who couldn't?), he may be returning to Broadway (following his Tony Award winning performance as Peter Allen in The Boy from Oz) in a stage musical version of the classic A Star is Born.

As for the X-Men, looks like Twentieth Century Fox is finally moving forward on that rumored about fourth film. X-Men: First Class, which could be a prequel of sorts featuring the original X-Men or a look at the younger mutants seen in the previous movies (such as Rogue and Iceman), will be penned by Gossip Girl creator Josh Schwartz.

Women We Love: Janet Gaynor

Object of our affection: Janet Gaynor, actress.

- A superstar of the silent screen, she was the first Academy Award winning Best Actress, for the films Sunrise, Seventh Heaven and Street Angel. She held the record as the youngest Best Actress winner for almost sixty years.

- She successfully made the transfer to sound and was Oscar nominated again for the original film version of A Star is Born; other notable films include The Johnstown Flood (her first starring role), State Fair, Small Town Girl and Three Loves Has Nancy.

- On Broadway, she starred as Maude in the stage adaptation of Harold and Maude.

- Her last screen performance was on an episode of The Love Boat.

- You can catch up on a few of her films tonight on Turner Classic Movies, including the TCM premiere of The Young in Heart, her golden age swan song. Also, the three films she won an Oscar for will be included on the upcoming DVD collection, Murnau, Borzage and Fox.

Tuesday, November 18, 2008

Toon Talk: Happy Birthday Mickey!

Eight decades ago today, Walt Disney’s Mickey Mouse made his first appearance on the public stage in the first synchronized sound cartoon, Steamboat Willie. The seven-minute classic made him an instant superstar, and he would eventually become the most recognizable fictional character on the planet.

Over the years, Mickey has had quite the varied career, from Academy Award-winning movie star to wristwatch model to comic book character to television host to theme park ambassador to recording artist to video game hero to corporate symbol (whew!). Through it all, our pal Mickey has endured and thrived, delighting audiences of each and every generation with his good humor, innate charm and dashing good looks (who else could turn ears like that into a fashion statement?).

To celebrate his milestone 80th year in show biz, Toon Talk counts down his top ten greatest performances from the silver screen ...

Click here to continue reading at LaughingPlace.com. Coming tomorrow: my review of the WALL-E 3-disc special edition DVD.

Truly Scrumptious

The magical car known as Chitty Chitty Bang Bang will soon be flying into a theater near you. The stage musical version of the beloved movie (itself based on the Ian Fleming book) launches its first American tour tonight in Fort Lauderdale, Florida.

Nominated for three Olivier Awards in London and five Tony Awards on Broadway, the tech-heavy tuner features the classic music by the Sherman Brothers, including the Academy Award nominated title song.

And speaking of the Shermans, they (along with Olivia de Havilland, Stan Lee and others) received the National Medal of Arts yesterday. The award is the highest honor bestowed to artists by the US government.

The Latest on DVD: Kiss of the 90210 Women

Two of today's new DVD releases — Kiss the Bride and Kiss Me Deadly: A Jacob Keane Assignment — have more than just gay main characters in common: they also have two former residents of Beverly Hills, 90210 as their leading ladies.

Aside from that, though, they couldn't be more different. Tori Spelling co-stars in Bride (directed by C. Jay Cox, of Latter Days fame), a My Best Friend's Wedding-style rom com, while Shannen Doherty joins Robert Gant in the spy thriller Deadly.

Check out the all-new Latest on DVD widgets located in the sidebar for more of this week's new DVD releases available today from Amazon.com.

Monday, November 17, 2008

Reverend’s Reviews: The Play is Gay in LA

Center Theatre Group, Los Angeles’ premiere company, is currently the gayest show in town! Through mid-December, CTG’s three stages — the Ahmanson, Mark Taper Forum and Kirk Douglas Theatre — are performing works of considerable LGBT interest.

The most high profile of these is the LA premiere of the Tony Award-winning musical Spring Awakening (now through December 7). Theatre lovers on “the left coast” are always curious to know whether what plays well in NYC will play as well here. Fortunately, Spring Awakening more than fulfilled my expectations, having only heard the Duncan Sheik/Steven Sater score on CDprior.


This partially contemporized adaptation of Franz Wedekind’s 19th century play about hormone-besieged teens (some of them homosexual) striving to survive the transition to adulthood is a definite crowd-pleaser … especially when the crowd is under 30. It resonated with me, however, both as a former teenager and as a priest who worked closely with teenagers while in parish ministry. Indeed, the frank, confessional spirit of Spring Awakening brought back memories of our high school retreats, where teens openly shared their struggles with parental authority, drugs and alcohol, sexuality, faith and religion, and, on occasion, suicidal temptations.

Michael Mayer’s staging, Christine Jones’ set, Kevin Adams’ lighting and the performances of the talented LA cast all deserve commendation. I wasn’t as impressed by Bill T. Jones’ choreography, which primarily consists of synchronized head-bopping and trampoline-less bouncing. Arm and hand gestures are often weird and/or obvious, though perhaps intentionally derived from teen-fave Justin Timberlake and his ilk. Despite this criticism, Spring Awakening is a must-see, both for its theatricality and its honest insight into teenagers’ lives.


Now playing on the Mark Taper stage through December 17 is the US premiere of The School of Night, by British playwright Peter Whelan. A historical drama based on equal parts fact and speculation about 16th-century author and “sexual renegade” Christopher "Kit" Marlowe, it suffers from an insufficient first half but rebounds strongly in Act Two.

Anyone who isn’t well-versed in English history, or who hasn’t at least seen the Cate Blanchett film Elizabeth: The Golden Age, will likely be baffled by Act One. The action takes place at the estate of Sir Thomas Walsingham (well played by Adrian LaTourelle), where Marlowe (the excellent Gregory Wooddell), Sir Walter Raleigh (a hammy Henri Lubatti) and a young actor, Tom Stone (a very good John Sloan) -- who will become the great William Shakespeare -- have been recruited for an evening’s entertainment.


Some of these figures were members of the secretive “School of Night,” which was composed of writers, scientists, philosophers and other intellectuals who regularly questioned such accepted notions as God’s existence and Queen Elizabeth’s monarchy. Some of them also may have been spies for the self-professed Virgin Queen’s enemies. Subsequently, the School of Night and its members were under suspicion by the Queen’s court.

Whelan and director Bill Alexander try to explain all this in as theatrical and entertaining a way possible, but the political intrigue and the numerous characters are too complex to adequately detail in 75 minutes. Act Two doesn’t get off to a promising start either, opening with an extraneous, insufferably long Commedia dell’Arte sequence that showcases Rosalinda Benotti, an Italian actress of Moorish descent, played poorly by Tymberlee Chanel. When Chanel’s accent isn’t swinging wildly between pseudo-Italian, British, Irish and no accent at all, the actress appears simply out of her element.


But then, finally, the dramatic focus turns to Marlowe and his relationship with Stone/Shakespeare and The School of Night finally comes to life. As Marlowe is implicated in a plot against the Queen and Stone cribs ideas for his own future plays from him, Marlowe becomes a more integrated, honest man. His homosexuality, rather than leading to his downfall, becomes a source of strength. It also inspires Stone to profess his love for Marlowe, which likely didn’t happen in real life.

Marlowe also gets a magnificent monologue in the middle of Act Two about the true meaning of liberty and what constitutes a healthy nation/society that got a spontaneous ovation from the audience during the performance I saw. Wooddell delivered it beautifully. It, in and of itself, is reason to recommend The School of Night.


