Showing posts with label Oscars 2014. Show all posts
Showing posts with label Oscars 2014. Show all posts

Friday, February 27, 2015

Men on Film: If We Picked the Oscars 2014


Artwork by Olly Gibbs

 

Borrowing a page from Siskel and Ebert back in the good ol' days, Movie Dearest's very own Men on Film — Chris Carpenter and Kirby Holt — are presenting our own version of "If We Picked the Oscars". These aren't predictions, but what movies, actors, directors, et al that we would vote for if we were members of the Academy. We're also chiming in with our picks for the "egregiously overlooked" non-nominees as well as the "Worst Nominations of the Year"; plus: Oscar Trivia! So without further ado, the envelope please...


The nominees for Best Picture are: American Sniper, Birdman, Boyhood, The Grand Budapest Hotel, The Imitation Game, Selma, The Theory of Everything and Whiplash
And our winners would be:
CC: I must go with Boyhood, Richard Linklater's groundbreaking, 12-year exploration of family life that also serves as a stunning testament to its cast's and crew's dedication.
KH: It's about time a straight-up comedy took the top Oscar, and The Grand Budapest Hotel was a mirthful delight worthy of the gold.
Egregiously Overlooked: Edge of Tomorrow and Interstellar, two of the smartest and best-made science fiction films in several years. - CC
Oscar Trivia: You have to go all the way back to 1951's Decision Before Dawn to find another Best Picture nominee that, like Selma this year, received only one other nomination outside of the major categories.

The Grand Budapest Hotel by Malika Favre

The nominees for Best Actor are: Steve Carell in Foxcatcher, Bradley Cooper in American Sniper, Benedict Cumberbatch in The Imitation Game, Michael Keaton in Birdman and Eddie Redmayne in The Theory of Everything
And our winners would be:
CC: I don't consider myself a "Cumberbitch," as his fans are known, but Benedict Cumberbatch's subtly heartbreaking performance as the persecuted gay genius Alan Turing stands out for me here.
KH: Up against a quartet of biopics, Michael Keaton gave a truly original, totally raw performance in Birdman as a washed-up movie star best known for a superhero franchise (how meta) desperately trying for a comeback while barely holding onto his sanity.
Egregiously Overlooked: Channing Tatum, going full out dramatically as Foxcatcher's neglected central character, deserved a nod, especially since both his co-stars were nominated. - CC
Oscar Trivia: This is Bradley Cooper's third nomination in a row. Other actors to achieve this feat include William Hurt, Russell Crowe and Marlon Brando, who was actually nominated four times in a row, from 1951 to 1954 (ending with his first win, for On the Waterfront).

The nominees for Best Actress are: Marion Cotillard in Two Days, One Night, Felicity Jones in The Theory of Everything, Julianne Moore in Still Alice, Rosamund Pike in Gone Girl and Reese Witherspoon in Wild
And our winners would be:
CC: I love Julianne Moore but consider her sure-to-win turn in Still Alice overrated. I would go with first time nominee Rosamund Pike, deliciously twisted as the allegedly abused and murdered wife in Gone Girl.
KH: She really should have one (Far from Heaven) or two (Boogie Nights) of these already, so I say give it to Julianne Moore already!
Egregiously Overlooked: Jennifer Aniston gives a truly transformative performance in Cake that every other major awards group recognized. - CC

The nominees for Best Supporting Actor are: Robert Duvall in The Judge, Ethan Hawke in Boyhood, Edward Norton in Birdman, Mark Ruffalo in Foxcatcher and J.K. Simmons in Whiplash
And our winners would be:
CC: Ethan Hawke's performance as the emotionally-maturing father is for me the glue that holds Boyhood's 12-year storytelling arc together.
KH: Oz's evil Nazi. Juno's befuddled dad. J. Jonah Jameson. The yellow M&M. J.K. Simmons is one of the most popular and talented character actors around, and it's his turn in the spotlight for his blistering turn in Whiplash.
Egregiously Overlooked: No matter how historically accurate the then-president's political stance may be in Selma, Tom Wilkinson's Lyndon B. Johnson offers a strong, believably conflicted portrayal. - CC
Oscar Trivia: At age 84, Robert Duvall is the oldest supporting actor nominee ever. He is also the most nominated male actor of this year's nominees, with seven career nominations.

