Borrowing a page from Siskel and Ebert back in the good ol' days, Movie Dearest's very own Men on Film — Chris Carpenter and Kirby Holt — are presenting our own version of "If We Picked the Oscars"! These aren't predictions, but what movies, actors, directors, et al that we would vote for if we were members of the Academy. Plus, we're also chiming in with our picks for the "egregiously overlooked" non-nominees as well as the "Worst Nomination of the Year".
So without further ado, the envelope please...
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| Life of Pi by Tom Whalen |
The nominees for
Best Picture are:
Amour,
Argo,
Beasts of the Southern Wild,
Django Unchained,
Life of Pi,
Lincoln,
Les Misérables,
Silver Linings Playbook and
Zero Dark Thirty.
And our winners would be:
CC:
Beasts of the Southern Wild, since I would vote for
Amour as Best Foreign Language Film and believe in sharing the wealth.
KH: In an overall strong line up,
Life of Pi stands out as the finest in cinematic wonder that is as spiritually-enriching as it is eye-popping.
Egregiously Overlooked:
Keep the Lights On,
Moonrise Kingdom,
Skyfall
The nominees for
Best Actor are: Bradley Cooper in
Silver Linings Playbook, Daniel Day-Lewis in
Lincoln, Hugh Jackman in
Les Misérables, Joaquin Phoenix in
The Master and Denzel Washington in
Flight.
And our winners would be:
CC:
Denzel Washington, whose work I haven’t always admired, does in
Flight what I believe to be the most truthful work of his career to date.
KH: Day-Lewis may be getting all the buzz (maybe
too much buzz), but he already has two Oscars and I like to spread the wealth as well, especially when we have the transformative performances of
Hugh Jackman, finally able to fully display his dramatic
and musical chops in
Les Miz.
Egregiously Overlooked: John Hawkes in
The Sessions, Dwight Henry in
Beasts of the Southern Wild, Thure Lindhardt in
Keep the Lights On
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| Beasts of the Southern Wild by Rich Kelly |
The nominees for
Best Actress are: Jessica Chastain in
Zero Dark Thirty, Jennifer Lawrence in
Silver Linings Playbook, Emmanuelle Riva in
Amour, Quvenzhané Wallis in
Beasts of the Southern Wild and Naomi Watts in
The Impossible.
And our winners would be:
CC:
Silver Linings Playbook's
Jennifer Lawrence, who gives a riveting performance that ricochets wildly between angst and humor. She is easily the most talented actress of her generation.
KH: I'd give it to little Hushpuppy herself,
Quvenzhané Wallis from
Beasts of the Southern Wild.
Egregiously Overlooked: Marion Cotillard in
Rust & Bone, Maggie Smith in
Quartet
The nominees for
Best Supporting Actor are: Alan Arkin in
Argo, Robert De Niro in
Silver Linings Playbook, Philip Seymour Hoffman in
The Master, Tommy Lee Jones in
Lincoln and Christoph Waltz in
Django Unchained.
And our winners would be:
CC:
Philip Seymour Hoffman, masterful as
The Master’s debauched religious guru.
KH: In a race where they are all previous winners, it comes down to who deserves another Oscar, and my choice would be
Tommy Lee Jones who (gratefully) set the screen on fire as a strong-willed abolitionist senator in the otherwise deathly dull
Lincoln.
Egregiously Overlooked: Javier Bardem in
Skyfall, William H. Macy in
The Sessions,
Ezra Miller in
The Perks of Being a Wallflower, Tom Wilkinson in
The Best Exotic Marigold Hotel
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| Les Misérables by Phantom City Creative |
The nominees for
Best Supporting Actress are: Amy Adams in
The Master, Sally Field in
Lincoln, Anne Hathaway in
Les Misérables, Helen Hunt in
The Sessions and Jacki Weaver in
Silver Linings Playbook.
And our winners would be:
CC: Amy Adams, who gave what I consider the best and creepiest performance in
The Master and has been nominated several times now in this category but has yet to win.
KH: Sometimes the stars align just right to give an actor just the right role at just the right time in their career for an Oscar, and this year it is
Anne Hathaway as the tragic, doomed Fantine in
Les Miz.
Egregiously Overlooked: Samantha Barks in
Les Misérables, Judi Dench in
Skyfall, Emma Watson in
The Perks of Being a Wallflower.
The nominees for
Best Director are: Michael Haneke for
Amour, Ang Lee for
Life of Pi, David O. Russell for
Silver Linings Playbook, Steven Spielberg for
Lincoln and Benh Zeitlin for
Beasts of the Southern Wild.
And our winners would be:
CC:
Ang Lee, whose adaptation of the bestselling book
Life of Pi is if nothing else a visual marvel.
KH: I too pick
Ang Lee, who won before for
Brokeback Mountain and, with
Life of Pi, created another instant classic.