Finally, Center Theatre Group is presenting the West Coast premiere of Douglas Carter Beane’s acclaimed comedy The Little Dog Laughed, which will run at the Kirk Douglas Theatre November 23 to December 21.

Julie White will reprise her Tony Award-winning performance as a Hollywood agent who goes into hilarious overdrive when her star client — a closeted gay actor — falls in love with a male hustler. As it hasn’t yet opened I haven’t seen it, but I expect The Little Dog Laughed will be another reason for LGBT theatergoers to flock to the CTG’s current productions.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Cinematic Crush: Robert Pattinson

Crush object: Robert Pattinson, actor.

- His film debut was supposed to be Vanity Fair, but his scenes were deleted.

- No matter, as his official debut was in a little something called Harry Potter and the Goblet of Fire, playing the doomed Cedric Diggory.

- Yet his real breakout role (that is sure to break many a heart as well) is as the romantic vampire lead Edward Cullen in this week's sure-to-be huge Twilight.

- He'll next play Salvador Dali in the gay-themed Little Ashes, due next year.

- Other future films include the British comedy How to Be, the drama Parts per Billion and (inevitably) the remaining chapters of the Twilight series.

Poster Post: Together Again for the First Time

Here's the latest in Star Trek hype: two moody poster images of future BFFs Kirk and Spock, as well as the much anticipated (and rightfully so) full-length trailer, officially and in high def (no grainy cel phone footage here).

Way to Go, Wanda!

Wanda Sykes, sassy comedian and star of movies (Evan Almighty) and TV (The New Adventures of Old Christine), publicly came out as a lesbian during Saturday's National Day of Protest. She also revealed she wed her partner before the passing of the hateful Proposition 8.

Here is an excerpt from her powerful speech in Las Vegas: "I don’t really talk about my sexual orientation, I felt like I was living my life, I wasn’t in the closet, but I was just living my life. Everybody who knows me personally, they know I’m gay. And that’s the way people should be able to live our lives, really. We shouldn’t have to be standing out here demanding something we automatically should have as citizens of this country. They pissed off the wrong group of people. They have galvanized a community. We are so together now and we all want the same thing and we shouldn’t have to settle for less. Instead of having gay marriage in California, no, we’re gonna have gay marriage across the country."

You go girl.

Sunday, November 16, 2008

Reel Thoughts: Band Booster

To tell the truth, I have resisted watching The Boys in the Band my whole life, ever since catching a little bit of it on late night TV and getting scared off by Cliff Gorman’s Emory. What can I say? Didn’t we all run screaming from screaming queen stereotypes when we were first coming out?

Mart Crowley’s The Boys in the Band is actually an amazing achievement, given the time it was released and how brutally honest it is emotionally. Set at a bare-your-soul birthday party for the MIA Harold (Leonard Frey), things get off to a rocky start when host Michael’s (Kenneth Nelson) straight, former college roommate Alan (Peter White) calls in tears, needing to talk to him. A somewhat self-loathing Catholic, Michael is terrified of Alan meeting his party guests, especially when the beyond-flamboyant Emory (Gorman) shows up along with a “cowboy” hustler (Robert La Tourneaux) as his present for the birthday boy. Butch lovers Hank (Laurence Luckinbill) and Larry (Keith Prentice) show up fighting, as fellow partygoers Donald (Frederick Combs) and Bernard (Reuben Greene) look on.


It doesn’t take long before Alan catches on, although there seems to be some doubt as to how straight he is. A lot of soul-baring and nasty, vicious fighting takes place, which is why the film reminds me so much of Who’s Afraid of Virginia Woolf. In both shows, a liquored-up host forces his guests to play wrenching parlor games, and both end up in about as shattered a state as the other.

With the distance of time having elapsed, it is possible to watch The Boys in the Band (now available on DVDfor the first time) without cringing at how messed up all of its gay characters seem. Now, I look at them and see the way that society at large (much like the Prop 102 folks) forced them into being ashamed, unfulfilled and generally nasty to each other.

Love 'em or hate 'em, The Boys in the Band were valid representatives of their time. And, even today, it’s hard to imagine a big studio bankrolling a film so insular and unapologetically gay. It’s worth getting to see where we came from, to help us get where we need to be.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Film Art: Grand Guignol 2008

Who cares if the election is over? Here's a perfect political parody poster of the classic What Ever Happened to Baby Jane? one-sheet, by our pal Dave Decaro, which was featured in a special election-themed art show at the World of Wonder gallery in Los Angeles last month.

"But ya are, Hillary! Ya are in that chair!"

Saturday, November 15, 2008

Reel Thoughts: Mother and Son

For months I’ve heard about Clint Eastwood’s new film, Changeling, and Angelina Jolie’s much buzzed-about performance. Still, I had no idea what it was about, and had vague visions of Ms. Jolie being chased around by a creaky old wheelchair, like Trish Van Devere in the similarly named horror flick from the ’70s.

Happily, nothing that cheesy befalls Jolie, but almost every other indignity does, as she plays a single mother in 1928 Los Angeles whose son is kidnapped. Based on real events, Changeling is a gorgeously shot, beautifully acted suspense melodrama that should give Jolie another shot at an Oscar nomination. Eastwood has shown a talent for capturing the period just right in his films, but in Changeling, his recreation of L.A. in the ’20s and ’30s is breathtaking, right down to the trolleys and roller-skating operators, making this a totally immersive experience.

Christine Collins (Jolie), a loving and devoted mother, lives alone with her shy young son, Walter. One terrible day, she is called into work, and she feels guilty because she had promised to take Walter to the movies. Instead, she leaves him in front of the radio and promises him she’ll make it up to him the next day. When she returns home late that evening, she is horrified to find the boy missing, and the police unwilling to investigate for at least 24 hours.


The nightmare stretches on for months, as no leads come in on Walter’s whereabouts. Then, miraculously, a boy is found in Illinois who fits his description. The LAPD, wracked by scandal and in sore need of a PR boost, “reunites” mother and child, only to discover that the boy is not Walter.

Jolie captures Christine’s dismay as she is bullied by the police into saying that the “changeling” is her own son, fully aware that Walter must still be out there, crying out for her to find him. As she fights to get help, she is threatened and labeled crazy, but she can’t give up. The story takes a suspenseful turn as a possible kidnapper is revealed, a sickening Pied Piper who uses his own nephew as bait.

Changeling is a melodrama of the highest order, with evil conspirators ready to destroy Christine without a second thought, but it is immensely satisfying due to Jolie’s heartbreaking performance, Eastwood’s taut direction and casting, and J. Michael Straczynski’s richly layered script. In a year of films that have not yet impressed me, Changeling is an exception, one of the best I’ve seen.

UPDATE: Changeling is now available on DVD and Blu-rayfrom Amazon.com.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Time for a Hero

Showtime, known for their gay-themed hits Queer as Folk and The L Word, is once again going where no network has gone before with Hero, a new series about the adventures of a gay superhero.

Based on the novelby Chronicles of Narnia producer Perry Moore, the show will be overseen by Moore along with someone who knows a thing or two about men in tights, Stan Lee. Excelsior!

And EW's Entertainer of the Year is ...

... not Tina Fey, although she should have been. She is number 2 on Entertainment Weekly's list of the top 25 entertainers of 2008; their number 1 choice is a certain man of iron.

Also making the cut: the casts of The Dark Knight and Sex and the City, Milk man James Franco, Lost couple Yunjin Kim and Daniel Dae Kim, hunky Mad man Jon Hamm, funny guy Neil Patrick Harris, "talking head" Rachel Maddow, marvelous Mamma Meryl Streep and the irresistible WALL-E, plus a slew of Bravo reality stars, including Project Runway's Tim Gunn and Flipping Out's Jeff Lewis.