Whiplash by Mike Lemanski

The nominees for Best Supporting Actress are: Patricia Arquette in Boyhood, Laura Dern in Wild, Keira Knightley in The Imitation Game, Emma Stone in Birdman and Meryl Streep in Into the Woods
And our winners would be:
CC: I haven't been a big fan of Kiera Knightley but I was blown away by her in The Imitation Game. It is a great part for any actress but Knightley invests in it fully and makes it her own. A revelation.
KH: Since her Emmy-winning days on Medium, I've been a big fan of Patricia Arquette, easily the best thing (for this non-fan) about Boyhood.
Egregiously Overlooked: Anna Kendrick is splendid as Sondheim's decidedly insecure but still singing Cinderella in Into the Woods. - CC
Oscar Trivia: Meryl Streep breaks her own record with this, her 19th career nomination. She is also the first actress nominated for playing a witch.

The nominees for Best Director are: Wes Anderson for The Grand Budapest Hotel, Alexandro G. Iñárritu for Birdman, Richard Linklater for Boyhood, Bennett Miller for Foxcatcher and Morten Tyldum for The Imitation Game
And our winners would be:
CC: Richard Linklater is the standout for me and hopefully for the majority of Academy voters for his masterful cinematic odyssey.
KH: For crafting an incredibly unique world, Wes Anderson gets my vote.
Egregiously Overlooked: Ava DuVernay, who proves herself a talented and assured director with Selma, only her third narrative feature film. - CC
Oscar Trivia: Bennett Miller's nomination is unusual due to the fact that since the change in the Best Picture category in 2009 from five to up to ten nominees, it was expected that all the nominated Best Directors would be of Best Picture nominees.

The nominees for Best Adapted Screenplay are: American Sniper, The Imitation Game, Inherent Vice, The Theory of Everything and Whiplash
And our winners would be:
CC: Damien Chazelle's Whiplash is a terrific screenplay (expanded from his earlier short), but I give a slight edge to Graham Moore's The Imitation Game for shining a light on its long neglected, real-life gay hero.
KH: The liberties taken regarding historical accuracy have somewhat tainted The Imitation Game for me, so I'll go with Whiplash.
Egregiously Overlooked: Edge of Tomorrow's clever, intricately-plotted and exciting screenplay, adapted from a Japanese graphic novel. - CC

The Theory of Everything by Malika Favre

The nominees for Best Original Screenplay are: Birdman, Boyhood, Foxcatcher, The Grand Budapest Hotel and Nightcrawler
And our winners would be:
CC: Wes Anderson's fanciful and funny script for The Grand Budapest Hotel is one of his best to date.
KH: I second that with another vote for The Grand Budapest Hotel.
Egregiously Overlooked: I am partial to Patrick Tobin's Cake, not only because the screenwriter is a member of my church but because his script manages simultaneously to be unapologetically acerbic and wholeheartedly compassionate. - CC

The nominees for Best Cinematography are: Birdman, The Grand Budapest Hotel, Ida, Mr. Turner and Unbroken
And our winners would be:
CC: This might be the toughest category to decide since all these films feature breathtaking camera work, but Unbroken remains for me the most hauntingly memorable.
KH: Ida features breathtakingly beautiful black and white images that are hard to forget as well.
Egregiously Overlooked: Into the Woods, another gorgeous movie. - CC
Oscar Trivia: Unbroken is Roger Deakins' twelfth nomination in this category, which he has yet to win.

The nominees for Best Production Design are: The Grand Budapest Hotel, The Imitation Game, Interstellar, Into the Woods and Mr. Turner
And our winners would be:
CC: I love The Grand Budapest Hotel's overall visual tone and campy design flourishes, like its Pepto Bismol-colored lobby.
KH: Everyone who has seen it wants to check into this Grand Budapest Hotel.
Egregiously Overlooked: True, it is chiefly animated but no film last year impressed me for its artistic design as much as The Lego Movie did. - CC

The Imitation Game by Malika Favre

The nominees for Best Costume Design are: The Grand Budapest Hotel, Inherent Vice, Into the Woods, Maleficent and Mr. Turner
And our winners would be:
CC: The Grand Budapest Hotel, natch.
KH: Although I love the fantasy drag of Maleficent, once again it is The Grand Budapest Hotel for me.
Egregiously Overlooked: I admired the futuristic "military chic" attire, especially on Effie, in The Hunger Games: Mockingjay, Part 1. - CC
Oscar Trivia: Into the Woods is Colleen Atwood's fourth collaboration with director Rob Marshall and the fourth to garner her a nomination here, following wins for Chicago and Memoirs of a Geisha and a nomination for Nine.

