Even though they’ve been extinct for 65 million years, dinosaurs still hold a fascination for us like few other creatures past or present. Our only real reference points for them, however, are skeletal remains in museums and movies such as the Jurassic Park series (a fourth chapter of which is reportedly coming soon). There have also been a handful of animated dinosaur-themed films, including The Land Before Time and Disney’s Dinosaur, that feature cuddly, talking depictions of the beasts.
Enter Dinotasia,
now available on Blu-ray and DVDcourtesy of Flatiron Film Company. Its
multiple animated vignettes that span nearly 200 million years provide a more
naturalistic, often visually-stunning view of how Earth’s reptilian
ancestors may truly have lived. In the process, co-directors Erik Nelson
and David Krentz (Krentz served as lead character designer of the prior
Disney-made feature) and narrator Werner Herzog (yes, the auteur responsible
for Aguirre: The Wrath of God, Fitzcarraldo, Grizzly Man and last
year’s Cave of Forgotten Dreams,
among many other acclaimed films) make the creatures’ varied plights
unexpectedly amusing and disarmingly moving.
The first story, which opens with a tired mother irritated
by a noisy ostrich-like contemporary and culminates with one of her injured
offspring seeking payback for the damage done to it, gives an indication of the
film’s unusual tone. The primeval segment of Fantasia or your standard Animal Planet
documentary, Dinotasia is
not. These dinos don’t have to speak dialogue or be drawn with
human-like features to strike viewers as eerily like us. Other segments
adapt time-honored scenarios like a mother bird teaching its young ones how to
fly, parents trying to protect their children from predators, and the results
of unintentionally ingesting hallucinogenic substances to the dinosaur era in
novel ways. The best is “Herd,” in which an orphaned triceratops
finds temporary refuge with an elder who is on a significant journey. If
the ending doesn’t bring a tear to your eyes, you’d better check to
make sure you aren’t cold-blooded.
Herzog’s introductions to each story are at once
welcome and unnecessary. Also, the CGI quality runs hot and cold and
generally isn’t as convincing during daytime scenes as it is in darker,
nighttime settings. Still, Dinotasia
is gripping, droll and poignant in equal measure, and will give one a new
appreciation of the scaled and feathered giants that once roamed our world.
Many people also think of silent movies as being extinct,
but last year’s Oscar-winning hit The
Artist was dialogue-free until its very end. Billy
Wilder’s 1950 classic Sunset Boulevard,
just released on Blu-rayin a beautifully restored edition, tells the twisted
tale of a faded silent-film star who is desperate for “a return”
(not a comeback) and the down-on-his-luck screenwriter who falls into her trap.
Gloria Swanson, who plays Sunset
Boulevard’s psychotic yet tragic Norma Desmond to
unforgettable perfection, was herself a largely forgotten veteran of the silent
era by the time Wilder cast her. William Holden co-stars as the hapless
object of her self-obsessed affection. Both actors were nominated for the
Academy Award for their performances here. The film itself was nominated
as Best Picture but lost to the belovedly catty backstage drama, All About Eve. Sunset Boulevard, though, has proven to be
the better-regarded movie, currently ranking #16 (twelve steps above All About Eve) on the American Film
Institute’s 2007 revised list of the greatest American films.
Alternately classified as an industry-insider drama, film
noir, horror film and even as a comedy — all of these accurate — Sunset Boulevard is awash in an
embarrassment of riches. Most notable are the razor-sharp dialogue
contained in the knowing, Oscar-winning screenplay by Wilder, Charles Brackett
and D.M. Marshman, Jr.; Swanson’s fellow silent-film vets Buster Keaton,
H.B. Warner and Anna Q. Nilsson as Norma’s wordless “waxworks”
friends; an appearance by Hollywood gossip
maven Hedda Hopper as herself; and the film’s exquisite art direction. Best of all perhaps are the acting turns by director greats
Cecil B. DeMille and Erich von Stroheim. Both directed Swanson in some of
her early films, and this professional as well as more personal, intimate
history between them makes their scenes together all the more believable.
Holden’s voiceover strikes
me as particularly dated by today’s standards, but it is probably Sunset Boulevard’s only
weakness. It is truly iconic and a film for the ages. Recommended extras
on the Blu-ray are a deleted scene with a very funny song entitled “The
Paramount-Don’t-Want-Me Blues,” numerous documentary shorts about
the film’s production and cultural impact, biographies of Swanson and
Holden, and an insightful look at the work of celebrated costume designer Edith
Head while she was under contract at Paramount.
Reverend’s Ratings:
Dinotasia: B+
Sunset Boulevard: A-
Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and Rage Monthly Magazine.
1 comment:
great post. thank you
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