Among the mag's list of "breakout stars" are Twilight hottie Robert Pattinson, sassy late night diva Chelsea Handler and another beloved bitch, the Beverly Hills Chihuahua. The special double issue of EW is on newsstands now.

Memo from Movie Dearest: Call for Action

We try not to get too political here at Movie Dearest, but this news hits us a little to close to home as both gay people and moviegoers (thanks to Queer Two Cents for the heads up).

Per AmericaBlog: "Cinemark CEO gave $9,999 to anti-gay Prop 8 bigots — Cinemark. 2700 screens in 13 countries in North and South America. It's CEO, Alan Stock, gave $9,999 to the anti-gay bigots running Prop 8 in California. Time to avoid this cinema like the plague."

Check out the comments there for how to contact not only Mr. Stock, but also the Cinemark board of directors. As for a boycott, I feel that it is each individual's personal decision on what businesses he or she supports. However, for the record, you won't see me in one of their theaters any time soon.

Friday, November 14, 2008

Reverend’s Reviews: It’s Chilly in Antarctica

I can’t say that Antarctica is high on my list of places to visit. Cold and characterized by vast distances between people, the continent seems a lonely place. The new Israeli film Antarctica, opening today in Los Angeles, isn’t set there but certainly lives up to its namesake thematically.

Written and directed by Yair Hochner (Good Boys), Antarctica struck me as an LGBT take on the US film Crash transposed to Tel Aviv. Like that Oscar winner, seemingly random characters end up being interrelated and impact one another’s lives in unexpected ways. Pay close attention to the multiple sex partners of former dancer Boaz (the very sexy Ofer Regirer) during the film's attention-grabbing opening minutes. They all re-appear during the course of the film.


The central storyline involves Omer (the too cute Tomer Ilan), a mild-mannered gay librarian looking for Mr. Right. On the eve of his 30th birthday and after a string of disappointing online hook-ups, he meets by chance (?) a journalist who is researching Omer’s favorite topic: UFOs.

Throw in Omer’s lesbian sister, his overbearing mother (played, inexplicably, by a male actor in drag, à la Divine or John Travolta in Hairspray), a hot young professional dancer, a support group of people who believe they were abducted by aliens, and prophecies of an impending extra-terrestrial event and you have the remainder of Antarctica’s plot.


Aside from Omer, it’s hard to care for the film’s characters. Despite the performers’ best efforts to make them sympathetic, most come across as cold, self-obsessed and habitually making poor choices with their relationships. The more they have sex with each other, the more distanced they seem to become.

It would seem Hochner’s title is metaphorical, as he is likening the relational landscape of modern Tel Aviv to the frigid wasteland that is Antarctica. Despite the considerable sex in his film, very little warmth is generated. In the end, one emerging romance gives viewers some hope. For much of Antarctica, though, you may feel the need for a sweater.

Watch the trailer here.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Out in Film: Jerry Herman

Idol worship: Jerry Herman, composer/lyricist.

- He is the Tony and Grammy Award winning composer of three legendary musicals: Hello, Dolly!; Mame and La Cage aux Folles; the latter featured the future gay anthem, "I Am What I Am". With these shows, he was the first composer/lyricist in history to have three musicals run more than 1,500 performances on Broadway.

- Other Broadway tuners he has created include Milk and Honey, Dear World, Mack & Mabel and The Grand Tour, plus the revue Jerry's Girls.

- In addition to the film versions of Dolly and Mame (we're still waiting for the La Cage movie musical), he wrote the score for the Christmas-themed made-for-TV movie Mrs. Santa Claus and was the subject of the recent documentary Words and Music by Jerry Herman.

- His classic Dolly songs "Put on Your Sunday Clothes" and "It Only Takes a Moment" were featured in the Disney/Pixar hit WALL-E, available on DVDnext Tuesday.

- Currently, revivals of both La Cage aux Folles and Mack & Mabel are playing in London.

Start Dreaming ...

... of a White Christmas. The stage version of one of my personal favorite holiday movies finally makes its way to Broadway tonight. The musical, which has enjoyed successful regional runs in the past few years, begins previews this evening in preparation for an official opening on November 23.

Featuring classic tunes from the Irving Berlin songbook (including, of course, the Academy Award winning title song), White Christmas' limited Broadway engagement will play through January 4.

And as we say hello to one "screen to stage" adaptation, we bid auf Wiedersehen to another: the troubled To Be or Not To Be wraps up its troubled run this Sunday.

Memo from Movie Dearest: Rate This Post!

Blogger has added a nifty new feature that allows readers to rate the individual posts of their favorite blogs, so we here at Movie Dearest HQ have decided to set ourselves up for public scrutiny by adding it on. But of course, we have given it the ol' Movie Dearest spin.

As you can see at the bottom of this (and every) post, you can record your own rating on a scale of 4 to 1 as follows:


4 = "Practically perfect in every way."



3 = "Hello, gorgeous!"



2 = "What a dump."



1 = "Bring me the axe!"


So go ahead and start judging us ... I mean rate the posts ... to your heart's content.

Also, for those of you who leave comments (which are always welcome, by the by), you'll notice that Blogger has spruced those up as well by allowing them to be embedded at the end of each post's permalink page. In other words, you won't be taken to that generic comment page when you click on "add a comment", but to the post's separate page so that you can still see the full post while you're leaving a comment. Like I said, some pretty spiffy stuff, so rate and comment away!

Thursday, November 13, 2008

The Latest in Theaters: Fortune and Glory

Action, romance and a little holiday cheer are in store for you this weekend at the movies:
  • Quantum of Solace: Craig ... Daniel Craig is back as Bond ... James Bond in the eagerly awaited follow up to Casino Royale. Mathieu Amalric provides the bad, Olga Kurylenko the beauty, and the inemitable Dame Judi Dench is the boss; Marc Forster directs.
  • Slumdog Millionaire: Like last year's Juno, this crowd-pleaser is shaping up to be the little indie that could in this year's award race. Director Danny Boyle tells the story of a poor Indian teen (Dev Patel) who competes on that country's Who Wants To Be a Millionaire to prove his love to the show's biggest fan (Freida Pinto).
  • Dostana (Friendship): In another Indian tale, Three's Company goes to Bollywood in this rom com where two straight playboys (Abhishek Bachchan and John Abraham) play gay to get a Miami apartment. Naturally, the landlord's babelicious niece moves in with them ... (Watch the trailer here.)
  • Antarctica: Another international gay-themed film (this time with real gay characters), we'll have Chris' full review of this Israeli drama tomorrow.
  • How About You: An impressive cast of our favorite actresses of a certain age — Vanessa Redgrave, Imelda Staunton, Brenda Fricker — star in this Thanksgiving comedy.
  • Christmas Tale: In this French drama, the always luminous Catherine Deneuve is a cancer-stricken matriarch who reunites her family for one last holiday.
To find out what films are playing in your area, visit Fandango - Search movie showtimes and buy tickets!

Dance, Billy, Dance

Billy Elliot will make his first official bow on Broadway tonight as the Olivier Award-winning musical opens after six weeks of previews.

Directed by Stephen Daldry with book and lyrics by Lee Hall (both of whom received an Academy Award nominations for the film version) and music by Elton John, the new tuner stars Greg Jbara, Haydn Gwynne (recreating her London role as dance teacher Mrs. Wilkinson) and, alternating in the title role, David Alvarez, Trent Kowalik and Kiril Kulish.