The nominees for Best Original Score are: The Grand Budapest Hotel, The Imitation Game, Interstellar, Mr. Turner and The Theory of Everything
And our winners would be:
CC: Relative newcomer (at least to English-language films) Johann Johannsson's music for The Theory of Everything is lovely.
KH: I agree, The Theory of Everything score really caught my ear.
Egregiously Overlooked: Perhaps it wasn't all original music and therefore excluded from consideration, but Whiplash's jazz- and drum-infused score adds that much more tension and excitement to the plot. - CC
Oscar Trivia: All the nominated composers this year are not American, a first for this category.

The nominees for Best Original Song are: "Everything Is Awesome" from The Lego Movie, "Glory" from Selma, "Grateful" from Beyond the Lights, "I’m Not Gonna Miss You" from Glen Campbell: I’ll Be Me and "Lost Stars" from Begin Again
And our winners would be:
CC: Its hard to resist the delightfully catchy "Everything is Awesome," especially since my year-old nephew loves it, but the soaring "Glory" is obviously more significant.
KH: Like Once's "Falling Slowly" before it, "Lost Stars" is an excellent example of modern movie songwriting, perfectly capturing the theme of its film while still being able to stand alone as one damn good song.
Egregiously Overlooked: Chris picks Lorde's trance hit "Yellow Flicker Beat" from The Hunger Games: Mockingjay, Part 1, whereas if I had my way, this category would be nothing but songs from the underrated gem Begin Again. But if I had to choose one, it would be "A Step You Can't Take Back", the simple tune that opens the film and sets the tone for all that follows. - KH
Oscar Trivia: "Lost Stars" co-composer Danielle Brisebois is a former child actress best known for playing Stephanie on All in the Family and its spin-off Archie Bunker's Place. She also originated the role of Molly in the original Broadway production of Annie.

Selma by Eve Lloyd Knight

The nominees for Best Film Editing are: American Sniper, Boyhood, The Grand Budapest Hotel, The Imitation Game and Whiplash
And our winners would be:
CC: Whiplash, hands down.
KH: Make that two for Whiplash.
Egregiously Overlooked: Chris says Edge of Tomorrow, while I have to say it was a big shock not to see Birdman, with its celebrated "one single shot" effect, not among the final five. - KH

The nominees for Best Sound Mixing are: American Sniper, Birdman, Interstellar, Unbroken and Whiplash
And our winners would be:
CC: Whiplash again.
KH: The entire soundscape of Birdman was a peek inside the fractured mind of its protagonist.
Egregiously Overlooked: The roaring, raging and aurally stunning Godzilla. - CC

The nominees for Best Sound Editing are: American Sniper, Birdman, The Hobbit: The Battle of the Five Armies, Interstellar and Unbroken
And our winners would be:
CC: For a sci-fi epic, I appreciated the more understated use of sound in Interstellar.
KH: Birdman again.
Egregiously Overlooked: The completely, underservedly shut out Snowpiercer or the nightmare-inducing "bumps in the dark" that filled The Babadook. - KH

Birdman by Malika Favre

The nominees for Best Visual Effects are: Captain America: The Winter Soldier, Dawn of the Planet of the Apes, Guardians of the Galaxy, Interstellar and X-Men: Days of Future Past
And our winners would be:
CC: Interstellar's effects looked the most organic and least video gamey to me.
KH: With two of the five main characters convincingly visualized via digital effects, I gotta hand it to the super-fun Guardians of the Galaxy.
Egregiously Overlooked: Godzilla's massive monsters were amazing. They should go stomp on the Academy's Visual Effects branch for the snub. - CC
Oscar Trivia: Three of the five nominees — Captain America: The Winter Soldier, Guardians of the Galaxy and X-Men: Days of Future Past — are based on Marvel Comics' characters.