Egregiously Overlooked: Ben Affleck for
Argo, Sam Mendes for
Skyfall,
Ira Sachs for
Keep the Lights On
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| Lincoln by Jeff Boyes |
The nominees for
Best Adapted Screenplay are:
Argo,
Beasts of the Southern Wild,
Life of Pi,
Lincoln and
Silver Linings Playbook.
And our winners would be:
CC: I think this is the toughest category for me to decide this year. I would lean toward
Lincoln both as a testament to its gay author,
Tony Kushner, as well as his usually exemplary prose.
KH: Another highly competitive category, David Magee's adaptation of
Life of Pi seamlessly transferred the so-called "unfilmable" novel to the screen.
Egregiously Overlooked:
The Perks of Being a Wallflower,
The Sessions
The nominees for
Best Original Screenplay are:
Amour,
Django Unchained,
Flight,
Moonrise Kingdom and
Zero Dark Thirty.
And our winners would be:
CC: As much as I admired
Flight’s harrowing depiction of an addict’s journey and
Moonrise Kingdom’s playful spirit, my heart is with
Amour by Michael Haneke.
KH: Wes Anderson's past films were often too quirky for their own good, but his
Moonrise Kingdom (co-written by Roman Coppola) is his most accessible - and enjoyable - movie to date.
Egregiously Overlooked:
Keep the Lights On,
Looper
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| Amour by Matt Owen |
The nominees for
Best Cinematography are:
Anna Karenina,
Django Unchained,
Life of Pi,
Lincoln and
Skyfall.
And our winners would be:
CC:
Life of Pi is simply amazing to look at, and I give it bonus points for its mastery of immersive 3D that made me feel the bathroom I was in after the movie rocking!
KH: James Bond never looked better thanks to Roger Deakins' crisp photography for
Skyfall.
Egregiously Overlooked:
Les Misérables,
Moonrise Kingdom
The nominees for
Best Production Design are:
Anna Karenina,
The Hobbit: An Unexpected Journey,
Life of Pi,
Lincoln and
Les Misérables.
And our winners would be:
CC: Similar to my remarks above, and despite my admiration for the look of
Anna Karenina,
Life of Pi is too gorgeous to resist.
KH: With the (finally, correctly) renamed category one can't help but want to recognize the overall gorgeous look of
Life of Pi.
Egregiously Overlooked:
Moonrise Kingdom,
Prometheus
The nominees for
Best Costume Design are:
Anna Karenina,
Lincoln,
Les Misérables,
Mirror Mirror and
Snow White and the Huntsman.
And our winners would be:
CC: I loved the late Eiko Ishioka’s knowingly, deliriously over-the-top outfits in the campy Snow White tale,
Mirror Mirror.
KH: From convicts to prostitutes to soldiers to rebels, Paco Delgado's rich designs helped establish each character in an instant in the epic
Les Misérables.
Egregiously Overlooked:
Argo,
Django Unchained
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| Django Unchained by Mark Englert |
The nominees for
Best Original Score are:
Anna Karenina,
Argo,
Life of Pi,
Lincoln and
Skyfall.
And our winners would be:
CC: The long overdue Mychael Danna composed a score for
Life of Pi that is as lovely and haunting as its visuals.
KH: A tough choice between two of my top films from last year,
Life of Pi and
Skyfall; I'll go with the latter as composer Thomas Newman is also long overdue.
Egregiously Overlooked:
Beasts of the Southern Wild,
Brave,
Cloud Atlas
The nominees for
Best Original Song are: "Before My Time" from
Chasing Ice, "Everybody Needs a Best Friend" from
Ted, "Pi's Lullaby" from
Life of Pi, "Skyfall" from
Skyfall and "Suddenly" from
Les Misérables.
And our winners would be:
CC: As much as I love “Skyfall,” Adele and Bond theme songs in general, I was struck by the beautiful, heartfelt simplicity of
Les Misérables' “Suddenly” and would vote for it.
KH: Another case of perfect timing: as the 007 series celebrates its 50th year in the movies, we get Adele's lush title tune for
Skyfall, likely to be the first Bond song to win an Oscar.
Egregiously Overlooked: “From Here to the Moon and Back” from
Joyful Noise, "Touch the Sky" from
Brave
The nominees for
Best Film Editing are:
Argo,
Life of Pi,
Lincoln,
Silver Linings Playbook and
Zero Dark Thirty.
And our winners would be:
CC:
Argo’s editing contributes so much to how engrossing it is.
KH: The "thriller aspect" of
Argo is thanks in large part to the fine editing of William Goldenberg.
Egregiously Overlooked:
The Avengers,
Skyfall.
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| Silver Linings Playbook by Joshua Budich |
The nominees for
Best Sound Mixing are:
Argo,
Life of Pi,
Lincoln,
Les Misérables and
Skyfall.
And our winners would be:
CC:
Life of Pi, for its alternately thrilling and pensive blend of natural sounds.