For an indepth look at Billy's journey from screen to stage, visit Broadway.com.

UPDATE: Broadway.com has complete video and photo coverage of Billy's big night, including an appearance by Stephen Daldry and Elton John ... in tutus, naturally.

Wednesday, November 12, 2008

Women We Love: Audrey Hepburn

Object of our affection: Audrey Hepburn, beloved award winning actress (including all of the top four: Oscar, Emmy, Tony and Grammy) of stage and screen, fashion icon and selfless humanitarian.

- Her first leading role on film was in the classic romantic comedy Roman Holiday, which made her an instant star and brought the actress her first (and only successful) Oscar nomination. She would be nominated four more times, for Sabrina, The Nun's Story, Breakfast at Tiffany's and Wait Until Dark.

- Other classic movies she starred in include War and Peace, Funny Face, Love in the Afternoon, The Children's Hour, Charade, My Fair Lady, How to Steal a Million, Two for the Road and Robin and Marion. Her final film was Steven Spielberg's Always.

- She received two Tony Awards for her work on Broadway, one for her performance in Ondine and a special award in 1968. Her Broadway debut was as the title role in Gigi.

- Her Emmy and Grammy, which were both won posthumously, were for the PBS documentary series Gardens of the World with Audrey Hepburn and the spoken word album Audrey Hepburn's Enchanted Tales, respectively.

- Other honors include the Academy's Jean Hersholt Humanitarian Award, the Presidential Medal of Freedom for her work as Goodwill Ambassador for UNICEF, three BAFTA Film Awards, two Golden Globes, the Hollywood Foreign Press Association's Cecil B. DeMille Award and the Screen Actors Guild Life Achievement Award. She was also named the third greatest female star of all time by the American Film Institute in 1999.

Watch Out, James!

Remember Swatch watches? I had no idea they were still around, but apparently they are as they've just launched an extensive "007 Villain Collection", tied in to the release of the next James Bond movie, Quantum of Solace (in theaters this Friday).

The collection includes a whopping 22 watches, each themed to a different villain from each "official" 007 movie. Such favorite Bond baddies as Dr. No, Goldfinger's Oddjob, The Spy Who Loved Me's Jaws and both Blofeld and his cat are represented. Plus, the queer henchmen and women of the Bond universe — Rosa Klebb, Xenia Onatopp and Wint & Kidd — are also present.

Whoever you choose, one thing is certain: "Your time is up, 007!"

Toon Talk: National Treasures

The eighth wave of the Leonard Maltin hosted Walt Disney TreasuresDVDs is now available, and this latest (and possibly last) batch brings Disney fans the adventures of three very unlikely heroes. Namely, a masked hero of English folklore, an easily excitable duck and America’s sweetest of sweethearts ...

Below are some excerpts from my Toon Talk review of these new DVD releases:

The Mickey Mouse Club Presents: Annettefeatures everyone’s favorite Mouseketeer in her very own serial. From the third and final Club season, Miss Funicello stars in this quintessential “fish out of water” story as Annette McCloud, a “country bumpkin” orphan who goes to live with her citified aunt and uncle. Typical teen traumas (or as typical as 1950’s era television would allow) ensue, such as unrequited crushes, schoolroom cliques and, most shocking of all, a missing necklace that leads to all kinds of trouble for our brunette heroine ...


Maltin begins his introduction of Dr. Syn: The Scarecrow of Romney Marshby saying that it was one of the most requested Disney titles for release on DVD, so the show’s loyal fans must be happy that it is finally available. However, those of us (like myself) who have never seen it before and now watch it without the benefit of childhood nostalgia may wonder what all the fuss was about ...

With three previous two-disc sets, The Chronological Donaldfinally concludes with Volume 4, containing 30 cartoons from Donald’s last decade of solo shorts, 1951 to 1961. And what do you know, they saved the best for last ...

Click here to continue reading the full review at LaughingPlace.com.

Tuesday, November 11, 2008

Harvey Returns, Xanadu Tours & More

Look out, Baltimore, Mamma's here: Harvey Fierstein is back in the house(dress) at Hairspray. The original stage Edna Turnblad (who won a Tony Award for his legendary performance) returns tonight for the final eight weeks of the show's Broadway run (final performance: January 4).

In more Hairspray news, John Travolta (who was infamously cast in the movie version over Fierstein) has reportedly nixed the idea of returning for the announced sequel (and remember, this is the guy who starred in Staying Alive and Look Who’s Talking Now). Perhaps Adam Shankman and company will finally get around to doing right by Harvey and sign him up pronto.

And more from the From Screen to Stage beat: Xanadu makes its West Coast debut (starring Cry-Baby's Elizabeth Stanley and Les Misérables' Max von Essen) prior to hitting the road on its first national tour, while Matthew Bourne's ballet version of Edward Scissorhands takes a tour of England and Sister Act: The Musical eyes a West End run.

The Girl With Something Extra

Nicole Kidman has signed on to star and co-produce the film adaptation of David Ebershoff's 2000 bestseller The Danish Girl,a fictionalized account of the life of Lili Elbe, the first person to undergo sex reassignment surgery.

Kidman will play Elbe, who was born Einar Wegener and was married to fellow artist Gerda Gottlieb, who will be portrayed by Charlize Theron. The two actresses are no strangers to GLBT-themed films, as they both won Academy Awards for playing bisexual characters in The Hours and Monster, respectively.

Reverend’s Reviews: The Boys Are Finally on DVD

Mart Crowley’s The Boys in the Band has had a rollercoaster history, full of ups and downs. The 1968 off-Broadway play was a huge hit, running for over 1,000 performances. It marked the first time that gay lives had been unabashedly presented, warts and all, on stage. The 1970 film version, directed by William Friedkin (The French Connection, The Exorcist) and out today on DVDfor the first time, only played major cities upon its release but was generally well received.

With the explosion of the sexual revolution and gay liberation movement in the 1970’s, however, The Boys in the Band fell into disfavor. Despite Crowley’s deliciously quotable dialogue (Connie Casserole, anyone?), both play and film were deemed dated, negative and even counter-productive in their depiction of eight gay men and one straight man gathered for a friend’s birthday, where they struggle with such typical issues as friendship, love, commitment, family, coming out and self-acceptance. This sometimes condemnatory change in public perception has no doubt been a factor holding up the movie’s release on DVD.


Having seen the new DVD, I think it is most helpful to viewers to think of The Boys in the Band as a unique and important time capsule. Yes, the characters come off as excessively self-loathing by today’s standards. Thank God, though, that many of us can look back and say so from the more accepted and integrated (if still imperfect) position that the LGBT community finds itself in today partly thanks to such revealing, envelope-pushing works as The Boys in the Band.

The film’s script and cast were almost completely carried over from the original stage production. Leonard Frey’s remains the standout performance as the bitchy but wise “birthday boy,” Harold. There are several documentaries recounting the stage-to-screen journey on the DVD, as well as enlightening commentary by Friedkin and Crowley as well as Dominick Dunne (who was one of the film’s producers) and Angels in America’s Tony Kushner. The documentaries conclude with a sad rundown of the numerous cast members who are now deceased, many as a result of AIDS.

If you’re a gay man who has never seen The Boys in the Band, the DVD is a must-see. If you’ve seen it before and didn’t have a positive reaction to it (like me), it’s worth seeing again primarily as an indicator of how far we’ve come.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

The Latest on DVD: Musical Mania

A veritable smorgasbord of movie musical delights can be found in MGM and Fox's new Hollywood Musicals Collection,available today.