The nominees for Best Makeup & Hairstyling are: Foxcatcher, The Grand Budapest Hotel and Guardians of the Galaxy
And our winners would be:
CC: The Grand Budapest Hotel, and not only for aging Tilda Swinton so decrepitly.
KH: Two of the other three main characters of Guardians of the Galaxy owe their far out looks to the film's expert makeup designers.
Egregiously Overlooked: Snowpiercer, says Chris, for another radical transformation of Swinton. I say Maleficent, for making the always stunning Angelina Jolie even more stunning. Those cheekbones! - KH

The nominees for Best Animated Feature are: Big Hero 6, The Boxtrolls, How to Train Your Dragon 2, Song of the Sea and The Tale of Princess Kaguya
And our winners would be:
CC: The Boxtrolls kinda grossed me out and I've only seen Big Hero 6 out of the other nominees, so Baymax, Hiro & friends are my pick.
KH: Time for Hiccup, Toothless and the makers of How to Train Your Dragon 2 to finally soar home with an Oscar.
Egregiously Overlooked: Chris wonders if  the infamous snub of The Lego Movie is because it wasn't 100% animated; like the also not-nominated The Simpsons Movie, I think it was too commercial for the more "art"-minded animation branch. - KH
Oscar Trivia: If How to Train Your Dragon 2 wins, it would be the first sequel to win without its nominated predecessor winning.


Foxcatcher by Matt Murphy

The nominees for Best Foreign Language Film are: Ida (Poland), Leviathan (Russia), Tangerines (Estonia), Timbuktu (Mauritania) and Wild Tales (Argentina)
And our winners would be:
CC: Ida tells the most potent story and in gorgeous black & white.
KH: Hauntingly powerful, Ida it is.
Egregiously Overlooked: Xavier Dolan's emotional roller coaster ride Mommy.
Oscar Trivia: These are the first nominations for Estonia and Mauritania. Poland has the most previous nominations, with ten total.

The nominees for Best Documentary Feature are: Citizenfour, Finding Vivien Maier, Last Days in Vietnam, The Salt of the Earth and Virunga
And our winners would be:
CC: Virunga for its important and sadly necessary save-the-gorillas plea.
KH: Sometimes the subject of a documentary seems to win the award more than the actual film (An Inconvenient Truth, any one?), so I heartily agree with Virunga, which not only has a compelling story to tell but does so in an engrossingly cinematic way.
Egregiously Overlooked: It doesn't strictly qualify as a documentary, which is likely why it wasn't nominated, but The Circle is illuminating and compelling. - CC

The nominees for Best Documentary Short Subject are: Crisis Hotline: Veterans Press 1, Joanna, Our Curse, The Reaper (La Parka) and White Earth
And our winner would be:
KH: Our Curse, about a baby born with a life threatening condition, is heartbreaking, inspiring and unforgettable.

Boyhood by Malika Favre

The nominees for Best Animated Short Film are: The Bigger Picture, The Dam Keeper, Feast, Me and My Moulton and A Single Life
And our winners would be:
CC: Disney's sweet Feast.
KH: Feast it is, but I also really dug The Dam Keeper and Me and My Moulton.
Egregiously Overlooked: That Glen Keane, the legendary Disney animator behind such iconic characters as Ariel, the Beast and Aladdin, wasn't nominated for the absolutely lovely Duet is (to me at least) the biggest Oscar snub of the year. - KH
Oscar Trivia: Feast was released theatrically with Best Animated Feature nominee Big Hero 6.

The nominees for Best Live Action Short Film are: Aya, Boogaloo and Graham, Butter Lamp (La Lampe Au Beurre De Yak), Parvaneh and The Phone Call
And our winners would be:
CC: Its rare for a film to be heartwarming while making a political statement, but Boogaloo and Graham is such a short.
KH: Funny and charming, I'm all for Boogaloo and Graham as well.