KH: Despite (or maybe because of) all that hype around the "live singing" aspect of
Les Misérables, I opt for the dense aural landscape of
Skyfall.
Egregiously Overlooked:
The Avengers,
Brave
The nominees for
Best Sound Editing are:
Argo,
Django Unchained,
Life of Pi,
Skyfall and
Zero Dark Thirty.
And our winners would be:
CC: 007 never sounded so good until
Skyfall.
KH: Let's make it a clean sweep:
Skyfall.
Egregiously Overlooked:
The Avengers,
Looper
The nominees for
Best Visual Effects are:
The Avengers,
The Hobbit: An Unexpected Journey,
Life of Pi,
Prometheus and
Snow White and the Huntsman.
And our winners would be:
CC: A tough call for me between
The Avengers and
Life of Pi, but I would likely go with the latter.
KH: Just in case you didn't realize it, that tiger in
Life of Pi was entirely created by computer animation, and brilliantly so.
Egregiously Overlooked:
Cloud Atlas,
Mirror Mirror,
Skyfall
The nominees for
Best Makeup & Hairstyling are:
Hitchcock,
The Hobbit: An Unexpected Journey and
Les Misérables.
And our winners would be:
CC:
The Hobbit’s makeup effects often looked phony to me, likely an unintended result of the high frame rate 3D format in which I watched it, so I would go with the mutton chops of
Les Misérables.
KH: The talented crew of
The Hobbit managed to make each of the 13(!) dwarfs distinctive and unique.
Egregiously Overlooked:
Cloud Atlas,
Lincoln
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| Argo by Anthony Petrie |
The nominees for
Best Animated Feature are:
Brave,
Frankenweenie,
ParaNorman,
The Pirates! Band of Misfits and
Wreck-It Ralph.
And our winners would be:
CC:
ParaNorman strikes me as the most original out of this strong group of contenders.
KH: Although I enjoyed the creepy fun (and gay inclusiveness) of
ParaNorman, my vote goes to the unjustly underrated
Brave.
Egregiously Overlooked:
The Rabbi’s Cat
The nominees for
Best Foreign Language Film are:
Amour from Austria,
Kon-Tiki from Norway,
No from Chile,
A Royal Affair from Denmark and
War Witch from Canada.
And our winners would be:
CC,
KH: J’adore
Amour!
Egregiously Overlooked:
The Intouchables from France
The nominees for
Best Documentary Feature are:
5 Broken Cameras,
The Gatekeepers,
How to Survive a Plague,
The Invisible War and
Searching for Sugar Man.
And our winners would be:
CC:
How to Survive a Plague, which impressively manages to be both elegiac and inspiring.
KH: I'm baffled by all the awards garnered by the frankly lightweight
Searching for Sugar Man, especially over Kirby Dick's gut-wrenching, incendiary exposé of military rape in
The Invisible War.
Egregiously Overlooked:
Bully,
West of Memphis
The nominees for
Best Documentary Short are:
Inocente,
Kings Point,
Mondays at Racine,
Open Heart and
Redemption.
And our winners would be:
CC: The gripping, moving
Open Heart.
KH: At this point, have only seen
Inocente, so abstain for now.
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| Zero Dark Thirty by Godmachine |
The
nominees for Best Animated Short are:
Adam and Dog,
Fresh Guacamole,
Head Over Heels,
Maggie Simpson in The Longest Daycare and
Paperman.
And our winners would be:
CC: The beautifully-drawn
Adam and Dog is the standout from multiple perspectives: artistic, relational and spiritual/theological.
KH:
Paperman is getting all the press (ha!), but I was enthralled by the lovely
and funny
Adam and Dog.
The
nominees for Best Live Action Short are:
Asad,
Buzkashi Boys,
Curfew,
Death of a Shadow (Dood van een Schaduw) and
Henry.
And our winners would be:
CC: I liked the intriguing and clever
Death of a Shadow.
KH:
Curfew struck the right balance of quirkiness and sentimentality for me.
And now for our own special category of dishonorable mention, the
Worst Nomination of the Year:
CC: In general, I consider
Lincoln the most overrated film of 2012. It isn’t a bad movie by any means but Steven Spielberg’s direction struck me as schizophrenic, Tommy Lee Jones was chewing the scenery, and the naturalistic cinematography came across as too dark at times. And, while good, Daniel Day-Lewis failed to epitomize our 16th president in my mind.
KH: While it wasn't a bad performance, I am still puzzled about
Jacki Weaver's nomination for playing Bradley Cooper's mother/Robert De Niro's wife in
Silver Linings Playbook. Chalk it up to "riding on the coattails" of her fellow cast members, I suppose.
And so the final march to Oscar glory, for this year anyway, begins. Tune in to ABC this Sunday to see who wins, as well as which nominees are rocking the best (and worst) gowns, most attractive escorts and most heartfelt acceptance speeches.