Consisting of 50 films on 61 discs (!!!), this hefty doorstop of a box set includes Oscar winning Best Pictures (The Sound of Music, West Side Story), beloved Broadway adaptations (Fiddler on the Roof, Guys and Dolls), cult classics (The Apple, The Rocky Horror Picture Show), modern favorites (De-Lovely, Moulin Rouge!) and even a few new-to-DVD gems (Hallelujah, I'm a Bum!; Kid Millions).

Check out the all-new Latest on DVD widgets located in the sidebar for more of this week's new DVD releases available today from Amazon.com.

Monday, November 10, 2008

Tune in to TCM: For the Boys

Turner Classic Movies celebrates Veteran's Day tomorrow with a salute to the American homefront — specifically, the Hollywood homefront — during World War II. In addition to the all-star variety shows Hollywood Canteen, Stage Door Canteen, Irving Berlin's This is the Army and Thousands Cheer, the channel will air the premiere of Warner at War, an original documentary about the Warner Bros. studio's contributions to the war effort.

In related news, Warner Home Video will release their Homefront Collectionon DVD tomorrow. In addition to Hollywood Canteen and This is the Army, the set includes Thank Your Lucky Stars, featuring Bette Davis warbling the Academy Award nominated song "They're Either Too Young or Too Old".

Best of the Fests: AFI Gets Acné

The American Film Institute's AFI Fest 2008 came to a close yesterday, and the big winner was a little coming of age movie about a teen's worst nightmare.

Acné, a Spanish language drama that follows a 13-year-old's quest for his first kiss, won the festival’s grand jury prize. Kassim the Dream, a documentary about Ugandan World Champion Boxer Kassim "The Dream" Ouma, was also named.

Tilda Swinton, the Academy Award winning actress and Derek Jarman muse, was honored with a special tribute at the fest on Friday.

Cinematic Crush: Robert La Tourneaux

In recognition of the long-awaited DVD debut of the gay classic The Boys in the Band tomorrow, our Cinematic Crush of the week is none other than the "Cowboy" himself, Robert La Tourneaux.

La Tourneaux originated the role of Emory's "birthday present" to Harold in the landmark 1968 Off-Broadway production of the Mart Crowley play. He, like everyone else in the cast, recreated his performance in the William Friedkin film adaptation two years later.

Prior to the Boys success, he appeared on the soap opera The Doctors. Unfortunately, La Tourneaux was typecast due to his most famous role and only appeared in a few low budget European films and Broadway plays following the film's release. Tragically, he fell on hard times and died from AIDS-related causes in 1986.

Sunday, November 9, 2008

Oh, Mrs. Garrett!

What are Blair, Tootie, Jo and Natalie to do when budget cuts threaten to oust their beloved Mrs. G from the Eastland Academy for Girls? Well, when their solution involves prostitution and musical numbers, you know you have stumbled upon lost territory ... as in The Facts of Life: The Lost Episode.

The spoofy stage comedy is currently running in West Hollywood through December 14. Click here for tickets, and visit the show's very own MySpace page for more information.

Reverend's Interview: Meadowlark's Taylor Greeson

Many of us had challenging upbringings, but few of them could compare to Taylor Greeson's experiences during the summer of 1993. Greeson, who was then twelve years old, was ordained with the Mormon priesthood, lost his virginity to an older man and suffered the murder of his older brother, Charlie, during that fateful season.

Greeson has more recently made an eloquent, autobiographical documentary entitled Meadowlark, which has been playing the film festival circuit. The director returned to his home state of Montana (he now lives in Los Angeles) and confronted unresolved issues related to his faith, sexuality and loss. It climaxes with Greeson meeting the man who was convicted of killing his brother.

Shot in a straightforward, non-sensational manner, Meadowlark has a quiet power. I felt privileged to see it as well as speak with Greeson about his experience making it.


CC: What inspired you to commit your recollections and journey on film?
TG: I was always amazed when my mom talked about my brother Charlie because she was never afraid to mention his death to complete strangers, even when it was a little uncomfortable to do so. By sharing our difficult stories with one another I think we all start to understand each other more profoundly, and we prevent ourselves from simply forgetting the past.

I decided to make this film because it was a way for me to better understand events that I had never really confronted as an adult. The film required me to ponder questions I had never before asked myself, and the camera allowed me to focus my search for answers because it functioned as a filter. I would show the footage I shot to friends and colleagues and tell stories as the images played silently on screen. The more I did this, the more I found recurring themes and motifs that presented themselves as I continued the cycle of filming, printing the footage, and screening it silently for friends.

CC: What have been viewers' reactions to Meadowlark?
TG: People have responded very warmly. I think people are somewhat amazed or perplexed that anyone would choose to delve into the past like this and then record the journey for others, but after watching the film, most of the viewers I have talked to are moved by the story and express their gratitude that they were given the chance to witness something so personal. I've talked to many, many people who were touched by this film because they had also lost loved ones who died earlier than they should have. But you don't have to have had a family member die to understand loss, and I think for that reason Meadowlark really resonates with audiences.


CC: What were your mother's and other family members' reactions to the film?
TG: My mother is very proud of me and of what I have done. I think my mom is far more moved by what the film could mean to others than what it means to her. I thought my family would be uncomfortable seeing themselves on the big screen in front of so many other people, but they weren't. In fact, they were pretty much un-phased by what I thought would be a very vulnerable situation. Nothing in my family is taboo and everything is right on the surface, no matter how uncomfortable or private! I discovered that we are not a shy bunch.

CC: Are you currently in a relationship or partnership? If so, how have your experiences of 1993 impacted your relationships and life today?
TG: Tough question! I have been with my boyfriend, Seth, for nine years now. Mike was really my first boyfriend and I think that, no matter who you are, your first love (or what you think is your first love) has a life-long effect on you. I don't know if I could enumerate all of the ways in which my relationship with Mike has shaped who I am. I can say that I have definitely learned a lesson or two about emotional blackmail and also about forgiveness.

My brother's death has certainly shaped who I am and how I interact with others. I think I have a high level of anxiety about farewells and I tend to come off as disinterested or unemotional when saying good-bye. I think generally that the intensity of emotions I felt upon my brother's death has blunted the level of emotion that I now show in a number of situations. I also have a sensitivity to violence of any kind and am unnerved by yelling. That's hard for Seth because he grew up in a family with six children -- you had to yell just to be heard!

On the bright side, I think I have a sense of compassion and understanding that people intuitively feel from me.


CC: How did you feel sitting down with and talking to the man who murdered your brother? Have you had any further communication with him since you finished Meadowlark?
TG: Once I decided that I was going to speak with Frank Fuhrmann, I didn't really feel anything until the day of our dialogue. I was so overwhelmed by what I was about to do that it's hard to describe any one particular emotion. I am very glad that I decided to speak with him though. My preparation for our dialogue forced me to question my fundamental beliefs about forgiveness and justice. I think I found humanity in Frank, and ultimately I don't want Charlie's death to cause anyone more suffering, even for his killer.

CC: Do you have any church (Latter Day Saints or otherwise) or religious involvement currently?
TG: I am fascinated by many religions and I have a deep, deep love of LDS history, but I am really not a spiritual person, and I have no desire to be. Right now, I am very displeased with the Mormon faith because of the church's general support of Prop 8. I still have LDS friends, though, and I hope they are among the many LDS who are in opposition to the church's stance!