And now for our own special category of dishonorable mention, the Worst Nomination of the Year:
CC: I really can't single out a particular nomination or category this year, which is unusual, but I do feel there is excessive love for Birdman. From its pretentious subtitle — Or (The Unexpected Virtue of Ignorance) — to its über-insider sense of humor and pretty baffling conclusion, I just don't get it. I will protest, or at least roll my eyes dramatically, if it wins Best Picture.
KH: For me, the most overrated film of the year is Boyhood. Yeah yeah yeah, it was filmed over 12 years. I get it. But you would think that Richard Linklater would have been able to craft a more compelling story during that dozen years instead of the string of coming-of-age clichés that comprise his script, an Original Screenplay nominee.

American Sniper by Orlando Arocena

And so the final march to Oscar glory begins. Tune in to the Big Show, hosted by Neil Patrick Harris, on ABC this Sunday to see who wins, as well as which nominees are rocking the best (and worst) gowns, most attractive escorts and most heartfelt acceptance speeches.

By Rev. Chris Carpenter, resident film critic of Movie Dearest and Rage Monthly Magazine, and Kirby Holt, creator and editor of Movie Dearest, The QuOD: The Queer Online Database and the Out Movie Guide.

Monday, February 16, 2015

MD Reviews: Short Cuts 2014, Part 3

 

Once again, ShortsHD The Short Movie Channel (a.k.a. ShortsTV) has theatrically released this year's Academy Award nominated animated, live action and documentary short films. These special programs are usually the only way for most movie fans to see these otherwise illusive short film nominees that can make our break your office Oscar pool. In the final of three parts, Movie Dearest takes a look at this year's five nominees for Best Documentary Short Subject.


Click here for Part 1, the Animated Short Film nominees, and Part 2, the Live Action Short Film nominees.


Crisis Hotline: Veterans Press 1, Ellen Goosenberg Kent and Dana Perry (USA, 40 minutes).
A behind-the-phones look at the Veterans Crisis Line, the service that fields over 22,000 calls a month from suicidal military personnel. On the surface, it looks like any other cubicled call center, but it's the harrowing cries for help (heard only from the operator's point of view) that make this a powerful indictment of the chronic horrors brought on by serving one's country in the name of war.
Watch trailer. Currently available to watch on HBO GO and HBO On Demand.
MD Rating: B+


Joanna, Aneta Kopacz (Poland, 40 minutes).
Wife and mother Joanna, stricken with terminal cancer, writes a blog in which she tries to leave a record of what she hopes to teach her young son. Artful to a fault, the whole blog aspect is hardly explored, leaving a long, frankly boring look into the everyday life of (to put it bluntly) a subject we have seen countless times before. It doesn't help that the son is precocious beyond words.
Watch trailer.
MD Rating: C-


Our Curse (Nasza klatwa), Tomasz Sliwinski and Maciej Slesicki (Poland, 28 minutes).
New parents face daunting emotional and physical challenges when their son is diagnosed with a life-threatening congenital breathing disorder known colloquially as "Ondine's curse". Framed as a video memoir (director Sliwinski is the father of precious little Leo), this is a unflinching, intimate look at two parents' journey through fear, doubt and guilt to acceptance, normalcy and the unbroken bonds of love. Heartbreaking, inspiring and unforgettable.
Watch trailer. Watch in full at the New York Times website.
MD Rating: A


The Reaper (La Parka), Gabriel Serra (Mexico, 29 minutes).
Meet Efrain, a 25-year employee of a Mexican slaughterhouse known by his co-workers as "La Parka" ("The Reaper"), whose job it is to deal the final blow to countless heads of cattle on a daily basis. Filled with visually stunning imagery of decay and gore, this one is certainly not for the squeamish, yet if you can stomach it you will discover a fascinating exploration into institutionalized death.
Watch trailer.
MD Rating: A-


White Earth, Christian Jensen (USA, 20 minutes).
Welcome to White Earth, North Dakota, where thousands have come to brave cruel winters seeking work in the oil fields. As seen through the eyes of three children and an immigrant mother, struggling to survive in broken down trailers while their fathers and husband are mostly absent, this one strives to be a modern day Grapes of Wrath but its overall lack of focus makes it just Michael Moore Lite.
Watch trailer. Currently available to watch on Vimeo.
MD Rating: C

Reviews by Kirby Holt, creator and editor of Movie Dearest, The QuOD: The Queer Online Database and the Out Movie Guide.