CC: What are your future plans/hopes for Meadowlark? Do you have any new projects in the works?
TG: Meadowlark was just nominated for a Gotham Independent Film Award for "Best Film Not Playing at a Theater Near You." It will be screening at the Museum of Modern Art in New York in November, and the award winner will be announced on December 2. I'm not sure of any other screenings at the moment, but I believe there will be others. I'm also hoping that it will be released on DVD in some form within the next year.

I'm currently working on a film about Mormon Fundamentalists and the practice of polygamy. I think it's an incredibly interesting topic to explore, especially from the point of view of a gay man.

Interview by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Film Art: The Audacity of Joke

Would you vote for this man?

This illustration by James Lillis, inspired by the Shepard Fairey Barack Obama posters, is available for purchase on t-shirts and posters.

Saturday, November 8, 2008

MD Poll: Bond Rocks

In anticipation of James Bond's next cinematic adventure (Quantum of Solace, in theaters next Friday), the latest MD Poll turns an ear to the past and asks you to pick your favorite 007 theme song.

From Shirley Bassey to Madonna, Louis Armstrong to Duran Duran, ten of Bond's greatest hits are represented in the poll, which you can find located in the sidebar at right. So set your sites, place your vote and check back in two weeks for the results.

UPDATE: This poll is now closed; click here for the results, and click here to vote in the next MD Poll.

MD Poll: Some Day the Prince Will Come

Or at least that will be the case if DreamWorks' theatrical division pays any attention to the latest MD Poll, which named The Prince of Egypt their next best bet to make the transfer from the animated screen to the Broadway stage. And, unlike Shrek the Musical (which begins previews tonight), this one already has a full set of songs, courtesy of Academy Award winner Stephen Schwartz.

The toon Ten Commandments easily triumphed with almost 40% of the votes cast. Tying for second, with just over 15% each, were The Road to El Dorado and Wallace & Gromit: The Curse of the Were-Rabbit. See the comments section below for the full run down.

Click here to vote in the latest MD Poll.

Friday, November 7, 2008

First Look: The Women of Nine

Look closely and you'll see Judi Dench, Marion Cotillard, Sophia Loren, Stacy Ferguson (a.k.a. Fergie), Nicole Kidman, Kate Hudson and (somewhere in the dark) Daniel Day-Lewis in this first image from Rob Marshall's screen adaptation of the Tony Award winning musical Nine, due in theaters Christmastime next year.

And speaking of Tony winning musicals, the most recent one — In the Heights — is on its way to the big screen as well. Creator/star Lin-Manuel Miranda is expected to recreate his role as well as produce.

Out in Film: Stephen Daldry

Idol worship: Stephen Daldry, director/producer.

- His career began in the English theater, directing many productions at both the Royal Court Theatre and the Royal National Theatre.

- When his An Inspector Calls went on to Broadway, he won a Tony Award.

- He received Academy Award nominations as Best Director for his first two feature films, Billy Elliot and The Hours.

- Going for three in a row, his next film — The Reader, starring Kate Winslet and Ralph Fiennes — hits theaters next month.

- And he could get another Tony too with Billy Elliot: The Musical, now playing previews on Broadway and officially opening November 13.

Broadway Boop-Oop-a-Doop

Move over, little mermaid: the original Queen of the Toons herself, Betty Boop, is coming to the Great White Way.

Broadway.com reports that Max Fleischer's feisty flapper will headline her own musical, featuring a score by 15-time Grammy Award-winner David Foster, come the 2010-2011 season.

Naturally at this stage, no casting has been announced, but I would say the leading lady role is between Sutton Foster (who has the look) and Kristin Chenoweth (who has the voice).

Movie Music: Were the World Mine

Here's something for fans of queer rock musicals like The Rocky Horror Picture Show and Hedwig and the Angry Inch: the original soundtrack of Thomas Gustafson's Were the World Mine, which goes on sale next Tuesday (you can pre-order it herefrom Amazon.com), just in time for the film's theatrical debut November 21.

For more information on Were the World Mine, see Chris' review from Outfest, where it won the festival's Grand Jury Award.

Thursday, November 6, 2008

Reverend’s Reviews: Lesbian & Gay Indian Dreams

Few films to date have featured LGBT characters from India, but that’s changing tomorrow with the release of The World Unseen (from Regent Releasing/here! Films) and Loins of Punjab Presents (Emerging Pictures).

The World Unseen is a lesbian-themed drama set in 1950’s South Africa. As the conservative government’s apartheid policies are being implemented against the country’s black residents, members of its small Indian community are also living in fear. Matters become increasingly controversial and potentially dangerous when local café owner Amina (the lovely Sheetal Sheth) begins a romance with Miriam, a traditional Indian housewife and mother (played by Lisa Ray, the acclaimed star of Deepa Mehta’s Water) who begins questioning her sexuality.


Writer-director Shamim Sarif (whose debut film, I Can’t Think Straight, is scheduled for release later this month) has crafted an interesting story and a visually ravishing movie, but it ends up being too small-scale for the numerous political, historical, sexual and cultural issues it raises. Too many of these complex topics are introduced and then dropped. Most compelling but also short-changed is a secondary romance between a white woman and a black man (played by Grethe Fox and David Dennis, who are excellent). While it is worth a look, I was left wanting much more at the end of The World Unseen.

Manish Acharya’s comedy Loins of Punjab Presents is a focused and unmitigated delight that reminded me of such Christopher Guest improv comedies as Waiting for Guffman and Best of Show. In it, Bollywood collides with American Idol when a pork-exporting company (hence the film’s title) sponsors a live singing competition, Desi Idol, in a small New Jersey town.


Chaos initially ensues as would-be contenders audition to be one of ten final contestants. While virtually all are of Indian origin or descent, there are two wild cards in the mix: an American, Bollywood-loving Jew named Joshua Cohen (the amusingly earnest Michael Raimondi) and a culturally confused rapper, Balraj Deepak Gupta, who calls himself “Turbanotorious B.D.G.” (a hilarious Ajay Naidu). The B.D.G. is also G.A.Y., and there are some sweet scenes of his boyfriend encouraging him to heights of Desi Idol glory.

I’m not sure how wide a release Loins of Punjab Presents is going to receive, so be sure to seek it out; you don’t have to be Indian to find it thoroughly enjoyable.

Watch the trailers here: The World Unseen and Loins of Punjab Presents.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

The Latest in Theaters: Paris, Otto and the Muscles from Brussels

In addition to a Rocky Horror Picture Show-esque musical, there's a surprising surplus of films with gay content — both good and bad — in this week's new releases:
  • Repo! The Genetic Opera: This rock opera about futuristic organ trafficking (seriously; just watch the trailer) not only stars Paris Hilton and her leather boys, but also Buffy the Vampire Slayer's Anthony Stewart Head and Phantom of the Opera soprano Sarah Brightman.
  • Otto; or, Up With Dead People: For more on Bruce LaBruce's "gay zombie love story", see Chris' review.
  • JCVD: Washed up action movie star Jean-Claude Van Damme plays ... washed up action movie star Jean-Claude Van Damme in this meta crime caper.
  • Madagascar: Escape 2 Africa: The zoo crew (voiced again by Ben Stiller, Chris Rock, Sacha Baron Cohen, et al) is back in yet another DreamWorks animated sequel.
  • The Boy in the Striped Pajamas: The Holocaust is the setting for an unlikely friendship between the son of a German concentration camp commandant and a young Jewish inmate.
  • Soul Men: Samuel L. Jackson and Bernie Mac (in one of his final films) are two estranged soul singers reuniting for one last performance. Also stars Sean Hayes and (no relation) Isaac Hayes (in one of his final films).
  • Role Models: Juvenile jokes and homophobic slurs abound in this so-called "comedy" starring Paul Rudd, Seann William Scott, Elizabeth Banks and Jane Lynch (who should know better).
  • Gardens of the Night: Tom Arnold and Kevin Zegers play a gay couple who dabble in kidnapping and pedophilia. Nice.
  • The Alphabet Killer: Another Buffy alum, Eliza Dushku, stars in this serial killer thriller based on the infamous "Alphabet Murders" case.
  • The Guitar: Saffron Burrows is a terminal cancer patient who seeks the healing power ... of shopping.
  • The World Unseen and Loins of Punjab Presents: Stay tuned for Chris' reviews of these two films featuring gay and lesbian characters from India.
To find out what films are playing in your area, visit Fandango - Search movie showtimes and buy tickets!