Thursday, February 12, 2015

MD Reviews: Short Cuts 2014, Part 2

 

Once again, ShortsHD The Short Movie Channel (a.k.a. ShortsTV) has theatrically released this year's Academy Award nominated animated, live action and documentary short films. These special programs are usually the only way for most movie fans to see these otherwise illusive short film nominees that can make or break your office Oscar pool. In the second of three parts, Movie Dearest takes a look at this year's five nominees for Best Live Action Short.


Click here for Part 1, the Animated Short Film nominees.


Aya, Oded Binnun and Mihal Brezis (France/Israel, 40 minutes).
A traveler mistakes a woman at the airport for his driver and she doesn't immediately correct him in this offbeat tale of a chance encounter that goes too far. Along with a big dose of voyeurism, there's a slow build up of tension in this, the longest of the nominees. However, the aloofness of the characters makes the ultimate payoff hollow.
Watch trailer.
MD Rating: C-


Boogaloo and Graham, Michael Lennox and Ronan Blaney (UK, 14 minutes).
When a dad gives his two adorable young sons two equally adorable chicks to raise problems arise with mum when the title duo grow up. Already a BAFTA Award winner, this heartwarming charmer will easily garner the sentimental vote that often triumphs in this category. It's certainly a winner in my book.
Watch trailer.
MD Rating: A


Butter Lamp (La lampe au beurre de yak), Wei Hu and Julien Féret (France/China, 15 minutes).
A traveling photographer takes several family portraits of the people of Tibet posed in front of a series of absurd backdrops in this odd entry. The point of it all is elusive until the very end, but it's not one we haven't heard many times before. But the short does possess a quirky allure.
Watch trailer.
MD Rating: C


Parvaneh, Talkhon Hamzavi and Stefan Eichenberger (Switzerland, 25 minutes).
A young Afghani girl working abroad to help her family back home runs into a roadblock when she attempts to send them money via Western Union. The main conflict is, eventually, easily resolved, yet this is ultimately a depiction of a social and culture divide bridged by friendship, buoyed by a winning lead performance by Nissa Kashani.
Watch trailer.
MD Rating: B


The Phone Call, Mat Kirkby and James Lucas (UK, 20 minutes).
A hotline operator tries to talk a grieving widower out of suicide in (obviously) the most dramatic of the year's nominees. Sally Hawkins (an Oscar nominee last year) and Jim Broadbent (an Oscar winner 13 years ago) heightens this one's profile, yet the climax is drastically undercut by one of the drippiest pop ballads this side of the 1980s.
Watch trailer.
MD Rating: B-

Coming soon: Part 3 takes a look at the five Oscar nominees for Best Documentary Short Subject.

Reviews by Kirby Holt, creator and editor of Movie Dearest, The QuOD: The Queer Online Database and the Out Movie Guide.

Monday, February 9, 2015

MD Reviews: Short Cuts 2014, Part 1

 

Once again, ShortsHD The Short Movie Channel (a.k.a. ShortsTV) has theatrically released this year's Academy Award nominated animated, live action and documentary short films. These special programs are usually the only way for most movie fans to see these otherwise illusive short film nominees that can make or break your office Oscar pool. In the first of three parts, Movie Dearest takes a look at this year's five nominees for Best Animated Short.

 


The Bigger Picture, Daisy Jacobs (UK, 8 minutes).
Two adult brothers clash over the care of their aged, infirm mother in this year's "artsy" entry. As seen in this making of, director Jacobs hand painted the characters directly onto the walls of a full-size set, with hand-crafted projections and props to create a 3D effect. Like Best Picture nominee Boyhood, the filmmaking gimmick here (which on first viewing isn't even entirely apparent) seems to be the magnet for praise (including a BAFTA) despite the stale story.
Watch trailer.
MD Rating: C-


The Dam Keeper, Robert Kondo (USA, 18 minutes).
A practical piglet oversees the dam that keeps an unnamed "darkness" out of the anthropomorphic animal village he lives in, yet he's still a bullied outcast at his school. Like its adorable porcine protagonist, the pastel animation is smudged yet winning in this heartbreaking-then-heartwarming fable (narrated by Sherlock baddie Lars Mikkelsen) of friendship and responsibility.
Watch trailer.
MD Rating: B+