Meet the New Perseus

The actor to the left is Sam Worthington, and you'll be seeing a lot more of him soon ... especially since he will be donning Harry Hamlin's shortie toga in the remake of Clash of the Titans.

Worthington (an Australian best known around here for his role in Bootmen) will not only be battling Medusa, the Kraken and other assorted mythological beasties as Perseus in The Incredible Hulk director Louis Leterrier's re-do of the cheesy 80's fantasy classic. He'll also be fighting off 3-D aliens in James Cameron's Avatar and Christian Bale in Terminator Salvation, both due next year. The Titans will Clash in 2010.

Can I Have This Song

That didn't take long. Following in the dancing footsteps of Hairspray and Mamma Mia!, Disney's High School Musical 3: Senior Year (which has overtaken Mamma Mia! as the biggest-opening movie musical of all-time) will now offer sing-a-long screenings in select theaters starting tomorrow.

In more HSM news, Atlanta's Theater of the Stars will present the world premiere of the stage version of High School Musical 2 beginning tonight and running through November 16.

And the Wildcats continue to take over the world ...

Wednesday, November 5, 2008

Reel Thoughts: Easy as GayBC

Recently, I received DVDs of the latest seasons of Desperate Housewives, Dirty Sexy Money, Ugly Betty, Brothers and Sisters and Samantha Who? My first thought was, "Where is my Pushing Daisies DVD, dammit!" My second thought was, “Wow, ABC could be called GayBC with all the great gay-friendly shows they have in their line-up.” (Editor's note: This review was written and scheduled prior to yesterday's news regarding a certain other ABC show.) Now that the fall season is in full swing, it’s the perfect time to pick up these great boxed sets and do a little catching up.

Desperate Housewives- This is the fourth season for the gals on Wisteria Lane, and what a wild year it was. A gay couple moves in (bringing along a hideous lawn statue), Dana Delaney's Katherine almost out-Brees Bree as the neighborhood’s iciest perfect hostess, Lynette finds out that dealing with cancer is easier than dealing with Tom’s evil daughter Kayla, and Edie’s suicide attempt fails to prevent Carlos from romancing his ex-wife Gabrielle. This is a great season full of suspense, action and humor. A tornado rips through Fairview, and an even more dangerous foe stalks Katherine. Get ready for a doozy of a season finale, that’s five years in the making, literally. The extras include a “concept-to-production” special about what goes into each episode, deleted scenes, a couples’ commentary and bloopers. This was my favorite apple in the bunch — it was by far the juiciest!


Brothers and Sisters- If you aren’t watching Brothers and Sisters, shame on you. It has no fewer than five major gay characters involved in the wacky Walker family’s dysfunctional dilemmas. Plus, the show stars Sally Field, Calista Flockhart and Rob Lowe. In its second year, uptight gay brother Kevin discovered that he’s not the only festive apple in the Walker family tree, and he has to decide between sweet Scotty and his absentee missionary of a boyfriend (tough call). Field as matriarch Nora referees her unruly brood, but couldn't stop baby of the family Justin from returning to the war. Life imitated art as Balthazar Getty was caught with a young blonde, much like his character messed around while his wife was away. This DVD has the most extras, including a guest book, Walker family recipes, an open house, deleted scenes and bloopers. Creator Jon Robin Baitz is an esteemed playwright, which explains why Brothers and Sisters is so well written.

Ugly Betty- Either you love Ugly Betty ... or you’ve never seen it! America Ferrera is wonderful as the good-hearted nerdette who becomes everyone’s pawn. Vanessa Williams is a hoot as vain, botoxed Wilhelmina Slater, who goes to extreme (and extremely yucky) measures to take over Mode magazine. Michael Urie as Marc, the toadiest toady of them all, and Mark Indelicato as Betty’s show tune-loving nephew, are the gayest reasons to love Ugly Betty, but the hyper-comic reality the show possesses makes it must-see TV. There are lots of extras to enjoy as well, and I don’t just mean Freddy Rodriguez as Gio the Sandwich Man.


Samantha Who?- This was the one collection without direct GLBT subject matter, but Christina Applegate and Jean Smart star in it, so what gay man (or woman) could resist it. Samantha Newly used to be a bad, bad woman. Then a conk on the head erased her memory and her nastiness, too. Applegate is hilarious as the pratfalling amnesiac who moves in with her obnoxious mother (Smart, who won an Emmy for her performance), and starts being friends with all the “losers” her old version wouldn’t have spoken to ... kindly, that is. The DVD collection is a little sparse, with just deleted scenes, a blooper reel and an audio commentary.

Dirty Sexy Money- I couldn’t really get into this fictionalized drama about a man who goes to work for the rich, messed-up family that may have been responsible for his dad’s death. Candis Cayne plays a transsexual who has caught the eye of the elder son (William Baldwin), a politician running for office. The cast is great, but the forced merriment of the screw-up Darling family members wears a little thin.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Women We Love: Vivien Leigh

Object of our affection: Vivien Leigh, actress.

- Her iconic performances as two tragic southern belles — Scarlett O'Hara in Gone With the Wind and Blanche DuBois in A Streetcar Named Desire — won her a pair of Academy Awards and cinematic immortality.

- She also played Blanche on the London stage; during her extensive stage career, she played parts that ranged from Noël Coward and George Bernard Shaw heroines to classic Shakespearean characters such as Ophelia and Lady Macbeth.

- Broadway roles include Romeo's Juliet and Cleopatra twice, all opposite her then husband, Laurence Olivier. However, her Tony Award was for the musical Tovarich.

- Other notable films include Dark Journey, A Yank at Oxford, Waterloo Bridge, That Hamilton Woman, Caesar and Cleopatra, Anna Karenina, The Roman Spring of Mrs. Stone and Ship of Fools.

- In addition to awards from the Venice Film Festival, the New York Film Critics Circle and the British Academy of Film and Television Arts, she was named one of the top 50 screen legends of all-time by the American Film Institute.

Michael Crichton: 1942-2008

Michael Crichton, best-selling author and filmmaker, died yesterday in Los Angeles. He was 66.

As well as the film adaptations of his novels The Andromeda Strain, Jurassic Park and its sequel The Lost World, Disclosure, Congo and Sphere, Crichton wrote and directed the sci-fi classics Westworld and Coma. Additionally, he penned the screenplay for Twister and created and executive produced the Emmy Award winning television medical drama ER, now in its 15th and final season.

His legacy will live on onscreen, as a Westworld remake and a fourth Jurassic Park movie are currently in the works.

Tuesday, November 4, 2008

Reverend’s Interview: Giving His All to Lost Everything

It’s every gay critic’s fantasy: a handsome actor-producer delivers his latest film to your doorstep. It is especially interesting if he does so early on a Sunday morning and you haven’t yet gotten dressed or otherwise made yourself presentable!

Such was the situation when Mark Whittington brought a DVD of Lost Everything to me. The movie, made by Florida-based Hunu Films, is currently awaiting the finalization of a distribution deal. In the meanwhile, it screened at last month’s Q Film Festival in Long Beach and has been raking in festival awards and audience acclaim across the US (watch the trailer here).

Lost Everything stars Whittington as Brian Brecht, a closeted movie star who arrives in Miami on a public relations tour. Dogged by a tabloid reporter determined to out him, Brian unwisely begins an affair with the hunky bartender at his hotel.

The script entails several other storylines, including one about a powerful televangelist’s efforts to break up his gay son’s happy relationship by any means necessary. In addition, a reluctant hitman (and an all-too-eager hitwoman), Brecht’s pill-popping manager, a young starlet-wannabe and an art dealer with a violent ex all add up to an intriguing plot with numerous twists and turns. As the film’s tagline sums things up, “Some people will do anything … to keep the things they have.”


It took nearly ten years to get Lost Everything from script to screen, but the filmmakers’ long effort has paid off. It is extremely well-written (by Jerry Hamilton Bell), directed (by Florida theatre veteran Kim St. Leon), acted and edited, especially for a low-budget independent film.

Whittington was involved in the production of Lost Everything for over seven years, initially as a cast member but then as a co-producer. His passion for the project is evident when speaking with him.

When Whittington was cast as Brecht back in 2000, “They re-wrote the part for me to make the character a younger, Leonardo DiCaprio type,” he told me. “Now, I’m the age the character was originally supposed to be!”

Whittington began his acting career in his hometown of Fort Smith, Arkansas, at the age of 15, playing the lead in Neil Simon’s plays Brighton Beach Memoirs and Biloxi Blues. Since then, he’s racked up numerous stage, film and television credits, the latter of which have included recurring roles on Party of Five and General Hospital.


“My cousin was into acting at an early age,” Whittington recalls. “We played Mary and Joseph in the church Christmas pageant when we were 5.” He also cites his high-school drama teacher as someone who inspired him to pursue a career in acting. “In Fort Smith, if you didn’t play football you weren’t shit,” Whittington said, “but we were studying Uta Hagen in the tenth grade and won many theatre festival awards.”

Of his longtime commitment to Lost Everything, Whittington states, “The script getting better and better. All the characters have lots of levels and are very complex.”

His character, Brian Brecht, illustrates that complexity. “The trapped sense of the character struck me,” Whittington explained. “The climax of the film (in which Brecht commits a surprising act of desperation) was the reason I took the part, although it changed a lot along the way.”

Whittington shares some intimate moments in the film with the equally attractive Kyle Lupo, who plays the bartender, David. Lupo is becoming increasingly well-known thanks to his current role on the TV series Wildfire. “Kyle is one of my best friends,” according to Whittington, and he believes Lupo’s talent shines through “his character’s big switch from nice to nasty in the middle of the film.”


I asked Whittington whether the villainous televangelist character in the film is supposed to illustrate something about the role religion has played in fostering homophobia. He replied, “Yes, but in another way the script has changed since it was first written, the character was originally a cruise ship owner.” Whittington added, incidentally, “All the board members of the televangelist’s church were played by local LGBT community leaders.”

Lost Everything first came to my attention when I heard about the less-than-positive reception it initially received at last summer’s Indie Fest USA film festival, held at Downtown Disney in Anaheim. “During the first night’s press interviews,” Whittington explained, “one of the reporters reacted negatively to the filmmakers’ comment that we were proud to be the only gay film at the festival.” They also were prohibited from promoting the film on Downtown Disney property.

But, ever-resourceful filmmakers that they are, Whittington and crew sent out e-mail notices regarding the initial reaction to their film to the Orange County and Long Beach LGBT Centers, to LGBT publications and to LGBT community leaders to drum up support. Whittington said their response helped greatly, and Lost Everything ultimately won an award at the festival.

If you didn’t get the chance to see Lost Everything at the Q Film Festival in Long Beach, Whittington’s hopes are high that you’ll be able to catch it in a theater or on DVD soon. The filmmakers are working with the agent who guided such successful movies as Boys Don’t Cry, Monster and My Big Fat Greek Wedding to secure distribution. In terms of a wide release and broader reception, their intelligent, suspenseful film may yet gain everything.

UPDATE: Mark has updated us in regards to Lost Everything's distribution; the film will be released theatrically and on DVD by Wolfe Films and will also air on here! TV in the future. Lost Everything also won the audience award at the North Fort Lauderdale International Film Festival.

Interview by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Grey's Calamity

Another gay scandal is unfolding over at Grey's Anatomy. Brooke Smith, who played the recently Sapphic Dr. Erica Hahn on the series, has been unceremoniously fired. Her last episode will air this Thursday.

Smith (who you may also remember from The Silence of the Lambs) tells Entertainment Weekly's Michael Ausiello in an exclusive interview all about the shocking ouster, which appears to have come from the powers that be at ABC. Network execs were reportedly nervous about depicting a lesbian relationship as realistically as a heterosexual one (or as realistic as it gets on the soapy Grey's).

Sadly, Dr. Hahn is just the latest GLBT character to be written off an ABC series. Both the transgender characters played by Rebecca Romijn on Ugly Betty and Candis Cayne on Dirty Sexy Money have said good-bye (at least for now) in recent episodes. However, as EW's Michael Slezak notes, perhaps Smith's best revenge will come ... say, around Emmy time next year.

Poster Post: Election Day Edition

It's finally time for all Americans to cast their ballot in what has seemed to be an endless election year. And what better way for we here at Movie Dearest to recognize the occasion then with a little bit of movie-related fun, inspired by the original poster for A View to a Kill.

As for who the Movie Dearest gang is voting for, it is safe to say that "that one" on the left will never appear on this blog again as long as we can help it.

The Latest on DVD: Go Ape

Celebrate the 40th anniversary of the Planet of the Apessaga with all five movies now in high definition for the very first time.

This five disc Blu-ray collection (available today) includes the original sci-fi classic (starring Charlton Heston, Roddy McDowall, Kim Hunter and Maurice Evans) plus its four sequels (Beneath ..., Escape from ..., Conquest of ... and Battle for the Planet of the Apes). Plus, a whole ape planet's worth of new bonus materials are also included, such as Behind the Planet of the Apes, the feature length documentary (narrated by McDowall) that is essential viewing for any "damn dirty apes" fan.

Check out the all-new Latest on DVD widgets located in the sidebar for more of this week's new DVD releases available today from Amazon.com.

Monday, November 3, 2008

Reel Thoughts: Cabin Fever

There’s nothing wrong with taking a familiar trip, as long as something interesting and entertaining happens. In 3-Day Weekend, that’s what committed couple Jason (Douglas Myers) and Simon (Derek Meeker) hope for when they instruct their friend Cooper (Derek Long of Socket) and his boy-toy du jour Ace (Stephen Twardokus) to invite two single guys along on their weekend up at their gorgeous cabin.

In addition, the hosts each invite a single friend as well, although Simon’s guest is a bit more familiar than Jason would like. While Jason asks a nerdy coworker, Mac (Chris Carlisle), Simon invites Andre (Daniel Rhyder), a male escort he’s been regularly seeing. Worse yet, a couple of the other men “know” him too, through his line of work.


The weekend becomes a time for new romance to bloom while old relationships take a serious beating. Writer/director