Feast, Patrick Osborne (USA, 6 minutes).
The most high profile nominee thanks to its theatrical pairing with Disney's Best Animated Feature nominee Big Hero 6, this charming tale takes a "dog's eye view" of a pup's owner's love life and how it effects the pup's love life... with food. Familiar territory for a Disney cartoon yes, but its the most accomplished of the five contenders (it has already won the Annie Award) and offers the most satisfying denouement.
Watch trailer. Feast will be included as a bonus feature on the DVD and Blu-ray of Big Hero 6, available February 24.
MD Rating: A-


Me and My Moulton, Torill Kove (Canada, 14 minutes).
The middle daughter of a happy family of five is nonetheless embarrassed by her parents' bohemian nonconformity. Kove's autobiographical follow up to her earlier Academy Award winning short The Danish Poet is simply animated, universally familiar (we have all been mortified by our own mothers and fathers at some point in our lives) and unexpectedly, consistently hilarious.
Watch trailer. Watch in full at the National Film Board of Canada website.
MD Rating: B+


A Single Life, Joris Oprins (The Netherlands, 3 minutes).
A woman discovers a magical 45 record can propel her backwards and forwards to different points in her life, from childhood to old age. Cute but easily the slightest of this year's batch; how this got in over legendary Disney animator Glen Keane's joyous, lovely Duet boggles the mind even more than the much-discussed omission of The Lego Movie in the Best Animated Feature category.
Watch trailer.
MD Rating: C

Coming soon: Part 2 takes a look at the five Oscar nominees for Best Live Action Short Film.

Reviews by Kirby Holt, creator and editor of Movie Dearest, The QuOD: The Queer Online Database and the Out Movie Guide.

Wednesday, January 21, 2015

And the 2014 Dorian Awards Go To...


The members of the Gay and Lesbian Entertainment Critics Association, (GALECA), including myself and fellow Movie Dearest critic Chris Carpenter, have chosen their winners for the 6th Annual Dorian Awards, naming the best of the best in film and television for 2014. Richard Linklater's Boyhood, a frontrunner at the upcoming Academy Awards, was named Film of the Year, while Amazon's Transparent dominated the TV prizes with five awards.


Other winning movies include Pride (for both LGBTQ and Unsung Film of the Year), The Case Against 8 (Documentary), Xavier Dolan's Mommy (Foreign Language Film), The Grand Budapest Hotel (Visually Striking Film) and Into the Woods (Campy Film). Oscar favorites Eddie Redmayne (The Theory of Everything) and Julianne Moore (Still Alice) took the Film Performance awards, while Selma's breakout director Ava DuVernay was honored with the first Director of the Year Dorian.

In addition to TV Comedy and LGBTQ TV Show of the Year, Transparent netted Jeffrey Tambor a Dorian to go along with his recently won Golden Globe. The Normal Heart was named TV Drama of the Year, with other prizes going to Lisa Kudrow (for the comeback of The Comeback), Neil Patrick Harris (for his Hedwig and the Angry Inch performance on last year's Tony Awards) and Sia (for her viral music video "Chandelier").

Congratulations to all the Dorian Awards! See the comments section below for a complete list.

Tuesday, January 13, 2015

The 2014 Dorian Award Nominations


The Gay and Lesbian Entertainment Critics Association, of which I and Movie Dearest contributor Chris Carpenter are members, has announced the nominations for the 6th Annual Dorian Awards honoring the best in film and television for 2014.


Recent Golden Globe winners Birdman, Boyhood and The Grand Budapest Hotel are joined by the Alan Turing biopic The Imitation Game and gay indie fave Pride as the nominees for the Film of the Year award, with the latter two competing with Love is Strange, Stranger by the Lake and The Way He Looks for the LGBT Film of the Year prize. The nominations as a whole display a wide variety of 2014's cinematic best, with such award season favorites as Foxcatcher, Gone Girl and The Theory of Everything joining underdogs like The Babadook, Xavier Dolan's Mommy and The Skeleton Twins.

Ryan Murphy's acclaimed screen adaptation of Larry Kramer's The Normal Heart leads the nominations on the television side, while actor/activist/Star Trek legend George Takei was named this year's recipient of the Timeless Award, given to “an actor or performer whose exemplary career is marked by character, wisdom and wit.”

See the comments section below for the complete list of nominees. Winners will be announced January 20th.

Monday, December 29, 2014

MD Reviews: Where the Boys Are



Riding high on Best Picture wins from both the Los Angeles Film Critics Association and New York Film Critics Circle Awards, not to mention a slew of nominations from the Golden Globes, Screen Actors Guild and just about every other movie prize-giving group that pops out of the woodwork this time of year, Richard Linklater's Boyhood is poised for some degree of Oscar gold this award season. Necessarily twelve years in the making, this coming-of-age tale has quite the back story. However, its onscreen story is overlong and trite.


A dozen years ago, writer director Linklater (best known for Dazed and Confused and the Before Sunrise trilogy) began production on Boyhood (then titled 12 Years; a change was required following last year's big awards magnet, 12 Years a Slave). Centering on a then-seven year old Ellar Coltrane as the five year old Mason, the film follows him as he literally grows up before our eyes to the age of 18 (one assumes the sequel will be called Manhood). No recasting was done, Linklater and company met once a year to continue filming.

Patricia Arquette gives a strong performance as Mason's mom, even though she is saddled with not one but two alcoholic husbands, while Ethan Hawke is surprisingly likeable as Mason's absent father; Linklater's own daughter Lorelei rounds out the family as big sister Samantha. The film starts out strong, but once Mason enters his sullen teenage years, the pacing grinds to a crawl and the high school tropes start stacking up. By the time he goes to college as a proto-hipster I had lost all interest.

Boyhood is a compelling filmmaking experiment that nevertheless never quite gets past its central (for lack of a better term) gimmick. One wonders how much acclaim it would be reaping if the much-publicized making of the film was unknown.


From the overrated to the mostly overlooked, St. Vincent is a winning comedy/drama about a grumpy old man and his unlikely friendship with the boy next door. Bill Murray turns in some of his best dramatic work to date with his performance as Vincent, the meanest guy on the block who Melissa McCarthy's Maggie has the misfortune to move in adjacent to. In the midst of a messy divorce, Maggie is forced to accept the cash-strapped Vincent's offer of watching her son Oliver (Jaeden Lieberher) after school. The two form an odd partnership, with Vincent teaching the boy how to defend himself against school bullies (not to mention the finer points of betting on the horses), while Oliver slowly warms this Grinch's heart.

If it all sounds a tad sappy, director Theodore Melfi (who also penned the script) deftly avoids any gross sentimentality with gritty tinges of black comedy, mostly via Naomi Watts' acerbic Russian prostitute Daka, whose unfortunate pregnancy keeps getting in her way of turning a not-so-honest buck. Watts recently scored an unexpected Screen Actors Guild nomination, while Murray and the film itself rightly picked up nods from the Golden Globes. Here's hoping that these aren't the last laurels received by St. Vincent.


The Babadook, our final boy's tale, is a decidedly darker one. Australian writer/director Jennifer Kent makes an impressive feature film debut with this spooky supernatural thriller from Down Under, which again finds a young lad at the center of the proceedings. Still wracked with grief over the death of her husband on the same day she gave birth to her son Samuel, frazzled single mother Amelia (a raw to the bone performance by Essie Davis) is increasingly disturbed by the erratic behavior of the precocious boy (played by Noah Wiseman, who easily joins Damien and Regan in the esteemed ranks of Cinematic Creepy Kids). Faster than a trip from the frying pan to the fire, the situation escalates when Amelia reads Samuel the worst bedtime story ever, a mysterious pop-up book about a boogieman named the Babadook.

With excellent usage of disembodied sounds, pitch blackness and razor sharp editing, Kent expertly delivers the requisite willies, most successfully with the quick flashes of the title specter, with his London After Midnight top hat and Nosferatu fingers. And although the momentum lags a bit in the final third, and the climax isn't quite as big as it needed to be, you'll want to let in The Babadook next time you want your pants scared off.

MD Ratings:
Boyhood: C+
St. Vincent: B+
The Babadook: B

Reviews by Kirby Holt, creator and editor of Movie Dearest, The QuOD: The Queer Online Database and the Out Movie Guide.